Books like Berthe Morisot

I know I’m stretching the scope of my own title here, but this book’s worth it.

Maggie O’Farrell excels at striking harmony between character, place, and historical moment. Starting with her discovery of a painting of Lucrezia de Medici, the little-known member of that great Italian dynasty, O’Farrell paints her own portrait and revives 16th-century Italy. Pushed into marriage at just 16, Lucrezia quickly infers that her husband, Alfonso, Duke of Ferrara, is planning to kill her.

Her swerve-by-swerve struggle to escape his clutches had me gripped to the very last page. But above all, it was Lucrezia’s passion for art that fascinated me. Her love of drawing and collecting was so sensitively described, and I was moved by her resilience when all her equipment was taken from her.

Besides being a compelling read, the book is a powerful reminder of the role art can play in the lives of… show more.

The provocative title and sheer ambition of this project caught my attention.

Hessel leads us through the history of art, but an alternative version which systematically edits out the men. The result is both enlightening and enthralling. Through the pages, I reconnected with some familiar names, and also met some new ones. The book moves chronologically, offering a series of little windows onto individual artists’ lives.

I listened to the audiobook, which brought the added advantage of hearing the author’s own passion for her topic. This is infectious, and it carried me along, making it ‘unputdownable’. Granted, this isn’t a thorough study of an individual artist’s life. But if you’re looking for a biographical smorgasbord and an enthusiastic overview of women’s art history, you couldn’t do better.

Now something of a classic and an award-winning film, Herrera’s biography of the artist Frida Kahlo appealed to me for its rich personal detail and evocative descriptions of early 20th-century Mexico.

Her interpretations of the paintings are engrossing. By peppering these throughout the book, Herrera really helped me understand the significance of each work and its place in Frida’s life story, which is one of passion and pain.

I know some people find copious letters in a biography tedious, but I welcome this. Letters are such a gift to a biographer. As a reader, I found they really helped me get inside the head of this intense, sensual, and resilient woman. This, in turn, made her pictures come alive. This biography really opens up Frida’s world. I couldn’t help getting drawn in. 

Higgie uses a series of potted biographies to tell the story of a group of artists – women – who are largely undervalued by history.

I found her structuring approach inspiring. By grouping clusters of these life stories around themes rather than periods, she encouraged me to think about the psychology of why and how a woman chooses to paint herself.

I loved how each chapter begins with an introduction to a theme – smile, allegory, solitude, nakedness, etc. – before turning to the artists for whom that resonated. There are some fascinating stories here; tales of triumph and heartache, of art being pursued against the odds.

And because it is not chronological, I found I could dip in and out of sections and go back to those I wanted to read again. In short, this is a brilliant, user-friendly book which cannot fail to surprise and educate. 

Due to the title, and the fact that the authors of this book edited my 3rd book, this may seem to be a redundant choice on my part. But I can assure the reader that it is not. Although a fine photo of Kiki also graces the cover, she plays a minor, more metaphoric role in the grand scheme of this large-format work, and only a handful of pages are devoted to her.

On the inside of the cover, and the first thick page to its right, one is presented with 96 roughly 1”x 2” black & white thumbnail photographs, not alphabetically arranged, but as it happens, beginning with a photo image of a portrait of Louis XIV in the top left corner and finishing in the bottom right corner of the following page with a photo of James Joyce. All those photos in between should tip off the reader… show more.

I love a good story about artists who refuse to play by the rules, and Kiki Man Ray was exactly that. Her story hit me because it’s all about pushing boundaries, no matter who tries to shut the door.

What I loved most was how alive this book made that era feel. It’s like I could almost hear the jazz, feel the cigarette smoke in the air, and get lost in the chaos of Montparnasse. It’s the kind of energy that makes you want to create and exist loudly and I love it!

As an artist, I simply fell in love with this book about the author’s journey from a stressed advertising executive to a strolling artist. And yes, it is another memoir about falling in love in Paris. This one offers a different bonus: black and white illustrations that only hint at the vibrant, colorful watercolors featured in MacLeod’s next two books

Written with humor and intimacy, it offers a look at simplifying a fast-track life to allow for a year of travel. Besides being an uplifting read, this memoir features practical advice to make the dream of living abroad a reality–plus an additional bonus at the end–a list of tips on how to save/make $100 a day to set aside for a “break year.” 

Marc Chagall is a household name to arts aficionados, but his daughter Ida was also renowned in the Paris art world before World War II. This lovely novel tells of the overbearing way Chagall treated Ida and how he viewed her more as an assistant than a daughter. And when she married, he painted “The Wedding Chair” as a gift to her, which represented his anger at her leaving. This novel helped bring about a new trend to recount the untold stories of women alongside—or even in front of—famous men.

Despite a keen interest in Paris, its history and arts, reading straight history books isn’t my thing.

I prefer to learn by reading narrative nonfiction that draws on historical events as does McCullough’s. He focuses on the period in Paris (1830-1900) when the City of Light was the center of culture, the time when American artists, doctors, writers, musicians, and politicians among others ventured across the Atlantic to gain inspiration and knowledge from living in Paris.

McCullough highlights stories of the famous such as Mary Cassatt, Samuel Morse, Harriet Beecher Stowe, Mark Twain, Oliver Wendell Holmes, as well as lesser-known folks, interweaving their lives with historical events. One surprise was how American physicians benefited greatly from their Parisian colleagues. Other remarkable accounts await you.

After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.