Here are 100 books that Memory and Dream fans have personally recommended if you like
Memory and Dream.
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At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read anything by Brian Sanderson, this novella is a great place to start.
It is a fast read with a hopeful tone and satisfying ending. In this story, Shai is caught forging a priceless artifact. As punishment, she must forge a soul for the emperor who is in a coma. If her forgery doesn’t work, the empire will fall into chaos.
The magic of Shai’s forging is very cool; she creates stamps that can rewrite the nature of an object’s existence. The Emperor’s Soul spoke to me on a personal level. My stepmother is a Japanese artist, and I grew up watching her carefully seal her pieces with her custom, red stamp.
Highly recommended to anyone looking for that quick, feel-good punch that great fantasy can provide!
From the bestselling author of the Mistborn Trilogy and co-author of the final three books of Robert Jordan's Wheel of Time series comes the tale of a heretic thief who may be an Empire's only hope for survival.
Shai is a Forger: a foreigner who can flawlessly re-create any item by rewriting its history using skillful magic . . . although she's currently condemned to death after trying to steal the emperor's sceptre, she has one last opportunity to save herself. The emperor has barely survived an assassination attempt, he needs a new soul and, despite viewing her skill as…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
Like many fantasy novels, The Paper Magician revolves around a character who feels small, lost, and powerless.
Although Ceony Twill desperately wants metal magic, she gets assigned to paper and decides to make the most of it. Since I’m half-Japanese, I immediately thought “origami!” when I read about the folding magic. It is the first book in a trilogy and I found the story to be a light, fast read.
Holmberg’s Victorian, gas-lamp world feels familiar, and though I found the characters a little thin (paper joke intended!), I enjoyed Ceony’s adventure. My favorite characters were two of the paper creatures, Fennel and Jonto, and I dare you not to adore them too!
"Charlie is a vibrant writer with an excellent voice and great world building. I thoroughly enjoyed the Paper Magician." -Brandon Sanderson, author of Mistborn and The Way of Kings
Ceony Twill arrives at the cottage of Magician Emery Thane with a broken heart. Having graduated at the top of her class from the Tagis Praff School for the Magically Inclined, Ceony is assigned an apprenticeship in paper magic despite her dreams of bespelling metal. And once she's bonded to paper, that will be her only magic...forever.
Yet the spells Ceony learns under the strange yet kind Thane turn out to…
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you like slice-of-life fantasy featuring art-based magic, check out Imager by L.E. Modesitt, Jr.
The novel centers around a character named Rhenn who has spent several years apprenticing to become a master artisan. But when his patron is killed and he almost loses the opportunity of becoming an artist, he learns the true power of his art. I enjoyed the “classic fantasy” feeling of the world, and the interactions between the characters.
Bonus, if you love this story, there are eleven more books to enjoy in the series!
"Imager" is the beginning of a whole new fantasy in a whole new magical world from the bestselling creator of "Recluce". Although Rhennthyl is the son of a leading wool merchant in L'Excelsis, the capital of Solidar, the most powerful nation on Terahnar, he has spent years becoming a journeyman artist and is skilled and diligent enough to be considered for the status of master artisan - in another two years. Then, in a single moment, his entire life is transformed when his master patron is killed in a flash fire, and Rhenn discovers he is an imager - one…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
It’s the first book I’ve read with three authors, but I thought they did a great job at crafting the story of Tira Virte, where art is created to record history, marriages, and treaties. But how safe is a society where only men from a specific family can create the art?
Each author wrote one section of the book, and I definitely noticed each change in author voice, but it didn’t detract from my enjoyment of the story. The vibe is creepy and lush, like the old gothic horror novels. The art-based magic introduced in this novel is interesting (and icky!).
It won a ton of awards, and though it’s not an easy read, it shouldn’t be missed!
Now in trade paperback, this World Fantasy Award-nominated novel by three powerhouse women fantasy writers introduces a world where art is prized above all.
In the duchy of Tira Virte, fine art is prized above all things, both for its beauty and as a binding legal record of everything from marriage and births to treaties and inheritances. And although the Grand Duke is aware that there is more to the paintings of certain limners than meets the eye, not even he knows just how extraordinary the art of the Grijalva family truly is.
I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
I always find books about artists intriguing, and this one adds a bit of forgery, too. In 1631 Amsterdam, Sara de Vos is widowed, inheriting her husband’s debt. She paints to eke out a living, though that is not easy for a woman of that time and place. In 1957, a young art student agrees to forge one of de Vos’s works, only to be haunted by her crime in Sydney in 2000, when she becomes a famous art historian and curator.
I loved this book when I read it and went back to it again when I later decided to write The Map Colorist, my own novel set in seventeenth-century Amsterdam.
'. . . worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch . . . A masterly, multilayered story that will dazzle readers.' Library Journal (starred review)
In 1631, Sara de Vos is admitted to the Guild of St. Luke in Holland as a master painter, the first woman to be so honoured. Three hundred years later, only one work attributed to de Vos is known to remain - a haunting winter scene, At the Edge of a Wood, which hangs over the Manhattan bed of a wealthy descendant of the original owner.…
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.
Revisit the Carriage House series with this classic tale of romantic suspense from New York Times bestselling author Carla Neggers.
Fun and a little hard work. That’s all Tess Haviland has in mind when Ike Grantham pays her for her graphic design work on the run-down nineteenth-century carriage house on Boston’s North Shore.
Then Ike disappears and Tess finds herself with much more than a simple weekend project to get her out of the city. It’s not just the rumors that the carriage house is haunted—it’s the neighbors: six-year-old Dolly Thorne, her reclusive babysitter, Harley Beckett…and especially Dolly’s father, Andrew…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history.
Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of…
I’m a writer interested in the odd areas where science and consumerism touch – particularly where this intersects with women workers. My debut book Half Lives: The Unlikely History of Radium tells the history of radioactivity through the eyes of the people who made, bought, and sold products laced with radium in the 20th century. The follow-up title will explore the deadly element Uranium.
This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.
MRS P'S JOURNEY is the enchanting story of Phyllis Pearsall. Born Phyllis Isobella Gross, her lifelong nickname was PIG. The artist daughter of a flamboyant Hungarian Jewish immigrant, and an Irish Italian mother, her bizarre and often traumatic childhood did not restrain her from becoming one of Britain's most intriguing entrepreneurs and self-made millionaires.
After an unsatisfactory marriage, Phyllis, a thirty-year-old divorcee, had to support herself and so became a portrait painter. It is doing this job and trying to find her patron's houses that Phyllis became increasingly frustrated at the lack of proper maps of London. Instead of just…
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
