Why am I passionate about this?

As a child, I adored mid-19th to early 20th-century fiction, stories like A Christmas Carol, Little Women, and The Railway Children. The period resonated with me, and my passion grew alongside my love of France and painting. Yet for some reason, after university, I applied for a postgraduate course in 18th-century decorative arts. Luckily, fate was having none of this. The course was cancelled, I switched to 19th-century French painting, and the rest is—quite literally—history. When my doctoral research uncovered the story of a forgotten 19th-century courtesan, I began my career in biography. With a special interest in women, the arts, and 19th-century France, my writing seeks to bring history to life for the 21st-century reader. 


I wrote...

A Way of Seeing: The Lives of the Women Impressionists

By Catherine Hewitt ,

Book cover of A Way of Seeing: The Lives of the Women Impressionists

What is my book about?

The Impressionists have long held audiences enthralled. But while the men have become household names, the women have been sidelined. …

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The books I picked & why

Berthe Morisot

By Anne Higonnet,

Book cover of Berthe Morisot

Catherine Hewitt Why I love this book

Anne Higgonet’s study of this elusive Impressionist remains one of my favourite biographies.

It is superbly researched, yet Higgonet wears her academic credentials lightly. She moves deftly through Berthe Morisot’s life, finding just the right balance between historical context and individual psychology. Chapters are both thematic and chronological, yet they flow effortlessly.

The pace was just what I look for in a biography. It moved along smartly, and I felt myself really getting to know this measured, passionate, and endearingly melancholic painter. Every so often, the author’s own opinions can be glimpsed. But these appear and pass so swiftly and subtly that they take nothing from the narrative denouement.

I found this a riveting retelling of a life story, one which drew me right into the heart of Impressionist Paris and the world of a woman pulled between artistic rebellion and social mores.

Berthe Morisot

By Anne Higonnet,

What is this book about?

Of the six Impressionist painters whose first exhibition scandalized and fascinated Paris in 1874, Berthe Morisot was the only woman. She reached a pinnacle of artistic achievement despite the restraints society placed on her sex, adroitly combining her artistic ambitions with a rewarding family life. Anne Higonnet brings fully to life an accomplished artist and her world.


Frida

By Hayden Herrera,

Book cover of Frida

Catherine Hewitt Why I love this book

Now something of a classic and an award-winning film, Herrera’s biography of the artist Frida Kahlo appealed to me for its rich personal detail and evocative descriptions of early 20th-century Mexico.

Her interpretations of the paintings are engrossing. By peppering these throughout the book, Herrera really helped me understand the significance of each work and its place in Frida’s life story, which is one of passion and pain.

I know some people find copious letters in a biography tedious, but I welcome this. Letters are such a gift to a biographer. As a reader, I found they really helped me get inside the head of this intense, sensual, and resilient woman. This, in turn, made her pictures come alive. This biography really opens up Frida’s world. I couldn’t help getting drawn in. 

Frida

By Hayden Herrera,

What is this book about?

The beautifully illustrated and authoritative biography of Frida Kahlo

'Frida will hold its place as the first comprehensive biography of this most visceral of artists' Observer
'Mesmerizing' Time

Frida is the story of one of the twentieth century's most extraordinary women, the painter Frida Kahlo. Born near Mexico City, she grew up during the turbulent days of the Mexican Revolution and, at eighteen, was the victim of an accident that left her crippled and unable to bear children. To salvage what she could from her unhappy situation, Kahlo had to learn to keep still - so she began to paint.

…


Book cover of Dulcinea

Dulcinea by Ana Veciana-Suarez,

The woman who inspired Don Quixote sets out across the dangerous roads of Spain to honor her dying lover's final plea.

The daughter of a wealthy merchant, young Dolça Llull Prat is besotted with the dashing, bootstrapping Miguel Cervantes from their first meeting. Despite Miguel's entreaties, the ever-practical Dolça, with…

The Mirror and the Palette

By Jennifer Higgie,

Book cover of The Mirror and the Palette

Catherine Hewitt Why I love this book

Higgie uses a series of potted biographies to tell the story of a group of artists – women – who are largely undervalued by history.

I found her structuring approach inspiring. By grouping clusters of these life stories around themes rather than periods, she encouraged me to think about the psychology of why and how a woman chooses to paint herself.

