Here are 66 books that Perma Red fans have personally recommended if you like
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I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Every discussion about the evolution of writing in ‘the West’ has to start with Willa Cather, who was the first writer from the west to be awarded a major literary award when she won the Pulitzer Prize for One of Ours, which isn’t even one of her five best novels. Cather wrote openly about alcoholism, domestic violence, and other painful topics, transforming western writing from cardboard cutout characters to real people. My Ántonia has become an American classic, not just in western literature but in all literature. My Ántonia is told from the point of view of a young farm boy who falls in love with the enchanting Ántonia, and it’s beautifully written, taking us into the emotional heart of youth and idealism in the West.
Set in rural Nebraska, Willa Cather's My Antonia is both the intricate story of a powerful friendship and a brilliant portrayal of the lives of rural pioneers in the late-nineteenth century.
Part of the Macmillan Collector's Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition has an afterword by Bridget Bennett and original illustrations by W. T. Benda.
Antonia and her family are from Bohemia and they must endure real hardship and loss to establish a new home in America.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
I’ve read and deeply admired nearly everything Erdrich has written, from Love Medicine to The Roundhouse. Erdrich’s language is always incantatory, and her stories are full of magic, landscape, and history. But this one is my absolute favorite. Even the title is amazing!
The story moves back and forth across the decades, and characters shift and transform before your eyes. Erdrich reminds me of Faulkner or even Homer; though deeply rooted in the lives and experiences of the Ojibwe communities of eastern North Dakota, Erdrich’s novels have a timeless, mythic feel.
A powerfully involving novel from one of America's finest writers, and winner of America's prestigious National Book Award for Fiction 2012
Sister Cecilia lives for music, for those hours when she can play her beloved Chopin on the piano. It isn't that she neglects her other duties, rather it is the playing itself - distilled of longing - that disturbs her sisters. The very air of the convent thickens with the passion of her music, and the young girl is asked to leave. And so it is that Sister Cecilia appears before Berndt Vogel on his farm, destitute, looking for…
I’ve always been preoccupied with how personal tragedy, loss, and grief can ultimately teach us truths about existence and our own strength that we might never have learned otherwise. As a child, I was confounded by the fact of death and the transience of life, and as an adult, I’ve spent much time contemplating how literature is able to testify to the magnitude of these things in ways that ordinary language cannot. This interest led me to complete a PhD on the topic of elegiac literature and has also influenced the themes of my own fiction. I hope you find connection and inspiration in the books on this list!
The atmosphere and voice created by Robinson in this timeless and widely beloved novel, which is potent in a way that’s difficult to quantify, has endured in my memory since I first read it as a teenager. In prose rich with imagery and allusion, narrator Ruth tells the story of how she and her sister, Lucille—orphaned after their mother’s suicide—came to be cared for by their aunt, Sylvie, an eccentric drifter, who moves into their rural Idaho home and alters the tenor of their lives.
This is written with the precision of poetry, containing such sentences as, “When she had been married a little while, she concluded that love was half a longing of a kind that possession did nothing to mitigate.” A novel to re-read and savor.
A modern classic, Marilynne Robinson's Housekeeping is the story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother.
The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I have published seven books, all set in the West, including an anthology,West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love.
Winter Wheat, published in 1944, tells the story of Ellen Webb, a young woman coming of age on a farm in Montana. Walker moved from back east to Great Falls, Montana in 1933, and she is one of many writers who adopted Montana as their home state and wrote very eloquently about the unique challenges of growing up in such isolation, living a life so focused on hard work and basic survival. Walker published several excellent novels, but Winter Wheatwas her tour de force.
For this Bison Books edition, James Welch, the acclaimed author of Winter in the Blood (1986) and other novels, introduces Mildred Walker's vivid heroine, Ellen Webb, who lives in the dryland wheat country of central Montana during the early 1940s. He writes, "It is a story about growing up, becoming a woman, mentally, emotionally, spiritually, within the space of a year and a half. But what a year and a half it is!" Welch offers a brief biography of Walker, who wrote nine of her thirteen novels while living in Montana.
