Books like The Story of Art Without Men — picked by fans

This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.

If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!

Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.

Memory and Dream is also a great entry into de Lint’s story world of “Newford”.

I always find books about artists intriguing, and this one adds a bit of forgery, too. In 1631 Amsterdam, Sara de Vos is widowed, inheriting her husband’s debt. She paints to eke out a living, though that is not easy for a woman of that time and place. In 1957, a young art student agrees to forge one of de Vos’s works, only to be haunted by her crime in Sydney in 2000, when she becomes a famous art historian and curator.

I loved this book when I read it and went back to it again when I later decided to write The Map Colorist, my own novel set in seventeenth-century Amsterdam.

As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history. 

I adored this partly fictionalized, richly realized novel, which fleshes out the life of China’s greatest female painter, Pan Yuliang (1895–1977).

Rescued from a brothel by a wealthy government official, she fled to where the action was—1920s Paris—after graduating from art school in Shanghai. Boldly specializing in paintings of female nudes, including of herself, Pan was invited by high-profile artists to return to Shanghai and display her art, only to become embroiled in a series of widely publicized scandals over her nudes, leading her to quit China for good and resettle in Paris.

Her uncompromising devotion to her independence and her art marginalized her into a life of poverty and posthumous fame. It’s precisely these noble qualities that endeared me to Epstein’s treatment of the artist.

This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!

I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.

I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago. 

Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.

This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.

This is such a fun read―a fictionalised account of the real-life husband and wife’s experience of walking the Camino de Santiago. I love how the two protagonists, who start as strangers, take turns to tell their stories, especially the hilarity in the ‘he said–she said’ of their relationship―they really are opposites but both bring out something remarkable in the other. Romantic in a very real way.

This story made me want to stand up and cheer.

I loved how it brought to life one of my favorite late nineteenth-century female artists—Suzanne Valadon. I also loved how the book wove her tale with that of a contemporary woman, motivated by Suzanne’s bold art and life.

I rooted for both women as they struggled for personal and professional fulfillment, feeling disheartened by their frustrations and jubilant over their victories, such as Suzanne’s acceptance into the Académie des Beaux-Arts. It thrilled me how she overcame the many societal barriers in her path and won over the Académie with her powerfully expressive art.