I loved how each chapter begins with an introduction to a theme – smile, allegory, solitude, nakedness, etc. – before turning to the artists for whom that resonated. There are some fascinating stories here; tales of triumph and heartache, of art being pursued against the odds.

And because it is not chronological, I found I could dip in and out of sections and go back to those I wanted to read again. In short, this is a brilliant, user-friendly book which cannot fail to surprise and educate. 

The Mirror and the Palette

By Jennifer Higgie,

What is this book about?

Her story weaves in and out of time and place. She's Frida Kahlo, Lois Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cezanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom,…


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Book cover of The Story of Art Without Men

Catherine Hewitt Why I love this book

The provocative title and sheer ambition of this project caught my attention.

Hessel leads us through the history of art, but an alternative version which systematically edits out the men. The result is both enlightening and enthralling. Through the pages, I reconnected with some familiar names, and also met some new ones. The book moves chronologically, offering a series of little windows onto individual artists’ lives.

I listened to the audiobook, which brought the added advantage of hearing the author’s own passion for her topic. This is infectious, and it carried me along, making it ‘unputdownable’. Granted, this isn’t a thorough study of an individual artist’s life. But if you’re looking for a biographical smorgasbord and an enthusiastic overview of women’s art history, you couldn’t do better.

By Katy Hessel ,

Why should I read it?

3 authors picked The Story of Art Without Men as one of their favorite books, and they share why you should read it.

What is this book about?

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?

Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened…


Book cover of A Particular Man

A Particular Man by Lesley Glaister,

This book is a literary historical novel. It is set in Britain immediately after World War II, when people – gay, straight, young, and old - are struggling to get back on track with their lives, including their love lives. Because of the turmoil of the times, the number of…

Book cover of The Marriage Portrait

Catherine Hewitt Why I love this book

I know I’m stretching the scope of my own title here, but this book’s worth it.

Maggie O’Farrell excels at striking harmony between character, place, and historical moment. Starting with her discovery of a painting of Lucrezia de Medici, the little-known member of that great Italian dynasty, O’Farrell paints her own portrait and revives 16th-century Italy. Pushed into marriage at just 16, Lucrezia quickly infers that her husband, Alfonso, Duke of Ferrara, is planning to kill her.

Her swerve-by-swerve struggle to escape his clutches had me gripped to the very last page. But above all, it was Lucrezia’s passion for art that fascinated me. Her love of drawing and collecting was so sensitively described, and I was moved by her resilience when all her equipment was taken from her.

Besides being a compelling read, the book is a powerful reminder of the role art can play in the lives of the women who make it, and the tenacity often needed to pursue it. 

By Maggie O'Farrell ,

Why should I read it?

22 authors picked The Marriage Portrait as one of their favorite books, and they share why you should read it.

What is this book about?

WOMEN'S PRIZE FOR FICTION FINALIST • REESE’S BOOK CLUB PICK • NEW YORK TIMES BEST SELLER • The author of award-winning Hamnet brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.

“I could not stop reading this incredible true story.” —Reese Witherspoon (Reese’s Book Club Pick)

"O’Farrell pulls out little threads of historical detail to weave this story of a precocious girl sensitive to the contradictions of her station...You may know the history, and you may think you…


Explore my book 😀

A Way of Seeing: The Lives of the Women Impressionists

By Catherine Hewitt ,

Book cover of A Way of Seeing: The Lives of the Women Impressionists

What is my book about?

The Impressionists have long held audiences enthralled. But while the men have become household names, the women have been sidelined. A Way of Seeing is an unprecedented portrait of the four most prominent female Impressionists: Berthe Morisot, Mary Cassatt, Eva Gonzalès and Marie Bracquemond. 

Chronicling the creativity and passions of this revolutionary quartet, A Way of Seeing traces their journey along the perilous path of the male-dominated 19th-century Paris art world. From the prejudice they encountered, to the cost of pursuing a career at a time when ‘nice girls’ were expected solely to reproduce and keep house—A Way of Seeing offers a revelatory perspective on the movement that changed the course of art history.

Book cover of Berthe Morisot
Book cover of Frida
Book cover of The Mirror and the Palette

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