Here are 39 books that The Mirror and the Palette fans have personally recommended if you like
The Mirror and the Palette.
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As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader.
I know I’m stretching the scope of my own title here, but this book’s worth it.
Maggie O’Farrell excels at striking harmony between character, place, and historical moment. Starting with her discovery of a painting of Lucrezia de Medici, the little-known member of that great Italian dynasty, O’Farrell paints her own portrait and revives 16th-century Italy. Pushed into marriage at just 16, Lucrezia quickly infers that her husband, Alfonso, Duke of Ferrara, is planning to kill her.
Her swerve-by-swerve struggle to escape his clutches had me gripped to the very last page. But above all, it was Lucrezia’s passion for art that fascinated me. Her love of drawing and collecting was so sensitively described, and I was moved by her resilience when all her equipment was taken from her.
Besides being a compelling read, the book is a powerful reminder of the role art can play in the lives of…
WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.
“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)
"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader.
The provocative title and sheer ambition of this project caught my attention.
Hessel leads us through the history of art, but an alternative version which systematically edits out the men. The result is both enlightening and enthralling. Through the pages, I reconnected with some familiar names, and also met some new ones. The book moves chronologically, offering a series of little windows onto individual artists’ lives.
I listened to the audiobook, which brought the added advantage of hearing the author’s own passion for her topic. This is infectious, and it carried me along, making it ‘unputdownable’. Granted, this isn’t a thorough study of an individual artist’s life. But if you’re looking for a biographical smorgasbord and an enthusiastic overview of women’s art history, you couldn’t do better.
How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?
Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened…
As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader.
Anne Higgonet’s study of this elusive Impressionist remains one of my favourite biographies.
It is superbly researched, yet Higgonet wears her academic credentials lightly. She moves deftly through Berthe Morisot’s life, finding just the right balance between historical context and individual psychology. Chapters are both thematic and chronological, yet they flow effortlessly.
The pace was just what I look for in a biography. It moved along smartly, and I felt myself really getting to know this measured, passionate, and endearingly melancholic painter. Every so often, the author’s own opinions can be glimpsed. But these appear and pass so swiftly and subtly that they take nothing from the narrative denouement.
I found this a riveting retelling of a life story, one which drew me right into the heart of Impressionist Paris and the world of a woman pulled between artistic rebellion and social mores.
Of the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to life an accomplished artist and her world.
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader.
Now something of a classic and an award-winning film, Herrera’s biography of the artist Frida Kahlo appealed to me for its rich personal detail and evocative descriptions of early 20th-century Mexico.
Her interpretations of the paintings are engrossing. By peppering these throughout the book, Herrera really helped me understand the significance of each work and its place in Frida’s life story, which is one of passion and pain.
I know some people find copious letters in a biography tedious, but I welcome this. Letters are such a gift to a biographer. As a reader, I found they really helped me get inside the head of this intense, sensual, and resilient woman. This, in turn, made her pictures come alive. This biography really opens up Frida’s world. I couldn’t help getting drawn in.
The beautifully illustrated and authoritative biography of Frida Kahlo
'Frida will hold its place as the first comprehensive biography of this most visceral of artists' Observer 'Mesmerizing' Time
Frida is the story of one of the twentieth century's most extraordinary women, the painter Frida Kahlo. Born near Mexico City, she grew up during the turbulent days of the Mexican Revolution and, at eighteen, was the victim of an accident that left her crippled and unable to bear children. To salvage what she could from her unhappy situation, Kahlo had to learn to keep still - so she began to paint.
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I loved how it brought to life one of my favorite late nineteenth-century female artists—Suzanne Valadon. I also loved how the book wove her tale with that of a contemporary woman, motivated by Suzanne’s bold art and life.
I rooted for both women as they struggled for personal and professional fulfillment, feeling disheartened by their frustrations and jubilant over their victories, such as Suzanne’s acceptance into the Académie des Beaux-Arts. It thrilled me how she overcame the many societal barriers in her path and won over the Académie with her powerfully expressive art.
The greatest artists in Paris never suspected that their favorite model was learning their techniques while she was posing for them. Art schools didn't accept female students, but Suzanne Valadon knew how to fight for what she wanted. By the time she was 15, she’d been a horse walker, a funeral wreath maker, and a circus acrobat.
This is the story of a survivor.
Emotionally gripping and poignant, a book to make you cry one minute and laugh out loud the next.
EDITOR'S CHOICE, BookLife Review "A rousing novel of visionary women a…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!
Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.
Memory and Dream is also a great entry into de Lint’s story world of “Newford”.
From her mentor, Rushkin, Isabell Copley had learned to paint creatures that come to life--literally--and years after these creatures have ruined her life, Isabelle returns to painting, haunted by memories, dreams, and the threat of her mentor's return.
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.
Revisit the Carriage House series with this classic tale of romantic suspense from New York Times bestselling author Carla Neggers.
Fun and a little hard work. That’s all Tess Haviland has in mind when Ike Grantham pays her for her graphic design work on the run-down nineteenth-century carriage house on Boston’s North Shore.
Then Ike disappears and Tess finds herself with much more than a simple weekend project to get her out of the city. It’s not just the rumors that the carriage house is haunted—it’s the neighbors: six-year-old Dolly Thorne, her reclusive babysitter, Harley Beckett…and especially Dolly’s father, Andrew…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Sandy is a writer, traveller, and hopeful romantic with a lengthy bucket list, and many of her travel adventures have found homes in her novels. She’s also an avid reader, a film buff, a wine lover, and a coffee snob. She lives in Melbourne, Australia with her partner, Ben, who she met while travelling in Greece. Their real-life love story inspired Sandy’s debut novel One Summer in Santorini, the first in the five-book Holiday Romance series. The series continues in Paris, Sydney, Bali, and Tuscany. Sandy's standalone novel The Christmas Swap celebrates her favourite time of the year, and her rom-com, The Dating Game, is set in the world of Reality TV.
This is such a fun read―a fictionalised account of the real-life husband and wife’s experience of walking the Camino de Santiago. I love how the two protagonists, who start as strangers, take turns to tell their stories, especially the hilarity in the ‘he said–she said’ of their relationship―they really are opposites but both bring out something remarkable in the other. Romantic in a very real way.
'Charming and absorbing' Daily Mail 'Sleepless in Seattle meets Wild . . . A beautifully crafted tale of love, self-acceptance, and blisters' Sunday Express
A smart, funny novel of second chances and reinvention from the author of The Rosie Result - two misfits walk 2,000 km along the Camino to find themselves and, perhaps, each other.
Zoe, a sometime artist, is from California. Martin, an engineer, is from Yorkshire. Both have ended up in picturesque Cluny, in central France. Both are struggling to come to terms with their recent past - for Zoe, the death of her…
