Here are 100 books that Creative Labour fans have personally recommended if you like
Creative Labour.
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I’ve spent my career building products, scaling companies, and leading teams through the highs and lows of entrepreneurship. I know firsthand how challenging it is to take an idea and turn it into something real—whether that’s a product, a company, or a movement. The books on this list have shaped my approach to leadership, innovation, and resilience. They’ve helped me navigate tough decisions, build stronger teams, and think bigger. I’m passionate about sharing these insights because I believe great builders aren’t just born—they’re made. If you’re looking to create something meaningful, these books will push you, challenge you, and inspire you to build something great.
This book changed how I think about leadership and creativity. I’ve always believed that great products come from great teams, and this book reinforced that. Ed Catmull’s insights on building a culture where people feel safe enough to take risks and speak the truth made me rethink how I run teams.
The Braintrust—a space where candid feedback is not just encouraged but expected—stood out. I still come back to this book when shaping teams and cultures. It’s a must-read for leaders who want to build not just great products but great environments where creativity thrives.
Part autobiography, part history of Pixar, part business book, Creativity Inc is a stimulating, feel-good, insightful and highly inspirational collection of lessons in creativity and business from the president of Pixar and Disney Animation, Ed Catmull.
'Just might be the best business book ever written.' -- Forbes Magazine 'Great book. Wish I could give it more than 5 Stars' -- ***** Reader review 'Incredibly inspirational' -- ***** Reader review 'Honestly, one of the best books I've read in a long time' -- ***** Reader review 'Read it and read it again, then read it again and then again' -- *****…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this fictitious expose of the New York fashion industry because it asks what we would sacrifice for ‘a job a million girls/boys would die for?’ Sometimes, in the creative industries, power can be concentrated in the hands of people for whom ‘the meaning of their life’ is about a creative project being successful.
This can lead them to make the lives of people around them miserable. How much abuse, poor pay, lack of credit, ‘self-exploitation’, being absent for loved ones, how much of this would you tolerate? What if you had to sell your soul to fulfill your dream? This might seem academic, but for many in the creative industries, it has been painfully real.
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this book because it shows how economic forces are pushing us in the direction of a ‘winner takes all’ economy, both in the creative industries and more generally.
The scalability of digital creations, the impact of algorithms, bandwagon effects, network effects, and economies of scale are resulting in 1 percent of artists owning the majority of the pie. This has big implications for those working in the creative industries.
Alan Krueger, a former chairman of the president's Council of Economic Advisers, uses the music industry, from superstar artists to music executives, from managers to promoters, as a way in to explain key principles of economics, and the forces shaping our economic lives.
The music industry is a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries…
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
Some autobiographies of eminent arts and entertainment managers are very gracious and discreet. This is not one of them. Joseph Volpe is the former General Manager of New York’s Metropolitan Opera House, and I just love this book’s jaw-dropping honesty and candor. He famously fired the tempestuous soprano Kathleen Battle, and this book recounts in detail the story behind her dismissal (among many other dramas).
How much prima donna behavior should we tolerate when managing creative artists? For Volpe, not that much! But he did have the prestige of a world famous opera house behind him.
The Toughest Show on Earth is the ultimate behind-the-scenes chronicle of the divas and the dramas of New York’s Metropolitan Opera House, by the remarkable man who rose from apprentice carpenter to general manager.
Joseph Volpe gives us an anecdote-filled tour of more than four decades at the Met, an institution full of vast egos and complicated politics. With stunning candor, he writes about the general managers he worked under, his embattled rise to the top, the maneuverings of the blue-chip board, and his masterful approach to making a family of such artist-stars as Luciano Pavarotti, Placido Domingo, Teresa Stratas,…
The author of biographies, histories, and true crime books, Howard Sounes is best-known for Down the Highway: The Life of Bob Dylan, now in an updated edition; Charles Bukowski: Locked in the Arms of a Crazy Life; and Fred & Rose, the bestselling story of married English serial killers Fred and Rose West. Other books include Amy, 27, Seventies, Heist, and biographies of Paul McCartney and Lou Reed.
