Here are 6 books that The Toughest Show on Earth fans have personally recommended if you like
The Toughest Show on Earth.
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I’ve spent my career building products, scaling companies, and leading teams through the highs and lows of entrepreneurship. I know firsthand how challenging it is to take an idea and turn it into something real—whether that’s a product, a company, or a movement. The books on this list have shaped my approach to leadership, innovation, and resilience. They’ve helped me navigate tough decisions, build stronger teams, and think bigger. I’m passionate about sharing these insights because I believe great builders aren’t just born—they’re made. If you’re looking to create something meaningful, these books will push you, challenge you, and inspire you to build something great.
This book changed how I think about leadership and creativity. I’ve always believed that great products come from great teams, and this book reinforced that. Ed Catmull’s insights on building a culture where people feel safe enough to take risks and speak the truth made me rethink how I run teams.
The Braintrust—a space where candid feedback is not just encouraged but expected—stood out. I still come back to this book when shaping teams and cultures. It’s a must-read for leaders who want to build not just great products but great environments where creativity thrives.
Part autobiography, part history of Pixar, part business book, Creativity Inc is a stimulating, feel-good, insightful and highly inspirational collection of lessons in creativity and business from the president of Pixar and Disney Animation, Ed Catmull.
'Just might be the best business book ever written.' -- Forbes Magazine 'Great book. Wish I could give it more than 5 Stars' -- ***** Reader review 'Incredibly inspirational' -- ***** Reader review 'Honestly, one of the best books I've read in a long time' -- ***** Reader review 'Read it and read it again, then read it again and then again' -- *****…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this fictitious expose of the New York fashion industry because it asks what we would sacrifice for ‘a job a million girls/boys would die for?’ Sometimes, in the creative industries, power can be concentrated in the hands of people for whom ‘the meaning of their life’ is about a creative project being successful.
This can lead them to make the lives of people around them miserable. How much abuse, poor pay, lack of credit, ‘self-exploitation’, being absent for loved ones, how much of this would you tolerate? What if you had to sell your soul to fulfill your dream? This might seem academic, but for many in the creative industries, it has been painfully real.
High fashion, low cunning - and the boss from hell
When Andrea first sets foot in the plush Manhattan offices of Runway she knows nothing. She's never heard of the world's most fashionable magazine, or its feared and fawned-over editor, Miranda Priestly - her new boss.
A year later, she knows altogether too much:
That it's a sacking offence to wear anything lower than a three-inch heel to work.
That you can charge cars, manicures, anything at all to the Runway account, but you must never, ever, leave your desk, or let Miranda's coffee get cold.
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this book because it shows how economic forces are pushing us in the direction of a ‘winner takes all’ economy, both in the creative industries and more generally.
The scalability of digital creations, the impact of algorithms, bandwagon effects, network effects, and economies of scale are resulting in 1 percent of artists owning the majority of the pie. This has big implications for those working in the creative industries.
Alan Krueger, a former chairman of the president's Council of Economic Advisers, uses the music industry, from superstar artists to music executives, from managers to promoters, as a way in to explain key principles of economics, and the forces shaping our economic lives.
The music industry is a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve spent my life in music and the creative industries, having worked in major record companies in London (among other places), and have loved every minute of it. Over the past 20 years, I've also studied it academically and run courses on entertainment management in colleges and Universities. It is rewarding to work with people who want to make a career in the creative industries. A colleague once said to me, “If you can give me a graduate who can have a conversation with a Chief Financial Officer and not freak them out, and then have a conversation with an artist and not freak them out, then you will be doing the world a great favor, because this is comparatively rare.”
I loved this book because it takes three creative industries–television production, record companies, and magazine journalism–and interviews workers about what makes them feel bad about working in the industry and what makes them feel good. ‘Good creative work’ makes us feel motivated, fulfilled, and self-realized. Bad work makes us experience things like powerlessness and self-estrangement.
This is really important, given the growing importance of wellness and mental health in the workplace. Although it was published in 2011 for a largely academic audience, it still has profound things to say about creating a workplace that is positive and not psychologically corrosive.
What is it like to work in the media? Are media jobs more 'creative' than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies.
Through its close analysis of key issues - such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realisation, emotional and affective labour, self-exploitation, and how possible it might be to produce 'good work' - Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural…
I’ve been playing the violin since I was 3, so as of 2022, it’s been 15 years. I believe that music unifies, and is a catalyst for social change, social justice, and equity. I’ve written two children’s books about different powers of music: Bailey Brings Her Friends Together with Musicand The Aria in Me. With both of these books, I donate 100% of my proceeds to Kidznotes, a local North Carolinian organization, which provides underserved youth ensemble-based music instruction for personal, social, academic, and musical development and growth. I chose this list to inspire and captivate young readers and hopefully help them fall in love with music. :)
The Magic Flute is my absolute favorite opera, and I remember the countless hours I spent listening to songs on CDs. For my birthday one year, my parents gave me a movie of a live performance of The Magic Flute by the Metropolitan Opera, and I watched the movie at least 10 times. Thus, when I found this book on the bookshelf of my library, I knew I had to sit down and read it. I became immersed in the book, following along with Prince Tamino and his journey while listening to the excerpts of the opera recorded in the pages. The tale captivates the readers and introduces them to the world of music.
Discover the sorcery of The Magic Flute in this musical retelling of the opera - push the button on each beautiful scene to hear the vivid sound of an orchestra playing, and singers singing, from Mozart's score.
This tale of a prince, a princess and a magic flute begins in a mountain ridge between two magical lands. Prince Tamino enters, chased by a dragon, but three brave mountain rangers gallop past on horseback to rescue him.
His cowardly friend Papageno comes out from his hiding place and they revive the prince. The rangers ask for one favour in return. Their…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
One of the greatest series of books ever written about the early years of live broadcasting from the Metropolitan Opera. Jackson’s detailed analysis of the existing broadcasts is informative and fascinating. Even better they can be read by themselves, or even better, when listening to the actual broadcast. The amount of information in this series (3) is unbelievably vast and fascinating. All three are recommended.
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
