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After I was sent for a breast biopsy in 2008, my twin sister and I began the very real work of researching our closed adoption. My health, my sister’s, and our collective six children depended upon it. For nearly five decades, I had placed my adoption in an internal lockbox, one I had promised myself I would get to “one day.” At 48, that day had finally come. Concurrent with my search, I absorbed many of the books I mention here. These works became foundational in how I came to view my adoption, and they provided the support I needed during the search and reunion process.
I loved Glaser’s book because it skillfully presents closed adoption history within the context of a real-life story. For me, it took the best parts of Nancy Verrier’s and Ann Fessler’s books and presented them as a puzzle that needed solving.
The gripping account of a birth mother and her son who were thwarted at many junctures in their desire to reconnect authentically highlighted the injustices of a rigid, closed adoption system. The book also validated the struggles my twin sister and I faced in reconnecting with our own birth relatives.
Like my own story, this is a tale of love and loss that highlights the importance of identity and belonging.
The shocking truth about postwar adoption in America, told through the bittersweet story of one teenager, the son she was forced to relinquish, and their search to find each other.
During the Baby Boom in 1960s America, women were encouraged to stay home and raise large families, but sex and childbirth were taboo subjects. Premarital sex was common, but birth control was hard to get and abortion was illegal. In 1961, sixteen-year-old Margaret Erle fell in love and became pregnant. Her enraged family sent her to a maternity home, and after she gave birth,…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
Chung was born and adopted five years after me, also in Washington state. Like me, she wrestled her whole life with feelings of shame and discomfort around her adoption. Unlike me, Chung is a woman of color, adopted into a white family in a super-white town where she stood out like a sore thumb. Unlike me, Chung took the brave step, before having her own children, of searching for her birth family.
While I read this vulnerable and beautifully written memoir, I felt like I was walking with Chung on her journey as an adoptee and mother, all the while wishing I could be as brave as Chung. This is a truly inspiring story.
This beloved memoir "is an extraordinary, honest, nuanced and compassionate look at adoption, race in America and families in general" (Jasmine Guillory, Code Switch, NPR)
What does it means to lose your roots—within your culture, within your family—and what happens when you find them?
Nicole Chung was born severely premature, placed for adoption by her Korean parents, and raised by a white family in a sheltered Oregon town. From childhood, she heard the story of her adoption as a comforting, prepackaged myth. She believed that her biological parents had made the ultimate sacrifice in the hope of…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
Austin’s memoir was the first book I read as a starting point for researching my own historical memoir. Simply put, Austin’s story blew my mind, challenged my thinking, and massively influenced the way I understand my own motherhood and adoption journey.
Austin is a Black, single mother and adoptive parent of a Black son, who she adopted through the Los Angeles foster care system. Her story of motherhood through adoption pulls no punches. She takes on the intersections of racism and misogyny and speaks truth to power in this deeply personal and powerful memoir.
I LOVE this book, and everyone needs to read it (especially white people).
The story every mother in America needs to read. As featured on NPR and the TODAY Show. All moms have to deal with choosing baby names, potty training, finding your village, and answering your kid's tough questions, but if you are raising a Black child, you have to deal with a lot more than that. Especially if you're a single Black mom... and adopting.
Nefertiti Austin shares her story of starting a family through adoption as a single Black woman. In this unflinching account of her parenting journey, Nefertiti examines the history of adoption in the African American community, faces…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
First off, Ito is just a masterful storyteller. If she had to write about restocking shelves at a grocery store, Ito would make it riveting and hilarious. So, just reading her writing is a highly engaging joy. Second, this story is epic. This is Ito’s story of finding her birth mother and the challenges, joys, and heartbreak of that reunion as she herself became a mother.
What I love most about Ito’s story is that she effortlessly threads the needle of being real and raw yet funny and relatable at the same time. Whether you are a mom, dad, childless, adopted, or not, you will enjoy this journey.
“Susan Kiyo Ito is like a surgeon operating on herself. She is delicate, precise, and at times cutting with her words. But it is all in service of her own healing and to encourage us all to be brave enough to do the same in our own stories.” —W. Kamau Bell
Growing up with adoptive nisei parents, Susan Kiyo Ito knew only that her birth mother was Japanese American and her father white. But finding and meeting her birth mother in her early twenties was only the beginning of her search for answers, history,…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
And another Montana writer, Debra Magpie Earling grew up in Spokane, and is a member of the Salish tribe. Her 2002 debut novel, Perma Red, became an immediate classic. It’s the story of Louise White Elk, a young woman living on the reservation in the 1940s who is determined to avoid the trap of becoming the possession of a man. A challenge for any woman during that time period, but especially for a native woman living in a place with few options. Earling’s prose is elegant but tough, and that would be a pretty apt description of her main character as well as Louise makes a valiant effort to fight off the powerful men trying to take control of her life.
