Here are 100 books that Fall fans have personally recommended if you like
Fall.
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I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I loved the balance between the anguish of the family of Gary Gilmore’s victims and his desire to be executed as soon as possible. I was moved by the desperate attempts of his self-appointed lawyers to delay his death, and I’m not sure I’ve ever answered the question for myself whether a killer’s wish to die should be respected.
Wouldn’t a life sentence be an even greater punishment?
In the summer of 1976 Gary Gilmore robbed two men. Then he shot them in cold blood. For those murders Gilmore was sent to languish on Death Row - and could confidently expect his sentence to be commuted to life imprisonment. In America, no one had been executed for ten years.
But Gary Gilmore wanted to die, and his ensuing battle with the authorities for the right to do so made him into a world-wide celebrity - and ensured that his execution turned into the most gruesome media event of the decade.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Working as a prosecutor, trial lawyer for defendants, and as a magistrate, I’m always bothered by the misconception most people have of our criminal justice system. Unfortunately, cops are crooked, judges are corrupt, and witnesses lie on the stand. Not everyone, not every day, but more often than you would ever imagine. I write true crime books about cases where the underlying focus is on officials who are incompetent, derelict in their duties, or simply downright corrupt. The cases are always suspenseful, but justice is rarely served, and both the defendant and the public are the ones who lose.
After you read the book, you need to see Once Upon a Time... In Hollywood.
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was the motivation behind such savagery?
The murders marked the end of the sixties and became an immediate symbol of the dark underside of that era. Vincent Bugliosi was the prosecuting attorney in the Manson trial, and this book is his riveting account of how he built his case from what a defense attorney dismissed as only “two fingerprints and Vince Bugliosi.”
The meticulous detective work with which the story begins, the prosecutor’s view of a complex murder trial, the reconstruction of…
In the summer of 1969, in Los Angeles, a series of brutal, seemingly random murders captured headlines across America. A famous actress (and her unborn child), an heiress to a coffee fortune, a supermarket owner and his wife were among the seven victims. A thin trail of circumstances eventually tied the Tate-LeBianca murders to Charles Manson, a would-be pop singer of small talent living in the desert with his "family" of devoted young women and men. What was his hold over them? And what was the motivation behind such savagery? In the public imagination, over time, the case assumed the…
The author of biographies, histories, and true crime books, Howard Sounes is best-known for Down the Highway: The Life of Bob Dylan, now in an updated edition; Charles Bukowski: Locked in the Arms of a Crazy Life; and Fred & Rose, the bestselling story of married English serial killers Fred and Rose West. Other books include Amy, 27, Seventies, Heist, and biographies of Paul McCartney and Lou Reed.
A doctor interviews an elderly Japanese yakuza (gangster) as he recalls his life. Adhering to his own criminal code, the yakuza exudes a wayward nobility as he discusses the choices he made. Bob Dylan saw romance in this and quoted from the yakuza’s dialogue on his album, Love and Theft.
This is the true story, as told to the doctor who looked after him just before he died, of the life of one of the last traditional yakuza in Japan. It wasn't a good' life, in either sense of the word, but it was an adventurous one; and the tale he has to tell presents an honest and oddly attractive picture of an insider in that separate, unofficial world. In his low, hoarse voice, he describes the random events that led the son of a prosperous country shopkeeper to become a member, and ultimately the leader, of a gang organizing…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
As a former Prison Governor who has had to work with a number of murderers and serial murderers – and who now writes about them as Emeritus Professor of Criminology – my professional life has inevitably been dominated by violent men. As they might say in the United States, I have “walked the walk” before doing my talking and I try and bring this applied dimension into my written and more academic work.
This is a superb and beautifully written book about one of Britain’s most notorious serial killers – Dennis Nilsen.
Brian Masters bases his text on documents, letters, and other materials that Nilsen sent, or shared with him and whilst the two would later fall out – Nilsen was a notoriously touchy and narcissistic man, this remains a detailed and forensic account of him and the crimes that he committed. In my own work I got to know Nilsen well and would often check out some of the things that he claimed to me by returning to Killing For Company.
The definitive story of the Dennis Nilsen case featured in BBC's The Nilsen Tapes, and the book behind ITV's Des, starring David Tennant
***WINNER OF THE GOLD DAGGER AWARD FOR CRIME NON-FICTION and THE NUMBER ONE SUNDAY TIMES BESTSELLER*** __________________ Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains.…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This path-breaking book was a huge inspiration to me as I began to dig deeper into the relationship between culture and labor in contemporary China.
By the time Sun’s book came out in 2014, anthropologists, sociologists, and political scientists inside and outside China had already carried out extensive studies of the largest migration in human history and the scorching inequalities that mass movement of people has generated. But Sun shows in compelling detail that this exodus from the Chinese countryside is a deeply cultural movement, too.
Blending ethnography with probing and compassionate analysis of poetry, videos, photography, and activist protest, Sun argues that culture can be the crucible of political consciousness for working people trapped in the grinder of underclass life. I’ve returned to this book again and again.
Behind China's growing economic and political power is a vast underworld of marginalized social groups. In this powerful and timely book, Wanning Sun focuses on the country's hundreds of millions of rural migrant workers, who embody China's most intractable problems of inequality. Drawing on rich and extensive fieldwork, the author argues that despite the critical role their labor has played in enabling and sustaining the country's remarkable economic growth, workers and peasants have become the nation's "subalterns."
