Here are 100 books that Sally in Three Worlds fans have personally recommended if you like
Sally in Three Worlds.
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Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Perhaps the most “realistic” novel of this bunch, Ralph Ellison’s National Book Award-winning novel follows an unnamed black narrator’s life in a small southern town, as detailed through his memories, dreams, and desires.
Ellison didn’t intend to write a “protest novel,” apparently, but it has become exactly that: a protestation of the inequities of an American system designed to keep Black people in the shadows. The novel’s voice, though singular, is representative of an entire social movement. A perfect novel.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
In 1912 a posse made up of cowboys and state police caught up with an Indian family on the run and massacred almost all of them. Murderous Indians, vengeful whites: a simple Western story that when told through the multiple points of view of its participants, the sheriff who couldn’t intercept the posse in time, the son of a murdered Basque rancher, and, most poignantly, Shoshone Mike’s adolescent daughter, has the elements of a Greek tragedy.
In 1911 a posse chased an itinerant Shoshone family across 200 hundred miles of Nevada desert and slaughtered them. Shoshone Mike re-creates this final chapter in the Old West through the eyes of an anachronistic sheriff.
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Who says American literature has to be written in English? Told through a number of voices and in a mixture of folktales, memories, and dreams that James Joyce would have loved, this novel traces the lives of four generations of a Chicano family in Presidio, Texas who, with the coming of the Anglos and their guns, found themselves separated from their family and friends by a river that once gave life, but now is a border between one country and the next. Over all is the grinning, terrifying Green Devil, who is at once the fields of cotton sucking the life-giving waters from the river, and the malevolent spirit mocking brown people trying to live in a ruined world. It’s a little masterpiece.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
I like poetry that teaches me something, and I like how Harjo can teach me about Native American myth and culture (as a member of the Muscogee Nation)in a poem set within the context of something as mundane as an airport.
She expertly threads together the modern with the historical, and the sacred within the ordinary. “Once a woman fell from the sky. The woman who fell from the sky was neither murderer nor saint. She was rather ordinary…”
I am also struck with how Harjo unifies her own unique culture with the shared experiences of all of us, as in: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last/ sweet bite”.
She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
Reproductive justice – reproductive rights – reproductive self-determination – this has been my passion for decades. I’m a historian. The most important thing I’ve learned is how reproductive bodies have always been racialized in the United States, from 1619 to the present day. Circumstances and tactics have changed over time, but lawmakers and others have always valued the reproduction of some people while degrading the reproduction of people defined as less valuable – or valueless – to the nation. Throughout our history, reproductive politics has been at the center of public life. As we see today. I keep writing because I want more and more of us to understand where we are – and why.
This book is a first. Theobald gives us a really interesting and comprehensive history of pregnancy, birthing, motherhood -- and activism -- on the Crow Reservation in Montana. She explains the interventions of the federal government, for example, via coercive sterilization and child removal, and provides rich accounts of family, tribal, and inter-tribal resistance -- and claims of self-determination -- in the face of these interventions.
This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly. As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
I’ve been a novelist all my adult life. My first three books are novels about teenagers, regarded as pioneers in the genre of Young Adult fiction. My inspiration has always been real people, events, and places. Animals, especially dogs have always been part of my life. I turned to adult fiction because I felt the need to write about the full cast of life. City Wolves was inspired, if not driven by my first Malamute, Yukon Sally. With the research she led me to do into wolves, sled dogs, the history of women veterinarians, the real people who were part of the Klondike Gold Rush, I found some marvellous biographies, histories, biological studies, and poetry.
My main focus in my book is people, Meg Wilkinson the first female veterinarian and other adventurers and pioneers who wound up on the Klondike Gold Rush.
Though the wolf like nature of humans and the human nature of wolves permeates the whole story. I also had to research veterinary history but I found no particular book on that to recommend.
Pauline Johnson did not go to the Klondike but she is a very influential figure of the times and in the life of Meg. I’m a fan of Charlotte Gray’s biographies and I think her biography of Pauline Johnson is the best.
A graceful biography that was a #1 national bestseller, Flint & Feather confirms Charlotte Gray’s position as a master biographer, a writer with a rare gift for transforming a historical character into a living, breathing woman who immediately captures our imagination.
In Flint & Feather, Charlotte Gray explores the life of this nineteenth-century daughter of a Mohawk chief and English gentlewoman, creating a fascinating portrait of a young woman equally at home on the stage in her “Indian” costume and in the salons of the rich and powerful. Uncovering Pauline Johnson’s complex and dramatic personality, Flint & Feather is studded…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.
In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.
Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family,…