Growing up in Salt Lake City in the 1950s I was very soon aware that I was living in a world of borders, some permeable and negotiable, and some almost impossible to cross. It was a city of Mormons and a city of those who weren’t; a city of immigrants like my grandparents, and about whom my mother wrote (and wrote well); and a Jim Crow town where Black men and women couldn’t get into the ballroom to hear Duke Ellington play. Finally, it was a city haunted by its Indian past in a state keeping living Indians in its many bleak government reservations. What to make of those borders has been a life-long effort.
I wrote
An American Cakewalk: Ten Syncopators of the Modern World
Sallyis the moving account of the true story of a captive Indian girl who lived in the house of Brigham Young as a servant and cook, a “wild” woman who had been “tamed” by her civilized captors. When she had almost forgotten her own language Sally was sent off to a Mormon village as the wife of a Pahvant Ute chief in order to “civilize” the local surrounding Indians. Sally’s story asks us what these seemingly simple words “wild” and “tame” really mean, and to think about what they can hide.
In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young's family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a 'wild' woman made 'tame' who happily shed her past to enter a new and better life in civilization.
Drawing from a broad range of primary sources, Kerns retrieves Sally from…
In 1912 a posse made up of cowboys and state police caught up with an Indian family on the run and massacred almost all of them. Murderous Indians, vengeful whites: a simple Western story that when told through the multiple points of view of its participants, the sheriff who couldn’t intercept the posse in time, the son of a murdered Basque rancher, and, most poignantly, Shoshone Mike’s adolescent daughter, has the elements of a Greek tragedy.
In 1911 a posse chased an itinerant Shoshone family across 200 hundred miles of Nevada desert and slaughtered them. Shoshone Mike re-creates this final chapter in the Old West through the eyes of an anachronistic sheriff.
Selected by Deesha Philyaw as winner of the AWP Grace Paley Prize in Short Fiction, Lake Song is set in the fictional town of Kinder Falls in New York’s Finger Lakes region. This novel in stories spans decades to plumb the complexities, violence, and compassion of small-town life as the…
Who says American literature has to be written in English? Told through a number of voices and in a mixture of folktales, memories, and dreams that James Joyce would have loved, this novel traces the lives of four generations of a Chicano family in Presidio, Texas who, with the coming of the Anglos and their guns, found themselves separated from their family and friends by a river that once gave life, but now is a border between one country and the next. Over all is the grinning, terrifying Green Devil, who is at once the fields of cotton sucking the life-giving waters from the river, and the malevolent spirit mocking brown people trying to live in a ruined world. It’s a little masterpiece.
Early on David Levinsky, the immigrant Yeshiva boy, the budding intellectual, learns that America is the land of winners and losers, and if he is to be the former, he has to abandon his old self like the ear-locks he left on a barbershop floor in his first days in this new world. To be an alrightnik he must learn to dance the American dance. And dance he does, but his fabulous success as a garment manufacturer has left something unresolved in himself. His search for love at a Jewish resort in the Poconos is a chapter better than anything Philip Roth ever wrote.
Acclaimed by literary critic Carl Van Doren as "the most important of all immigrant novels," The Rise of David Levinsky takes place amid America's biggest and most diverse Yiddish-speaking community during the early 20th century. David Levinsky, a young Hasidic Jew struggling to master the Talmud, seeks his fortune amid the teeming streets of New York's Lower East Side. All the energy formerly focused on his religious studies now turns in the direction of rising to the top of the business world, where he discovers the high price of assimilation. Author Abraham Cahan founded and edited the Jewish Daily Forward,…
In an underground coal mine in Northern Germany, over forty scribes who are fluent in different languages have been spared the camps to answer letters to the dead—letters that people were forced to answer before being gassed, assuring relatives that conditions in the camps were good.
You may in fact have read this in college as I did, but it will richly reward a return. The protagonist doesn’t have a name because his humanity is invisible to the white world. Sitting in a room with its hundreds of lightbulbs run on power stolen from the city, he reflects on the life that brought him from the rural South to Harlem, and it’s all one grotesque, horrible, comic, and inescapable bad dream. No one sees him, but everyone, from sadistic southern whites, to black nationalists, to the doctrinaire Leftists of “The Brotherhood,” wants to use him.
NATIONAL BOOK AWARD WINNER • NATIONAL BESTSELLER • In this deeply compelling novel and epic milestone of American literature, a nameless narrator tells his story from the basement lair of the Invisible Man he imagines himself to be.
He describes growing up in a Black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood," before retreating amid violence and confusion.
Originally published in 1952 as the first novel by a then unknown author, it remained on the bestseller list for…
An American Cakewalk is about a group of American jazz musicians, poets, writers, philosophers, and yes, cakewalkers, who didn’t crash head on into the borders of racism, poetic tradition, received ideas and economic orthodoxy that surrounded them, but, like the enslaved men and women who watched their masters’ pompous cotillion, glanced off them through satire and sly subversion. I write about Emily Dickinson and Stephen Crane, Scott Joplin and Charles Mingus, Jelly Roll Morton and William and Henry James, Thorstein Veblen and Abraham Cahan – and squeeze in some others too.
Blood of the White Bear
by
Marcia Calhoun Forecki,
Virologist Dr. Rachel Bisette sees visions of a Kachina and remembers the plane crash that killed her parents and the Dine medicine woman who saved her life. Rachel is investigating a new and lethal hantavirus spreading through the Four Corners, and believes the Kachina is calling her to join the…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