Sun focuses especially on the role of media and culture in negotiating the unequal relationships that exist between various social groups. She shows…
I am an emeritus professor of criminology and criminal justice who came of age in the 1960s at the UC Berkeley School of Criminology where I developed a passion for the administration of criminal justice and the securing of human rights. I have authored more than 20 books, including five award winning titles such as: Criminology on Trump (2022) and Indicting the 45th President: Boss Trump, the GOP, and What We Can Do About the Threat to American Democracy (2024). My third book to complete the Trump trilogy is underway, Regime Change, Authoritarian Treason, and the Outlaw-in-Chief: President Donald Trump’s Struggle to Kill U.S. Democracy & Realign American Global Power.
There is no one better than David L. Atheide when it comes to the digital ecology of mass communications and politics. From numerous vantage points including the history of politicking, presidential campaigning, and mediated manipulation, Altheide explains how Trump used digital networks to emotionally connect with MAGA America.
To promote the Big Lie, to cultivate millions of supporters, to invert social reality, and to flip-flop the dominant political narrative of “law and order.” Trump accomplished this through circulated misinformation, mass-produced disinformation, and blatant propaganda.
Drawing on social science and communications theory, Gonzo Governance offers a new interpretation of presidential power that shifts focus to the media dynamics that surrounded Donald Trump. The former president's unhinged behavior and skilled media and digital manipulations changed the nature and process of significant governance at the federal and state levels, including denying election results and restricting voting opportunities. He went "Gonzo" - promoting himself without regard for conventional norms and practices - and blasted ideological fault lines into explosive political fragments, resulting in so much dissensus that numerous legislators would not recognize the newly elected President Biden, nor…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
I'm a scholar with a deep interest in the critical study of propaganda and its role in shaping public perceptions of terrorism, particularly in Spain. My passion for this topic stems from the recognition that propaganda is pervasive in today’s world and that accusations of terrorism are often deployed strategically to delegitimize a society’s political opponents.
By examining how groups are framed as “terrorists” and unlearning the biased narratives that surround them, we can begin to understand their true nature beyond superficial prejudice. This perspective drives my commitment to exploring media, political discourse, and historical context critically, making me well-positioned to recommend works that illuminate the complex interplay between propaganda, terrorism, and societal perception.
This book completely changed how I understand the relationship between media, democracy, and power.
It exposes how supposedly free press can serve elite interests while silencing dissent. I admire its rigor and its relevance—decades later, its "propaganda model" still applies, at least to anything written in the pre-digital era. It gave me the vocabulary to critique mainstream narratives around terrorism.
A detailed and compelling political study of how elite forces shape mass media.
Edward S Herman and Noam Chomsky investigate how an underlying elite consensus structures mainstream media. Here they skilfully dissect the way in which the marketplace and the economics of publishing significantly shape the news.
This book reveals how issues are framed and topics chosen, and the double standards underlying accounts of free elections, a free press, and governmental repression between Nicaragua and El Salvador; between the Russian invasion of Afghanistan and the American invasion of Vietnam; between the genocide in Cambodia under a pro-American government and genocide…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
This is a book I wish I had written, far and away the best book about coverage of the Second World War in Europe.
It is based on a wealth of archival research and features both celebrated reporters like Ernie Pyle and Edward R. Murrow, and less well-known ones like Homer Bigart and Don Whitehead. Although award-winning scholarship, Casey’s work is accessible to any curious reader. Casey is English but understands well the American military, the American press, and American culture generally.
Casey explores the war in the Pacific theater in a subsequent book, The War Beat, Pacific: The American Media at War Against Japan.
From the North African desert to the bloody stalemate in Italy, from the London blitz to the D-Day beaches, a group of highly courageous and extremely talented American journalists reported the war against Nazi Germany for a grateful audience. Based on a wealth of previously untapped primary sources, War Beat, Europe provides the first comprehensive account of what these reporters witnessed, what they were allowed to publish, and how their reports shaped the home front's perception of some of the most pivotal battles in American history.
In a dramatic and fast-paced narrative, Steven Casey takes readers from the inner councils…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this book because it takes three creative industries–television production, record companies, and magazine journalism–and interviews workers about what makes them feel bad about working in the industry and what makes them feel good. ‘Good creative work’ makes us feel motivated, fulfilled, and self-realized. Bad work makes us experience things like powerlessness and self-estrangement.
This is really important, given the growing importance of wellness and mental health in the workplace. Although it was published in 2011 for a largely academic audience, it still has profound things to say about creating a workplace that is positive and not psychologically corrosive.
What is it like to work in the media? Are media jobs more 'creative' than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies.
Through its close analysis of key issues - such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realisation, emotional and affective labour, self-exploitation, and how possible it might be to produce 'good work' - Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’ve written a couple of books about other subjects, but most of my professional life has been devoted to writing, speaking, and teaching about the South. I’ve been doing it ever since I went north to college and graduate school in the 1960s. My early books and articles were written as a sociologist, mostly for other sociologists, but in the 1970s I started writing what I learned to call “familiar essays” for a more general readership, and lately I’ve been writing about Southern foodways—three books about barbecue (so far), one of them a cookbook. I’ve also written several country songs (only one of them recorded).
Smith, professor of communications at the University of Arkansas, examines the stories that Southerners have told about themselves—the “myths” of the South. The Old South/Lost Cause/New South myths “controlled Southern culture and Southern rhetoric for one hundred fifty years,” he argues, but by the mid-twentieth century, the strain between myth and reality finally became too great and “a period of mythic confusion,” ensued. By the 1970s, however, Southern artists, scholars, journalists, politicians, and preachers—both Black and white—had forged a new myth, based on the themes of distinctiveness, racial civility, and community. When Smith wrote, he was confident that there will always be somemyth of the South, that it won’t become a mere quadrant of the U.S. with a "dysfunctional amythic culture." We shall see.