The best true crime books are similar to any good biography, in that they are crafted, powerfully-researched lives of unusual people. With true crime, the life of the subject usually goes awry, however, by degrees from childhood, culminating in disaster, which affects others. Crime takes different forms. This gripping book charts the downfall of the brilliant but unscrupulous media baron Robert Maxwell, ending in his mysterious death in 1991. Had he lived, he may well have gone to jail, like his daughter, Ghislaine. Author John Peston has an eye for grotesques and a nice sense of humour.
“A portrait of one of the most enigmatic figures in the annals of white-collar crime. . . . A well-researched, compelling book that uncovers many mysteries about a media tycoon.”—Kirkus Reviews
From the acclaimed author of A Very English Scandal, a thrilling and dramatic true-life account of the rise and fall of one of the most notorious media moguls of all time: Robert Maxwell.
In February 1991, Robert Maxwell triumphantly sailed into Manhattan harbor on his yacht, the Lady Ghislaine, to buy the ailing New York Daily News. Taxi drivers stopped…
For more than half a century, I have been writing books and articles about America’s past, with most of my work focusing on 20th-century political history. I believe that, except in the 1850s, which led to a bloody civil war, Americans have never been more divided. Although I have always believed in objectivity in my work, I share Leo Tolstoy’s belief that history is ultimately a form of moral reflection, that a conversation with the past might do more than inform us about what people have said and done; it might help make decisions about how we should live.
Written forty years ago at the dawn of the personal computer age and well before the internet and the rise of social media, Postman’s book is a gripping read, a 20th-century warning for 21st-century readers about the dark consequences of the replacement of print media by visual forms of entertainment masquerading as information, a transformation that has had a devastating impact upon the ability of a citizenry to make informed decisions.
In his relatively brief account, Postman described the way in which visual media overshadowed print in the 20th century. In that process, the “information” transmitted on a flickering screen became shaped by the need for brevity and, above all, the values of entertainment designed to “sell” products that cater to the emotional needs of the paying audience. While the printed words could be read and re-read for a more complex understanding of deeper meanings, electronic images were fleeting and,…
What happens when media and politics become forms of entertainment? As our world begins to look more and more like Orwell's 1984, Neil's Postman's essential guide to the modern media is more relevant than ever.
"It's unlikely that Trump has ever read Amusing Ourselves to Death, but his ascent would not have surprised Postman.” -CNN
Originally published in 1985, Neil Postman’s groundbreaking polemic about the corrosive effects of television on our politics and public discourse has been hailed as a twenty-first-century book published in the twentieth century. Now, with television joined by more sophisticated electronic media—from the Internet to cell…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe.
It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.
Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.
From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history.
In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils…
Raphael Cohen-Almagor, DPhil, St. Catherine’s College, University of Oxford, is Professor of Politics, Olof Palme Visiting Professor, Lund University, Founding Director of the Middle East Study Centre, University of Hull, and Global Fellow, Woodrow Wilson International Center for Scholars. Raphael taught,inter alia, at Oxford (UK), Jerusalem, Haifa (Israel), UCLA, Johns Hopkins (USA), and Nirma University (India). With more than 300 publications, Raphael has published extensively in the field of political philosophy, including Liberal Democracy and the Limits of Tolerance; Challenges to Democracy; The Right to Die with Dignity; The Scope of Tolerance; Confronting the Internet's Dark Side; Just, Reasonable Multiculturalism, and The Republic, Secularism and Security: France versus the Burqa and the Niqab.
