Here are 100 books that Women Warriors and Wartime Spies of China fans have personally recommended if you like
Women Warriors and Wartime Spies of China.
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I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
Autobiographies and narratives by heroines make for powerful reading and offer welcome wisdom.
Feminist and abolitionist Sojourner Truth’s story involves fighting sexism and racism out of first-hand experience and adversity. This book reminds us of the diversity present in the history of feminist heroines rather than the often privileged white, middle-class women’s voices.
Truth’s legendary ‘Ain’t I a woman?’ speech was delivered at the 1851 Women’s Rights Convention in Akron, Ohio.
Narrative of Sojourner Truth, A Northern Slave is a powerful, landmark narrative originally published in 1850 by abolitionist and preacher Sojourner Truth, who was born a slave in 1797 in rural New York. Truth was a nationally recognized proponent of civil rights and women's rights, speaking widely about gender and racial inequities. Narrative of Sojourner Truth, A Northern Slave is essential reading for anyone who wishes to understand the history of slavery and its cruel hardships in the United States.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
J M Taylor captures the successes and tragedies of Argentina’s ‘Santa Evita’. She unravels the myth-making that surrounded her eventful life.
Eva Peron’s public image and iconography are contrasted with complex class politics, religious observation, political coups, and sexism. Peron’s untimely death from cancer and the story of her corpse not being left to rest in peace is particularly jarring. I like how the book reveals that the history of heroines is complicated and that myth-making can hide important nuances.
Eva Peron , one of the most powerful women in the world at the time of her death in 1952, rose from humble origins to international renown as First Lady of Argentina and the force behind her husband, Juan Peron. Despite her popularity she was inaccessible to the people of Argentina, and so images were constructed around her to fill that void. According to J.M. Taylor, these "myths" around Eva Peron reflect Argentine culture and political history at the time of her seven-year reign. With a brief biography of Eva Peron serving as a backdrop, this study offers an analysis…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This superbly researched book breaks new ground about the relationship between image and reality for heroines in history.
Warner manages to both bring Joan of Arc alive as an historical actor, and also show how her image has been invented and reinvented through history. Warner taught me that when it comes to heroines, there is often an important blurred relationship between fact and fiction. Importantly, gender and sexuality are also at the heart of Warner’s interpretations.
Warner captures the story of a truly amazing heroine and also reveals Joan’s incredible significance.
Joan has a unique role in Western imagination - she is one of the few true female heroes. Marina Warner uses her superb historical and literary skills to move beyond conventional biography and to capture the essence of "Joan of Arc", both as she lived in her own time and as she has 'grown' in the human imagination over the five centuries since her death. She has examined the court documents from Joan of Arc's 1431 Inquisition trial for heresy and woven the facts together with an analysis of the histories, biographies, plays, and paintings and sculptures that have appeared…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This book combines thought-provoking text with stunning landscape photography.
In 2010 in the Californian Mojave Desert Maria Paula’s feet started bleeding with a similar pattern to the stigmata of Christ nailed to the cross. In this engaging book Bitel grapples with the modern resurgence of apparitions and cult. She makes the fascinating suggestion that modern technology has led to a new global audience for spiritual apparitions, contributing to the continuation of pre-modern Christian behaviour.
It is a theme that I take up and write about the modern transcultural emergence of shrines to female figures from Vietnam’s shrine of Ba Chua Xu, the Lady of the Realm, to the Weeping Madonna of Rockingham, Australia.
For more than twenty years, Maria Paula Acuna has claimed to see the Virgin Mary, once a month, at a place called Our Lady of the Rock in the Mojave Desert of California. Hundreds of men, women, and children follow her into the desert to watch her see what they cannot. While she sees and speaks with the Virgin, onlookers search the skies for signs from heaven, snapping photographs of the sun and sky. Not all of them are convinced that Maria Paula can see the Virgin, yet at each vision event they watch for subtle clues to Mary's presence,…
As a historian of race and gender in European women’s history, “misbehaving” women confound me! I am rendered speechless when women negate their own humanity in the drive toward the same power structures that subjugate them. Vulnerable women who were often in the clutches of those same women–and yet are unrelenting in their determination to survive within systems to which others have relegated them–inspire me. These books and their stories take women’s lives–their oft-horrible choices, their scandalous mistakes, and their demands for autonomy–seriously. I hope you find their stories as compelling as I do!
This isn’t a recent book, but it remains one of my favorite dives into the underworld! Who doesn’t like a salacious rag sheet or a grisly murder? It focuses on sexual danger in Victorian London and has everything: tabloid journalism, child prostitution, and narratives about Jack the Ripper and the “bad women” he killed!
