Will I love The Marriage Portrait?

I used to teach "My Last Duchess" back in my college lecturer years, and this book jumps off of Browning's poem and provides the back story to the painting in question. It's imaginative, and lush, and evocative of the time.

I fall in love with any book that can bring details of the setting and time frame to life in my mind. This one was a movie in my imagination of Lucrezia de’ Medici’s world in the 16th century, what we now call Italy, from beginning to end. 

The mystery of the story was mesmerizing. It was one of those novels that gives you a glimpse of the ending at the opening and keeps you guessing and rooting for the female protagonist. Once again, Lucrezia was the tenacious young woman everyone overlooked and underestimated, and the reader could not help… show more.

The Marriage Portrait is a revisionist story of Lucrezia de Medici, the daughter of a 16th century Florentine duke who marries her off to the ruthless ruler of another region in northern Italy. Lucrezia’s husband is infertile but of course she is blamed for not being able to conceive. She overhears a plot to do away with her, so her husband can try to beget an heir on someone else. Lucrezia, who can get no help from her parents, has to figure out how to outwit her husband and escape. I’ll let you read this suspenseful and richly layered novel… show more.

It tells the somewhat true story of Lucrezia di Cosimo de’Medici, who at 15 was forced by her parents to marry the older Alfonso II d’Este, Duke of Ferrara, thus merging two dynasties. The author develops tension with a split time frame, opening in 1561 one year into the marriage in “a wild and lonely place” to which 16-year-old Lucrezia is quite sure Alfonso has brought her to be killed, then circling back to depict her childhood in Florence, including a life-changing encounter with a tiger in her father’s private menagerie. From there the two narratives move forward in tandem:… show more.

This book is a richly historical novel set in Renaissance Italy. The main character, Lucrezia, must use her wits in a world where her only value is her dynastic marriage and the heir she is duty-bound to produce.

I loved the imagery of her as a canary in a golden cage, which is really a prison. The book is richly descriptive and historically evocative, and the ending provides an unexpected conclusion that left me cheering.  

I loved this book because it completely immersed me in the world of Renaissance Italy.

O’Farrell sets up the idea at the beginning of the novel that her protagonist Lucrezia’s life is at risk, so there’s an ominous quality hanging over the story, but Lucrezia’s interactions with her family members and her menacing yet charismatic husband really jump off the page.

I also appreciated the fact that these were actual historical figures—I enjoy novels that make me want to learn more about the real people involved.

The book is based on one of the most obliquely sinister poems ever written, “My Last Duchess” by Robert Browning—one of my favorite poems, so I couldn’t wait to read it.

O’Farrell tells the dark story that Browning only hinted at. I loved the artistry in this novel—hints, clues, and significant imagery. The plot is so gripping that I had to race through to discover how this thriller set in Renaissance Italy would end.

First, you need to know that my favourite books will always have three things in common: a fast story with an intense emotional expression—I can't do slow and gentle, however skilled the writing; a gripping start; and a distinct, pitch-perfect voice. These days, I am much less forgiving, and I can't waste time reading a book that doesn't deliver all these in spades.

I'm also drawn to historical fiction that shows the place women occupied in society at various times and how they dealt with it. I'm a huge fan of Maggie O'Farrell's writing, but The Marriage Portrait… show more.

I was absolutely blown away by O’Farrell’s earlier book, Hamnet! But would I love her new book as much or would I be disappointed?

I loved The Marriage Portrait every bit as much as Hamnet! O’Farrell has to be one of the best historical fiction writers out there. Her books are immersive, captivating, and thought provoking. I love the fact that both Hamnet and The Marriage Portrait tell the stories of strong women taking fate into their own hands.

This extraordinary novel deftly creates a compelling vision of the world of women in Renaissance Tuscany while telling a timeless tale of the most unexpected of romantic encounters: a richly imagined historical novel that delivers an entirely modern view of women’s resilience in the face of adversity.

The tale is told with wit, guile, and a pervasive and sometimes sly humor that recurrently undercuts the pompous posturing of the privileged and powerful.