Bold, passionate, and more urgent than ever, Debra Magpie Earling's powerful classic novel is reborn in this new edition.
On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her…
Growing up in a sheltered environment on Long Island, NY, I had little sense of a larger world, except for seeing images of the Vietnam War. Going to college in the early 70s and becoming an anthropology major, the world began to open up, yet I hadn't experienced life outside the U.S. until my mid-20s as a graduate student living in Mexico to do dissertation research. That experience and travels to Guatemala, Peru, Cuba, and Costa Rica helped me to see how diverse Latin America is, and how real poverty and suffering are as well. Coming into my own as a historian, teacher, and writer, my fascination with women’s voices, experiences, and activism only grew.
This superb book is a culturally and indigenous-language-focused study of women in four central Mesoamerican native societies—Aztecs (Nahuas), Mixtec, Zapotec, and Mixe.
In addition to a deep dive into texts dealing with all facets of women’s lives, Sousa uses visual evidence to great effect, showing how images contain much information about women’s and gender history, a history in which women struggled over centuries to maintain agency and authority despite efforts by a newly imposed colonial state to erode their power and status and exploit their labor.
This book is an ambitious and wide-ranging social and cultural history of gender relations among indigenous peoples of New Spain, from the Spanish conquest through the first half of the eighteenth century. In this expansive account, Lisa Sousa focuses on four native groups in highland Mexico-the Nahua, Mixtec, Zapotec, and Mixe-and traces cross-cultural similarities and differences in the roles and status attributed to women in prehispanic and colonial Mesoamerica.
Sousa intricately renders the full complexity of women's life experiences in the household and community, from the significance of their names, age, and social standing, to their identities, ethnicities, family, dress,…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I have been a dance teacher all of my adult life, and a poetry and word-lover even longer. I love the economy of language, immediacy, and the promise of surprise in poetry.
In middle age, I returned to writing just as my body began its slow rebellion, with the added shifts of remarriage and step-parenting a severely disabled son. I went back to grad school and wrote my first book, drawing on the experience of confronting change, just as these recommended poets have done.
Each of these poets has a very different story, but what they have in common outweighs their differences, and because of that we are able to see ourselves in their writing.
I like poetry that teaches me something, and I like how Harjo can teach me about Native American myth and culture (as a member of the Muscogee Nation)in a poem set within the context of something as mundane as an airport.
She expertly threads together the modern with the historical, and the sacred within the ordinary. “Once a woman fell from the sky. The woman who fell from the sky was neither murderer nor saint. She was rather ordinary…”
I am also struck with how Harjo unifies her own unique culture with the shared experiences of all of us, as in: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last/ sweet bite”.
She draws from the Native American tradition of praising the land and the spirit, the realities of American culture, and the concept of feminine individuality.
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Sallyis the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young's family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a 'wild' woman made 'tame' who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’ve spent my life as an avid reader, but I hadn’t seen my culture represented in many books, so I began writing the stories that I wished had existed on the shelves when I was younger. It took until my forties for my books to be published, and for me to start finding stories by other Indian authors like me, but better late than never! As someone who has lived in multiple countries and traveled to more than 70 others, I’m no stranger to writing about and searching for places that feel like home, and each of these books helped bring a piece of home to me.
I was in my forties, the first time I ever read a novel about a Gujarati American family, and this was the one. I was on a beach in Mexico, experiencing for the first time what it felt like to see my comfort foods, my family’s mannerisms, and my culture’s ideologies represented in a book. The story is told from the perspective of three generations of women in a family and it made me think about my own relationships with my mother and grandmother, and what secrets each of them may be carrying because nothing is ever as simple as it seems.
“A sparkling debut.”—Emily Giffin, #1 New York Times Bestselling Author
From a compelling new voice in women's fiction comes a mother-daughter story about three generations of women who struggle to define themselves as they pursue their dreams.
Simran Mehta has always felt harshly judged by her mother, Nandini, especially when it comes to her little "writing hobby." But when a charismatic and highly respected journalist careens into Simran's life, she begins to question not only her future as a psychologist, but her engagement to her high school sweetheart.
Nandini Mehta has strived to create an easy life for her children…