Here are 100 books that Girl Braiding Her Hair fans have personally recommended if you like
Girl Braiding Her Hair.
Book DNA is a community of 13,000+ authors and super readers sharing their favorite books with the world.
I’ve long been fascinated by the human side of history. Not the dry recounting of battles, dates, and generals so often taught in school, but the reality behind all those statistics. I’m enthralled to learn what the individuals in history had in common with us and what was different for them. Nothing from the Revolutionary War to the Great Depression to World War II to the Middle Ages was as simple and as black-and-white and right-or-wrong as we’ve been led to believe. Each of these books has broadened my understanding of historical periods and brought me one step closer to those who lived through them.
When I first learned the subject of this hot-selling book, the building of a medieval cathedral, my first thought was blah.
I mean, how interesting could the decades-long construction of a massive church be? Boy, was I wrong. Follett makes the story so compelling, personal, and moving; I couldn’t stop reading. I got so invested in the characters and the tale that I wished there were more, even after 1008 pages. Yeah.
Thankfully, Follett wrote four more books in the Cambridge series, and yes, I’ve read them all. There is a reason why Pillars of the Earth is the bestselling historical novel of all time.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
A brilliant scholar, ancient libraries in danger due to war, suppressed women’s religious history, and a renegade monastery.
A doggedly determined Sofia Papandréou pursues evidence for women in leadership in early Christianity in the dusty corners of libraries, long ignored. Or worse, actively hidden away to deny women their heritage…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I love solving puzzles and learning something new, especially when it comes to art history.
That’s how Dan Brown’s Angels and Demons reeled me in. I’m also crazy about Rome and had great fun trying to determine which famous locations the protagonists were in search of before they found them. Each of those historic sites included sculptures by Bernini—one of the most emotionally powerful sculptors I know.
For me, Brown’s descriptions of Bernini’s theatrical works made my heart race even faster. I’m fascinated by the way art speaks to us, pulls us, comforts us, or in this case, raises our blood pressure as we careen through the dazzling streets of Rome.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
Years ago, when I worked as an art museum lecturer, I often wandered the galleries before they opened to the public. The author recreated that magical experience for me—those exquisite moments of solitude and solace when the paintings opened up and quietly shared their mysteries.
As I read, I felt I was in the museum with the author, gazing at those works, and absorbing their timeless wisdom.
A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then…
Twenty-two-year-old Catrine arrives in Paris, the city she's dreamed of since childhood, and it speaks back, but not in ways she expected.
Drifting through the streets of 1981 Paris, the voices of French writers she once read in solitude whisper back, intimate and insistent. Rather than reassure her, they unsettle…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
The detailed descriptions of Vermeer’s paintings—the way he described their calming stillness, their radiant light—made me envision these old friends with fresh eyes. I loved the way the author wove the paintings into the tapestry of his personal life, how they spoke to him and opened him up.
I felt transported along with the author as he explored the intimate worlds of Vermeer’s creations and gratefully absorbed their healing beauty.
“This book is a treasure and a guide. It is a type of healing for the intellect and the heart.” - (Rebecca Lee)
A lyrical and intimate account of how a poet, in the midst of a bad divorce, finds consolation and grace through viewing the paintings of Vermeer, in six world cities. In the midst of a divorce (in which the custody of his young daughter is at stake) and over the course of a year, the poet Michael White, travels to Amsterdam, The Hague, Delft, London, Washington, and New York to view the paintings of Johannes Vermeer, an…
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
I adored this partly fictionalized, richly realized novel, which fleshes out the life of China’s greatest female painter, Pan Yuliang (1895–1977).
Rescued from a brothel by a wealthy government official, she fled to where the action was—1920s Paris—after graduating from art school in Shanghai. Boldly specializing in paintings of female nudes, including of herself, Pan was invited by high-profile artists to return to Shanghai and display her art, only to become embroiled in a series of widely publicized scandals over her nudes, leading her to quit China for good and resettle in Paris.
Her uncompromising devotion to her independence and her art marginalized her into a life of poverty and posthumous fame. It’s precisely these noble qualities that endeared me to Epstein’s treatment of the artist.
Down the muddy waters of the Yangtze River and into the seedy backrooms of "The Hall of Eternal Splendor," through the raucous glamour of prewar Shanghai and the bohemian splendor of 1920s Paris, and back to a China ripped apart by civil war and teetering on the brink of revolution: this novel tells the story of Pan Yuliang, one of the most talented-and provocative-Chinese artists of the twentieth century.Jennifer Cody Epstein's epic brings to life the woman behind the lush, Cezannesque nude self-portraits, capturing with lavish detail her life in the brothel and then as a concubine to a Republican…
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history.
Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of…
I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
Hustvedt creates a very compelling picture of the inner and outer life of a female artist in the contemporary art world, notorious for both its sexism and ageism. The protagonist comes up with a clever ploy for achieving the same success as a male artist: she takes on a male artist’s persona and name, and hires a male artist to impersonate her in public, a convoluted ploy with great potential to ultimately backfire. Don’t want to provide any plot spoilers!
Named one of the New York Times Book Review’s 100 Notable Books of the Year ** Publishers Weekly’s Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe’s Best Fiction of 2014 ** The Telegraph’s Best Fiction to Read 2014 ** St. Louis Post Dispatch’s Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed’s Best Books Written by Women in 2014 ** San Francisco Chronicle’s Best of 2014 ** A…
Sandy is a writer, traveller, and hopeful romantic with a lengthy bucket list, and many of her travel adventures have found homes in her novels. She’s also an avid reader, a film buff, a wine lover, and a coffee snob. She lives in Melbourne, Australia with her partner, Ben, who she met while travelling in Greece. Their real-life love story inspired Sandy’s debut novel One Summer in Santorini, the first in the five-book Holiday Romance series. The series continues in Paris, Sydney, Bali, and Tuscany. Sandy's standalone novel The Christmas Swap celebrates her favourite time of the year, and her rom-com, The Dating Game, is set in the world of Reality TV.
This is such a fun read―a fictionalised account of the real-life husband and wife’s experience of walking the Camino de Santiago. I love how the two protagonists, who start as strangers, take turns to tell their stories, especially the hilarity in the ‘he said–she said’ of their relationship―they really are opposites but both bring out something remarkable in the other. Romantic in a very real way.
'Charming and absorbing' Daily Mail 'Sleepless in Seattle meets Wild . . . A beautifully crafted tale of love, self-acceptance, and blisters' Sunday Express
A smart, funny novel of second chances and reinvention from the author of The Rosie Result - two misfits walk 2,000 km along the Camino to find themselves and, perhaps, each other.
Zoe, a sometime artist, is from California. Martin, an engineer, is from Yorkshire. Both have ended up in picturesque Cluny, in central France. Both are struggling to come to terms with their recent past - for Zoe, the death of her…