For me, every book by Clifford (Cliff) Christians is always a celebration. I met Cliff in 1996 and we kept in touch ever since then. Christians has contributed to the field of media ethics more than any other scholar I know. In this book, Christians explores the fundamentals of ethics and justice in moral theory. In addition to “the usual suspects,” i.e., Aristotle, Immanuel Kant, Rene Descartes, John Stuart Mill, Auguste Comte, and Max Weber, Christians explores modern liberal philosophy, feminist philosophy, African philosophy, Latin American liberation theology, Confucianism, and Islam. He does this in his usual dazzling and most comprehensive style, exhibiting wide knowledge of the literature and brilliant analysis that adds layers upon layers of sharp insights. As in his previous books, Christians invokes an ethics of care and humanity in order to alleviate poverty, homelessness, and unemployment, issues that trouble Western and non-Western societies, albeit in different…
Today's digital revolution is a worldwide phenomenon, with profound and often differential implications for communities around the world and their relationships to one another. This book presents a new, explicitly international theory of media ethics, incorporating non-Western perspectives and drawing deeply on both moral philosophy and the philosophy of technology. Clifford Christians develops an ethics grounded in three principles - truth, human dignity, and non-violence - and shows how these principles can be applied across a wide range of cases and domains. The book is a guide for media professionals, scholars, and educators who are concerned with the global ramifications…
I'm a Czech scholar in Japanese studies and media studies who became spontaneously interested in the way media scandals unfold in Japan. For ten years, I was studying Japanese scandals at The University of Tokyo (Ph.D. 2017), and I developed a new approach to Japanese scandal as a highly mediatized social ritual that tends to preserve the status quo while generating commercial profit. After my return from Japan, I continued my scandal research at the Czech Academy of Sciences, and I'm currently teaching media & communication theory at Ambis University Prague. In 2023, Routledge finally published the results of my decade-long research in my new book titled Scandal in Japan: Transgression, Performance and Ritual.
This book is a must for those who want to explore the social phenomenon of media scandal.
What I liked about the book was that it is not only about theory – the authors discuss scandals and controversies revolving around Kurt Cobain to Michael Jackson, and from O.J. Simpson to Magic Johnson. In this volume, I personally loved John B. Thompson’s chapter “Scandal and Social Theory”, which was an eye-opener to me, and later it contributed to building my own theoretical framework.
The book taught me a lot about what happens when personal desire goes beyond moral boundaries in the lives of social elites worldwide. The book was written in 1997, but it still stimulates much discussion about this fascinating subject.
Are scandals a form of legitimate journalism, or are they a sign of a society in moral degeneration? These questions are addressed and assessed in Media Scandals, the first book to take a comprehensive look at how scandals are produced and played out in modern culture.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
Having studied statistics in the 1980s and realised that forecasting energy reserves wasn’t for me, I stumbled into a career in market research. A chance reading of a book on psychoanalysis opened my eyes to how little we all understand ourselves and I started to look for better ways to identify how consumers think. After developing techniques from psychoanalysis and behavioural science I started my own consultancy firm in 2005. Over the last seventeen years I’ve been lucky enough to advise some of the world’s biggest brands, make regular appearances in the media discussing consumer affairs and, with my book Consumer.ology, to upset some of the biggest market research companies.
Early in my career I was responsible for running the UK brand tracking and customer experience studies of a global brand. I was constantly battling to reconcile what the research told me with what the real data from the business showed was actually going on. This book, written by someone who was a senior editor at the Gallup market research company for years, helped me appreciate some of the reasons that survey results are inaccurate. It also reveals how opinion polls can be used to distort elections and manipulate people – scary stuff.
Drawing on over a decade's experience at the Gallup Poll and a distinguished academic career in survey research, David W. Moore—praised as a "scholarly crusader" by the New York Times—reveals that pollsters don't report public opinion, they manufacture it. In this highly critical book, he describes the questionable tactics pollsters use to create poll-driven news stories-including force-feeding respondents, slanting the wording of questions, and ignoring public ignorance on even the most arcane issues. More than proof that the numbers do lie, The Opinion Makers clearly and convincingly spells out how urgent it is…