All these stories uncover the ways that the general masses made sense of new sexual categories and illuminate how legislators and politicians used those categories to both challenge and push women out of public spaces and back into so-called traditional gender roles.
I remain fascinated by how the story of a serial killer could be subverted to instead denigrate white women (racialized as Other because of class) who were in public spaces where they didn’t belong. Or how often those same working-class white women used the ideas of sexual danger to show that it was, in…
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.
However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.
*Named one of CHOICE 's "Outstanding Academic Titles for 2009"*
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.
But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social spaces.…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
I originally read this book in my late teens, but I never forgot how much it taught me not just about flappers, but how history can leap off the page. I even cited this book as an influence in my book proposal for Glitter and Concrete.
Flappers were such a vibrant group of women, and Zeitz does them justice bringing them to life. I wanted the drag artists in my book to do the same.
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
Perez is a commanding figure in this scholarship, deeply learned. I like teaching this concise book of his, full of powerful illustrations (cartoons over many decades), because it really gets at how North Americans have projected their racialized and sexualized fantasies and obsessions onto this island, unable to perceive Cubans as real people, let alone historical actors.
This title presents the images of beneficence, acts of aggression.For more than two hundred often turbulent years, Americans have imagined and described Cuba and its relationship to the United States by conjuring up a variety of striking images - Cuba as a woman, a neighbor, a ripe fruit, a child learning to ride a bicycle. One of the foremost historians of Cuba, Louis A. Perez Jr. offers a revealing history of these metaphorical and depictive motifs and uncovers the powerful motives behind such characterizations of the island.Perez analyzes the dominant images and their political effectiveness as they have persisted and…
I worked for thirty years in what was one of the world's finest ad agencies, producing campaigns that were popular, famous, and effective. I found it fun, fascinating but also frustrating, because I gradually realised that what we did that worked had little to do with the theories we were taught to believe. I can see now that our campaigns had much more in common with the worlds of entertainment, popular culture, PR, and showmanship than the dry ‘official’ concepts of propositions and persuasion that seemed to rule our lives. These five books helped open my eyes to this broader perspective, and I hope they will open yours too.
When I realised that brands and advertising campaigns are much more like hit records, blockbuster movies and celebrities than we usually admit, I wondered what makes some famous and others (mostly) not?
Thompson’s book is the best single answer I’ve found so far and shows that fame doesn’t automatically follow the best song, book, or advert – you have to work at being popular, distinctive, and talked about. Lessons all ad agencies should learn.
A Book of the Year Selection for Inc. and Library Journal
"This book picks up where The Tipping Point left off." -- Adam Grant, Wharton professor and New York Times bestselling author of ORIGINALS and GIVE AND TAKE
Nothing "goes viral." If you think a popular movie, song, or app came out of nowhere to become a word-of-mouth success in today's crowded media environment, you're missing the real story. Each blockbuster has a secret history-of power, influence, dark broadcasters, and passionate cults that turn some new products into cultural phenomena. Even the most brilliant ideas wither in obscurity…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I have lived in Japan for the last 30 years but my love for manga, anime, and games is much older and dates back to when UFO Robot Grendizer was first shown on Italian TV a fateful summer evening in 1978. Many years later, I was able to turn my passion for all things Japanese into a job and now I regularly write about politics, society, sports, travel, and culture in all its forms. However, I often go back to my first love and combine walking, urban exploration, and my otaku cravings into looking for new stores and visiting manga and anime locations in and around Tokyo.
Patrick Galbraith is arguably one of the leading experts on all things otaku. He has written dozens of article and essays and a few books on the subject, and choosing one to showcase here was not easy. The Moe Manifestois not an entry-level work; it’s for hardcore fans who want to dive headfirst into the otaku rabbit hole. Even I often consult it for inspiration when I write about Japanese subcultures.
The book’s main selling point – especially if you can’t read Japanese – is that Galbraith has assembled a unique lineup of experts (university professors, social and cultural critics, writers, illustrators and other assorted creatives) that he has extensively interviewed about different aspects of otaku culture. There’s a lot of serious food for thought here.
Moe is a huge cultural phenomenon and one of the driving forces behind the enormous success of Japanese anime and manga--not just in Japan but now throughout the world.
In Japan, avid fans of manga comics, anime films and video games use the term Moe to refer to the strong sense of emotional attachment they feel for their favorite characters. These fans have a powerful desire to protect and nurture the youthful, beautiful and innocent characters they adore--like Sagisawa Moe in Dinosaur Planet and Tomoe Hotaru in Sailor Moon. They create their own websites, characters, stories, discussion groups, toys and…
