Here are 100 books that Well-Behaved Indian Women fans have personally recommended if you like
Well-Behaved Indian Women.
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I’ve spent my life as an avid reader, but I hadn’t seen my culture represented in many books, so I began writing the stories that I wished had existed on the shelves when I was younger. It took until my forties for my books to be published, and for me to start finding stories by other Indian authors like me, but better late than never! As someone who has lived in multiple countries and traveled to more than 70 others, I’m no stranger to writing about and searching for places that feel like home, and each of these books helped bring a piece of home to me.
Neel Patel and I grew up in similar parts of the Midwest, are around the same age, and are both Gujarati, so when I read this novel, I felt so seen. He deftly covers a young man’s journey of coming out to his traditional family, while also sharing the perspective of the mother discovering who her son really is, but this book has many more layers beyond those. The little details that Patel seamlessly weaves throughout the novel including how the family interacts with one another and how the main character’s childhood is described reminded me of my own family and upbringing. Patel is pushing the boundaries on what Indian American authors are writing, and this story was so satisfying to read.
* INAUGURAL LILLY'S LIBRARY BOOK CLUB PICK FROM LILLY SINGH *
“A beautiful book about a mother and son…I really loved this book.”—Rumaan Alam on The TODAY Show
“My first great read of 2022…[Will] make you cringe with recognition and melt with longing.” —Jennifer Weiner
“This debut novel about an Indian-American family has all the right ingredients: family secrets, love, sexuality, loss, identity questions and remorse.” —Good Morning America
Renu Amin always seemed perfect. But as the one-year anniversary of her husband’s death approaches, she is binge-watching soap operas and simmering with old resentments. She can’t stop wondering if, thirty-five…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve always had a soft spot for books on sisterhood. Perhaps it’s because I have a sister, but it’s partly because I’ve also lucked out on wonderful girlfriends who’ve taken the role of sisters at various stages of my life. There is an immense power in female relationships, and it’s a theme I often explore through my writing. Both my novels, The Marriage Clock and The Retreat center around strong women who consistently and generously show up for each other. I’ve compiled a list of books to celebrate the many sisters in our lives—through blood and friendship. I hope you find them as enjoyable to read as I have!
My husband is a native Bostonian, so when I discovered this novel takes place in the historic Back Bay neighborhood of the city, I was immediately intrigued.
The story follows Meena Dave, an orphan who has inherited an apartment from a woman she has never met. As she attempts to figure out their connection, she forms an unexpected friendship with a trio of meddling aunties who also live in the building and have been in each other’s lives since birth.
Through these women, Meena learns not just of her past, but of the importance of community, culture, and the sacrifices of sisterhood.
A woman embarks on an unexpected journey into her past in an engrossing novel about identity, family secrets, and rediscovering the need to belong.
Meena Dave is a photojournalist and a nomad. She has no family, no permanent address, and no long-term attachments, preferring to observe the world at a distance through the lens of her camera. But Meena's solitary life is turned upside down when she unexpectedly inherits an apartment in a Victorian brownstone in historic Back Bay, Boston.
Though Meena's impulse is to sell it and keep moving, she decides to use her journalistic instinct to follow the…
I’ve spent my life as an avid reader, but I hadn’t seen my culture represented in many books, so I began writing the stories that I wished had existed on the shelves when I was younger. It took until my forties for my books to be published, and for me to start finding stories by other Indian authors like me, but better late than never! As someone who has lived in multiple countries and traveled to more than 70 others, I’m no stranger to writing about and searching for places that feel like home, and each of these books helped bring a piece of home to me.
There is so much wit and humor in this memoir that touches upon the immigrant experience from the perspective of the first-generation adult child. Deb goes on a journey to learn who his parents are as individuals and gains a perspective that is often difficult to achieve in the Indian community because parents don’t often share with their children who they are on the inside. The vulnerability with which Deb shares his childhood desire to blend into the white community in which he was raised was so relatable because I’d had a similar upbringing in another part of the country. This book made me laugh hard, think more deeply, and want to know my parents better.
A bittersweet and humorous memoir of family—of the silence and ignorance that separate us, and the blood and stories that connect us—from an award-winning New York Times writer and comedian.
Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’ve spent my life as an avid reader, but I hadn’t seen my culture represented in many books, so I began writing the stories that I wished had existed on the shelves when I was younger. It took until my forties for my books to be published, and for me to start finding stories by other Indian authors like me, but better late than never! As someone who has lived in multiple countries and traveled to more than 70 others, I’m no stranger to writing about and searching for places that feel like home, and each of these books helped bring a piece of home to me.