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I was drawn to Harness’ incredible memoir because she speaks truth to power from an Indigenous perspective as a survivor of Indian adoption.
As an infant in the 1960s, Harness was adopted by a white couple and raised far from the rez, far from her birth community, and completely segregated from her cultural heritage. This story is about her weaving her way back home and making sense of her traumatic adoption.
As an adoptee myself I found her story gut wrenching and inspiring. Harness is a brilliant writer and a phenomenal woman. Her wisdom, authenticity, and strength reverberate through the pages of this beautiful memoir.
2019 High Plains Book Award (Creative Nonfiction and Indigenous Writer categories) 2021 Barbara Sudler Award from History Colorado
In Bitterroot Susan Devan Harness traces her journey to understand the complexities and struggles of being an American Indian child adopted by a white couple and living in the rural American West. When Harness was fifteen years old, she questioned her adoptive father about her "real" parents. He replied that they had died in a car accident not long after she was born-except they hadn't, as Harness would learn in a conversation with a social worker a few years later.
I grew up in Michigan where I was outdoors in the woods most of the time, running around with my imaginary friends. I built an entire world in my imagination where girls and women were powerful and ruled the world. I wrote stories about that world, and I’ve never stopped writing or reading myths, folklore, and fairy tales. Stories are the best way to bring the mythic and hidden realms of our existence out into the open. When I catch a glimpse of other worlds through storytelling, it always feels healing. It gives me hope that there is more to our existence than what we ordinarily see.
This is Paula Gunn Allen’s modern-day retelling of many Native American tales. They feature talking animals, shape-shifting bears, and creation stories. Here, we see how the underneath comes to the surface in wondrous and awe-inspiring ways. The ordinary walks with the extraordinary. In fact, the ordinary is extraordinary. Allen sees power in these tales for women, and that’s what I loved about this book. These stories are part of a female shamanic tradition; they are in many ways medicinal.
This extraordinary collection of goddess stories from Native American civilizations across the continent, Paula Gunn Allen shares myths that have guided female shamans toward an understanding of the sacred for centuries.
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
Sallyis the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young's family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a 'wild' woman made 'tame' who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
I’m just a guy, a normal guy who enjoys thinking and writing about things that can nudge humanity along towards peace. If everybody thought just a little bit about it, we’d have it.
Hatter Fox is one of those rare stories which causes me to lose my sense of self.
There is no who am I, how am I, or why am I, none of that matters, all that matters is the story. This story is so real, and shows so accurately what can happen to young minds when they are raised in an oppressive, prejudiced environment.
Hatter Fox also exemplifies the true power of fiction, in that it allows us to shed a tear. We steel ourselves against the harsh realities of life, and do not weep for the downtrodden, but for fictional characters, we are free to feel our sorrows.
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Reproductive justice – reproductive rights – reproductive self-determination – this has been my passion for decades. I’m a historian. The most important thing I’ve learned is how reproductive bodies have always been racialized in the United States, from 1619 to the present day. Circumstances and tactics have changed over time, but lawmakers and others have always valued the reproduction of some people while degrading the reproduction of people defined as less valuable – or valueless – to the nation. Throughout our history, reproductive politics has been at the center of public life. As we see today. I keep writing because I want more and more of us to understand where we are – and why.
This book is a first. Theobald gives us a really interesting and comprehensive history of pregnancy, birthing, motherhood -- and activism -- on the Crow Reservation in Montana. She explains the interventions of the federal government, for example, via coercive sterilization and child removal, and provides rich accounts of family, tribal, and inter-tribal resistance -- and claims of self-determination -- in the face of these interventions.
This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly. As Brianna Theobald illustrates, the federal government and local authorities have long sought to control Indigenous families and women's reproduction, using tactics such as coercive sterilization and removal of Indigenous children into the white foster care system. But Theobald examines women's resistance, showing how they have worked within families, tribal networks, and activist…