Books like Where Women Create — picked by fans

She sheds are usually small spaces and everyone can relate to the challenges of creating beauty with limited resources. This smart book pays homage to living small and makes you see wonderful possibilities where none existed before. I love walking through Whitney’s charming “Tiny Canal Cottage” as she calls it, the 400-square-foot place she shares with her husband, young son, and two dogs in Venice, California. The table of contents isn’t satisfied with vague chapter titles – nope, you get numbered ideas (238!) that are specific and doable. I love #026, which shows you how to trade a coffee table for a shallow shelf behind the couch. Also handy are tricks to quickly turn your living room into a spare bedroom, or a dining room, or a home office, and then turn it back into a living space again. You’ll meet kindred spirits in the design realm who offer their… show more.

This rich album of peeping in the windows of intensely private spaces may have been published in 1997 but its message of calm and possibilities burns just as brightly today. The lives of beloved personalities like Maya Angelou, Jessica McClintock, and Oprah Winfrey are opened so that you feel privy to what makes them who they are, or were. You can tell that Madden, one of HGTV’s first hosts, knew all of these women personally and was given great latitude so that we could have a real sense of the spaces these women run to for respite. Some may surprise you – a spartan bathroom with killer views, a guest room that was carved out of a living room – but all of them have a similar message theme of quiet triumph over stressful living. We all need a room of our own and there is more than one way… show more.

We love a garden book that works hard as a guide, and this book does just that!

It’s a handbook that feels like a trusted magazine with real-life garden tours and lifestyle tips such as “Steal This Look” (our fave!) for everything from stone and ironwork to plants and water features. We couldn’t appreciate more the way an author can break down a garden’s style and feel and help us replicate that look we love at home.

Gardenista is a go-to when we want a design refresh!

I have a longstanding professional relationship with Debra Prinzing, who was a regular contributor when I was an editor at Romantic Homes magazine. Her stories and photos brought flowers to life in any issue she was in. She is also the founder of the Slow Flowers movement, which promotes growing and buying seasonal flowers locally. Prinzing’s newest book is a wonderful odyssey through the shops, studios, campers, and (yes) sheds of passionate growers and designers. Once again, by exploring the creative spaces of others, you’ll find a rich supply of ideas for your own space. Somehow, these floral artisans and their spaces create a synergy that’s impossible to resist.

If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!

Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.

Memory and Dream is also a great entry into de Lint’s story world of “Newford”.

As it says on the packet, this is a collection of quick peeks into how 140 brilliant women lived (or are living) their version of a creative life. I loved reading a few pages each morning. It helped to soothe the perfectionist in me, being reminded of the endless ways a life can be lived, in both circumstance and choice. Also to read how the messiness of life is sort of ironed out with hindsight made me feel more welcoming to the current unknown of it all.

Hustvedt creates a very compelling picture of the inner and outer life of a female artist in the contemporary art world, notorious for both its sexism and ageism. The protagonist comes up with a clever ploy for achieving the same success as a male artist: she takes on a male artist’s persona and name, and hires a male artist to impersonate her in public, a convoluted ploy with great potential to ultimately backfire. Don’t want to provide any plot spoilers!

This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!

I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.

I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago. 

This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.

As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history.