Here are 77 books that Travels in Vermeer fans have personally recommended if you like
Travels in Vermeer.
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I’ve long been fascinated by the human side of history. Not the dry recounting of battles, dates, and generals so often taught in school, but the reality behind all those statistics. I’m enthralled to learn what the individuals in history had in common with us and what was different for them. Nothing from the Revolutionary War to the Great Depression to World War II to the Middle Ages was as simple and as black-and-white and right-or-wrong as we’ve been led to believe. Each of these books has broadened my understanding of historical periods and brought me one step closer to those who lived through them.
When I first learned the subject of this hot-selling book, the building of a medieval cathedral, my first thought was blah.
I mean, how interesting could the decades-long construction of a massive church be? Boy, was I wrong. Follett makes the story so compelling, personal, and moving; I couldn’t stop reading. I got so invested in the characters and the tale that I wished there were more, even after 1008 pages. Yeah.
Thankfully, Follett wrote four more books in the Cambridge series, and yes, I’ve read them all. There is a reason why Pillars of the Earth is the bestselling historical novel of all time.
The "extraordinary . . . monumental masterpiece" (Booklist) that changed the course of Ken Follett's already phenomenal career-and begins where its prequel, The Evening and the Morning, ended.
"Follett risks all and comes out a clear winner," extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett's unassailable command of the written word and to his universal appeal.
The Day Albert Einstein Discovered Relativity
by
Bryant Wieneke,
Twenty-six-year-old Albert Einstein is a rebel. He refuses to follow the path described for physicists in the late 19th and early 20th centuries and is haunted by the belief that there's something terribly wrong in the world of physics.
The Day Albert Einstein Discovered Relativity tells the gripping story of…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I love solving puzzles and learning something new, especially when it comes to art history.
That’s how Dan Brown’s Angels and Demons reeled me in. I’m also crazy about Rome and had great fun trying to determine which famous locations the protagonists were in search of before they found them. Each of those historic sites included sculptures by Bernini—one of the most emotionally powerful sculptors I know.
For me, Brown’s descriptions of Bernini’s theatrical works made my heart race even faster. I’m fascinated by the way art speaks to us, pulls us, comforts us, or in this case, raises our blood pressure as we careen through the dazzling streets of Rome.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
Years ago, when I worked as an art museum lecturer, I often wandered the galleries before they opened to the public. The author recreated that magical experience for me—those exquisite moments of solitude and solace when the paintings opened up and quietly shared their mysteries.
As I read, I felt I was in the museum with the author, gazing at those works, and absorbing their timeless wisdom.
A fascinating, revelatory portrait of the Metropolitan Museum of Art and its treasures by a former New Yorker staffer who spent a decade as a museum guard.
Millions of people climb the grand marble staircase to visit the Metropolitan Museum of Art every year. But only a select few have unrestricted access to every nook and cranny. They’re the guards who roam unobtrusively in dark blue suits, keeping a watchful eye on the two million square foot treasure house. Caught up in his glamorous fledgling career at The New Yorker, Patrick Bringley never thought he’d be one of them. Then…
The Day Albert Einstein Discovered Relativity
by
Bryant Wieneke,
Twenty-six-year-old Albert Einstein is a rebel. He refuses to follow the path described for physicists in the late 19th and early 20th centuries and is haunted by the belief that there's something terribly wrong in the world of physics.
The Day Albert Einstein Discovered Relativity tells the gripping story of…
A year after taking an art history course in college, I visited the Impressionist Museum in Paris and felt I could recall all my professor’s lectures—word-for-word. It was as if the paintings were talking to me. Exhilarated by that experience of connection, I went on to get a master’s degree in art history and have since traveled the world in search of great art. As a timeless human expression, both stimulating and comforting, art gives me a profound sense of emotional satisfaction that I believe the books on my list beautifully explore.
I loved how it brought to life one of my favorite late nineteenth-century female artists—Suzanne Valadon. I also loved how the book wove her tale with that of a contemporary woman, motivated by Suzanne’s bold art and life.
I rooted for both women as they struggled for personal and professional fulfillment, feeling disheartened by their frustrations and jubilant over their victories, such as Suzanne’s acceptance into the Académie des Beaux-Arts. It thrilled me how she overcame the many societal barriers in her path and won over the Académie with her powerfully expressive art.
The greatest artists in Paris never suspected that their favorite model was learning their techniques while she was posing for them. Art schools didn't accept female students, but Suzanne Valadon knew how to fight for what she wanted. By the time she was 15, she’d been a horse walker, a funeral wreath maker, and a circus acrobat.
This is the story of a survivor.
