A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I loved how it brought to life one of my favorite late nineteenth-century female artists—Suzanne Valadon. I also loved how the book wove her tale with that of a contemporary woman, motivated by Suzanne’s bold art and life.
I rooted for both women as they struggled for personal and professional fulfillment, feeling disheartened by their frustrations and jubilant over their victories, such as Suzanne’s acceptance into the Académie des Beaux-Arts. It thrilled me how she overcame the many societal barriers in her path and won over the Académie with her powerfully expressive art.
The greatest artists in Paris never suspected that their favorite model was learning their techniques while she was posing for them. Art schools didn't accept female students, but Suzanne Valadon knew how to fight for what she wanted. By the time she was 15, she’d been a horse walker, a funeral wreath maker, and a circus acrobat.
This is the story of a survivor.
Emotionally gripping and poignant, a book to make you cry one minute and laugh out loud the next.
EDITOR'S CHOICE, BookLife Review "A rousing novel of visionary women a…
I loved being immersed in the Middle Ages with characters so emotionally real I didn’t want to leave them. I’m fascinated by the complexity of Gothic architecture and agonized along with the builders as they struggled to complete their masterpiece.
I also loved how the cathedral’s slow, steady construction provided a solid framework for decades of interwoven stories, like a tall, straight tree growing from tangled roots. The author’s passion for the timeless magnificence of Gothic architecture made me feel as if I were standing before it, spellbound and transported.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
Upon the Corner of the Moon begins the story of real people who’ve been rewritten into emblems of evil. Macbeth is raised in the royal court, immersed in Christian teachings and guided toward leadership alongside his foster-brother and rival, Duncan. Gruach is raised in the traditions of a Goddess religion…
Years ago, when I worked as an art museum lecturer, I often wandered the galleries before they opened to the public. The author recreated that magical experience for me—those exquisite moments of solitude and solace when the paintings opened up and quietly shared their mysteries.
As I read, I felt I was in the museum with the author, gazing at those works, and absorbing their timeless wisdom.
A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then…
The detailed descriptions of Vermeer’s paintings—the way he described their calming stillness, their radiant light—made me envision these old friends with fresh eyes. I loved the way the author wove the paintings into the tapestry of his personal life, how they spoke to him and opened him up.
I felt transported along with the author as he explored the intimate worlds of Vermeer’s creations and gratefully absorbed their healing beauty.
“This book is a treasure and a guide. It is a type of healing for the intellect and the heart.” - (Rebecca Lee)
A lyrical and intimate account of how a poet, in the midst of a bad divorce, finds consolation and grace through viewing the paintings of Vermeer, in six world cities. In the midst of a divorce (in which the custody of his young daughter is at stake) and over the course of a year, the poet Michael White, travels to Amsterdam, The Hague, Delft, London, Washington, and New York to view the paintings of Johannes Vermeer, an…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
I love solving puzzles and learning something new, especially when it comes to art history.
That’s how Dan Brown’s Angels and Demons reeled me in. I’m also crazy about Rome and had great fun trying to determine which famous locations the protagonists were in search of before they found them. Each of those historic sites included sculptures by Bernini—one of the most emotionally powerful sculptors I know.
For me, Brown’s descriptions of Bernini’s theatrical works made my heart race even faster. I’m fascinated by the way art speaks to us, pulls us, comforts us, or in this case, raises our blood pressure as we careen through the dazzling streets of Rome.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
It’s the 1980s, and art historian Claire Markham reels from a series of heartbreaking losses. Desperate to escape her shattered reality, she becomes an art guide in Europe for a quirky stranger, Viv Chancey.
But as these two mismatched women explore the art-filled cities of Italy and then Paris, Claire’s woes follow. Forced to face her demons, she realizes she must embrace the spirit of her eccentric companion and the timeless wisdom of the old masters to take charge of her life or lose the most important thing in it.
A brilliant scholar, ancient libraries in danger due to war, suppressed women’s religious history, and a renegade monastery.
A doggedly determined Sofia Papandréou pursues evidence for women in leadership in early Christianity in the dusty corners of libraries, long ignored. Or worse, actively hidden away to deny women their heritage…