Like me, the author is a former lawyer, so I knew I had to read her book, and it did not disappoint. Judge pushes the boundaries of what we have traditionally seen from Indian American authors and tells a complex story of how a single day can forever change one’s path. Told from multiple perspectives, her characters break stereotypes and make some questionable decisions, but beneath it all are still rooted in love and loyalty to their family. Judge gracefully tackles topics like addiction, filial piety, and divorce, subjects that are not often discussed openly in the Indian community. This one was both heart-wrenching and hopeful.
A family, broken by the shattering turns of a single day, will do anything to find their way back to one another.
Lena Sharma is a successful San Francisco restaurateur. An immigrant, she's cultivated an image of conservatism and tradition in her close-knit Indian community. But when Lena's carefully constructed world begins to crumble, her ties to her daughter, Maya, and son, Sameer-both raised in thoroughly modern California-slip further away.
Maya, divorced once, becomes engaged to a man twelve years her junior: Veer Kapoor, the son of Lena's longtime friend. Immediately Maya feels her mother's disgrace and the judgment of…
I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I had never read this author before, and I was immediately struck by Ambai’s powerful voice in these stories about the small but constant tensions in ordinary women’s lives in India. Having grown up in India, I felt as if I knew these women and their stories intimately. In particular, the title story instantly made me think of my mother and so many other women toiling at their housework in Indian kitchens, which in middle-class Indian homes are not that comfortable at all.
I found great wisdom, truth, and energy in these atmospheric stories. They are also a refreshing change from the writing style of Western writers in their directness and the incorporation of almost-surreal elements in many, which makes a reader feel them so much more sharply.
In A Kitchen in the Corner of the House, Ambai's narrators are daring and courageous, stretching and reinventing their homes, marriages, and worlds. With each story, her expansive voice confronts the construction of gender in Tamil literature. Piecing together letters, journal entries, and notes, Ambai weaves themes of both self-liberation and confinement into her writing. Her transfixing stories often meditate on motherhood, sexuality, and the liberating, and at times inhibiting, contours of the body.
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I was drawn to Harness’ incredible memoir because she speaks truth to power from an Indigenous perspective as a survivor of Indian adoption.
As an infant in the 1960s, Harness was adopted by a white couple and raised far from the rez, far from her birth community, and completely segregated from her cultural heritage. This story is about her weaving her way back home and making sense of her traumatic adoption.
As an adoptee myself I found her story gut wrenching and inspiring. Harness is a brilliant writer and a phenomenal woman. Her wisdom, authenticity, and strength reverberate through the pages of this beautiful memoir.
2019 High Plains Book Award (Creative Nonfiction and Indigenous Writer categories) 2021 Barbara Sudler Award from History Colorado
In Bitterroot Susan Devan Harness traces her journey to understand the complexities and struggles of being an American Indian child adopted by a white couple and living in the rural American West. When Harness was fifteen years old, she questioned her adoptive father about her "real" parents. He replied that they had died in a car accident not long after she was born-except they hadn't, as Harness would learn in a conversation with a social worker a few years later.
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
And another Montana writer, Debra Magpie Earling grew up in Spokane, and is a member of the Salish tribe. Her 2002 debut novel, Perma Red, became an immediate classic. It’s the story of Louise White Elk, a young woman living on the reservation in the 1940s who is determined to avoid the trap of becoming the possession of a man. A challenge for any woman during that time period, but especially for a native woman living in a place with few options. Earling’s prose is elegant but tough, and that would be a pretty apt description of her main character as well as Louise makes a valiant effort to fight off the powerful men trying to take control of her life.
Bold, passionate, and more urgent than ever, Debra Magpie Earling's powerful classic novel is reborn in this new edition.
On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her…
Reproductive justice – reproductive rights – reproductive self-determination – this has been my passion for decades. I’m a historian. The most important thing I’ve learned is how reproductive bodies have always been racialized in the United States, from 1619 to the present day. Circumstances and tactics have changed over time, but lawmakers and others have always valued the reproduction of some people while degrading the reproduction of people defined as less valuable – or valueless – to the nation. Throughout our history, reproductive politics has been at the center of public life. As we see today. I keep writing because I want more and more of us to understand where we are – and why.
This book is a first. Theobald gives us a really interesting and comprehensive history of pregnancy, birthing, motherhood -- and activism -- on the Crow Reservation in Montana. She explains the interventions of the federal government, for example, via coercive sterilization and child removal, and provides rich accounts of family, tribal, and inter-tribal resistance -- and claims of self-determination -- in the face of these interventions.
This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly. As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Sallyis the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young's family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a 'wild' woman made 'tame' who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from…