Emotionally gripping and poignant, a book to make you cry one minute and laugh out loud the next.
EDITOR'S CHOICE, BookLife Review "A rousing novel of visionary women a…
I have always enjoyed looking at art, and love it when I can help others to enjoy it too. Curators and academics are incredibly knowledgeable, but sometimes theory gets in the way, and academic precision can lead to turgid texts. I’d rather write in a way that is as simple as possible – without being condescending – and so help people to understand art more fully. That’s why I love it when exhibitions bring art together in new ways, encouraging us to look afresh at familiar images, or startling us with something we haven’t seen before.
The exhibition dedicated to Johannes Vermeer at the Old Master Picture Gallery in Dresden last year was one of the best I have ever seen. Inspired by a recent discovery – a crucial detail in one of the Gallery’s own works had been painted over – the exhibition set out to explore the artist’s work in-depth focusing on this one image. The restoration of the painting and the revelation of the hidden detail led to a re-evaluation of Vermeer’s art. Each room of the exhibition, and chapter of the book, introduces a different aspect of the painting so that, when you finally get to see it and read about it, you have a thorough understanding of its meaning and development, and even of the society in which it was produced.
The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal…
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
The Dutch Golden Age produced some of the world’s greatest art, but – less known – it was also a period of astonishing scientific and technical innovation. Snyder gets to the heart of the intrinsic connection between the worlds of art and science when she examines the lives of two of the greatest innovators who were born in the same month of 1632 and lived and worked in the same tiny city of Delft, and yet who may never have known each other or even met: the painter Vermeer and the pioneer of the microscope, Antoni van Leeuwenhoek.
Although it is frustrating that there is no record of the two men having met – we can only conjecture the kind of conversation they might have had, with their common interest in the use of light and the understanding of optical phenomena – this in a way is the point of…
On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek-a cloth salesman, local bureaucrat, and self-taught natural philosopher-gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld.
"See for yourself!" was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry,…
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
Brook uses artifacts portrayed in six paintings by the Dutch Golden Age painter Johannes Vermeer to show how, several centuries before the World Wide Web, the local and the global were intimately connected. He surprises his readers by showing that people and goods and ideas moved around the 17th-century world in ways that – rather like us – their ancestors would have considered impossible. Perhaps because Brook is a Canadian historian of China who is familiar with Europe, he provides a truly global history and almost every page contains a “gee whiz” fact. I also love the idea that “Every picture tells a story.”
From the epicentre of Delft in the Netherlands Brook takes the paintings of Johannes Vermeer and uses details of them as a series of entry points to the widest circles of world trade and cultural exchange in the seventeenth century. An officer's beaver hat in 'Officer and the Laughing Girl' opens up the story of Champlain's dealing with the native peoples of Canada and the beaver trade. A china dish on a table in another painting uncovers the story of the Chinese porcelain trade. Moving outwards from Vermeer's studio Brook traces the web of trade that was spreading across the…
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.
This bewitching first novel is a puzzle, wrapped in a mystery, disguised as an adventure and delivered as a work of art. When a book of inexplicable occurences bring Petra Andalee and Calder Pillay together, strange things start to happen- seemingly unrelated events connect, an eccentric old woman seeks their company, and an invaluable Vermeer painting disappears. Before they know it, the two find themselves at the centre of an international art scandal. As Petra and Calder are drawn clue by clue into a mysterious labyrinth they must draw on their powers of intuition, their skills at problem solving, and…
As a journalist, WSJ book critic, and mother of five, I‘ve been perfectly placed to witness the astounding effects of reading aloud. For decades I've been reading to my children (and to my husband, too) every night, often for a solid hour or more. Storytime has been the central civilizing joy of our family life: We’ve bonded emotionally, gone on shared imaginative adventures, and filled our heads with pictures and words. Long ago I knew something big was happening to us, and I felt sure my children were benefitting, but it wasn’t until I began digging around into the behavioral and brain science that I learned just how consequential reading aloud can be. In my book, I lay it all out.
This book hits a kind of non-narrative sweet spot: It doesn’t tell a specific story, but every page-spread is a feast of beauty and interest and there are just enough words sprinkled here and there to encourage parents to supply their own commentary. This particular book happened to be a huge favorite in my family, but any collection that introduces great paintings and different styles of art will do the trick. I love making art part of a baby’s world from the get-go: It awakens the aesthetic senses and gives a child a sense of cultural ownership. Later, seeing a Vermeer or a Picasso, we can hope that child will feel a sparkle of recognition.
An introduction to art appreciation exposes young readers to more than one hundred works of art from a wide range of periods, cultures, and artists, and with subjects such as seasons, weather, and animals.