Here are 77 books that Travels in Vermeer fans have personally recommended if you like
Travels in Vermeer.
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A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I loved being immersed in the Middle Ages with characters so emotionally real I didn’t want to leave them. I’m fascinated by the complexity of Gothic architecture and agonized along with the builders as they struggled to complete their masterpiece.
I also loved how the cathedral’s slow, steady construction provided a solid framework for decades of interwoven stories, like a tall, straight tree growing from tangled roots. The author’s passion for the timeless magnificence of Gothic architecture made me feel as if I were standing before it, spellbound and transported.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I love solving puzzles and learning something new, especially when it comes to art history.
That’s how Dan Brown’s Angels and Demons reeled me in. I’m also crazy about Rome and had great fun trying to determine which famous locations the protagonists were in search of before they found them. Each of those historic sites included sculptures by Bernini—one of the most emotionally powerful sculptors I know.
For me, Brown’s descriptions of Bernini’s theatrical works made my heart race even faster. I’m fascinated by the way art speaks to us, pulls us, comforts us, or in this case, raises our blood pressure as we careen through the dazzling streets of Rome.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
Years ago, when I worked as an art museum lecturer, I often wandered the galleries before they opened to the public. The author recreated that magical experience for me—those exquisite moments of solitude and solace when the paintings opened up and quietly shared their mysteries.
As I read, I felt I was in the museum with the author, gazing at those works, and absorbing their timeless wisdom.
A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then…
Dr. Mark Lin, a cynical and disillusioned internist, is the target of a hacker known as Doctor Lucifer. Three patients at Ivory Memorial Hospital suffer from medication errors, created by the hacker, yet Mark is forced to take the blame. He knows a computer worm is spreading and crippling network…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I loved how it brought to life one of my favorite late nineteenth-century female artists—Suzanne Valadon. I also loved how the book wove her tale with that of a contemporary woman, motivated by Suzanne’s bold art and life.
I rooted for both women as they struggled for personal and professional fulfillment, feeling disheartened by their frustrations and jubilant over their victories, such as Suzanne’s acceptance into the Académie des Beaux-Arts. It thrilled me how she overcame the many societal barriers in her path and won over the Académie with her powerfully expressive art.
The greatest artists in Paris never suspected that their favorite model was learning their techniques while she was posing for them. Art schools didn't accept female students, but Suzanne Valadon knew how to fight for what she wanted. By the time she was 15, she’d been a horse walker, a funeral wreath maker, and a circus acrobat.
This is the story of a survivor.
Emotionally gripping and poignant, a book to make you cry one minute and laugh out loud the next.
EDITOR'S CHOICE, BookLife Review "A rousing novel of visionary women a…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
The Dutch Golden Age produced some of the world’s greatest art, but – less known – it was also a period of astonishing scientific and technical innovation. Snyder gets to the heart of the intrinsic connection between the worlds of art and science when she examines the lives of two of the greatest innovators who were born in the same month of 1632 and lived and worked in the same tiny city of Delft, and yet who may never have known each other or even met: the painter Vermeer and the pioneer of the microscope, Antoni van Leeuwenhoek.
Although it is frustrating that there is no record of the two men having met – we can only conjecture the kind of conversation they might have had, with their common interest in the use of light and the understanding of optical phenomena – this in a way is the point of…
On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek-a cloth salesman, local bureaucrat, and self-taught natural philosopher-gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld.
"See for yourself!" was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry,…
The future is uncertain, and the stakes are high. Climate change has wreaked havoc on the planet, and humanity is on the brink of extinction. The only hope lies in the Olympus Project, a plan to colonise the moon and build on the Artemis Base.
I have always enjoyed looking at art, and love it when I can help others to enjoy it too. Curators and academics are incredibly knowledgeable, but sometimes theory gets in the way, and academic precision can lead to turgid texts. I’d rather write in a way that is as simple as possible – without being condescending – and so help people to understand art more fully. That’s why I love it when exhibitions bring art together in new ways, encouraging us to look afresh at familiar images, or startling us with something we haven’t seen before.
The exhibition dedicated to Johannes Vermeer at the Old Master Picture Gallery in Dresden last year was one of the best I have ever seen. Inspired by a recent discovery – a crucial detail in one of the Gallery’s own works had been painted over – the exhibition set out to explore the artist’s work in-depth focusing on this one image. The restoration of the painting and the revelation of the hidden detail led to a re-evaluation of Vermeer’s art. Each room of the exhibition, and chapter of the book, introduces a different aspect of the painting so that, when you finally get to see it and read about it, you have a thorough understanding of its meaning and development, and even of the society in which it was produced.
The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal…
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”
From the epicentre of Delft in the Netherlands Brook takes the paintings of Johannes Vermeer and uses details of them as a series of entry points to the widest circles of world trade and cultural exchange in the seventeenth century. An officer's beaver hat in 'Officer and the Laughing Girl' opens up the story of Champlain's dealing with the native peoples of Canada and the beaver trade. A china dish on a table in another painting uncovers the story of the Chinese porcelain trade. Moving outwards from Vermeer's studio Brook traces the web of trade that was spreading across the…
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.
This bewitching first novel is a puzzle, wrapped in a mystery, disguised as an adventure and delivered as a work of art. When a book of inexplicable occurences bring Petra Andalee and Calder Pillay together, strange things start to happen- seemingly unrelated events connect, an eccentric old woman seeks their company, and an invaluable Vermeer painting disappears. Before they know it, the two find themselves at the centre of an international art scandal. As Petra and Calder are drawn clue by clue into a mysterious labyrinth they must draw on their powers of intuition, their skills at problem solving, and…
LOT 16 WAS NEVER TO BE SOLD. Generations pass and the estate’s directive is overturned.
Situated on a grassy hilltop overlooking a lake and wildlife preserve, the 30-acre parcel is perfect for Nora and Dex. They’ll escape their city’s rising crime, build a home with an amazing view, work remotely,…
Having taken up the brush myself, I can attest to some sort of mystical, out-of-body experience that sometimes surfaces as an artist creates. Emotions and senses become directly connected to one’s hands, releasing the unconscious, allowing the artist to bring something to life that was buried deep inside. My favorite class in art school was Aesthetics, which explored the philosophy of art – what possessed the artist to paint – and what passions and beliefs were behind some of the art movements, including Surrealism, Dadaism, and Futurism. Books that delve into the craft and passion behind great works of art are my favorite reads.
The artist can be an interesting amateur sleuth in a mystery novel.
In Death in Delft, the painter, Vermeer, sketches the discovery of the body, and helps the main character investigate the death and disappearances of several young girls. An artist notices things in a different way, which can make them an interesting investigator.
For those of us who read and loved The Girl with the Pearl Earring, this is a new slant on Vermeer, as detective.
