Here are 100 books that Cuba in the American Imagination fans have personally recommended if you like
Cuba in the American Imagination.
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Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
“Gitmo” is where the relationship between these nations gets concrete, through the protectorate (1902-1934), republican (1934-1959), and revolutionary eras (1959-present). This fine study gets down into the nitty-gritty of who labors for whom (Cubans for the U.S. military), who controls the physical space in and around a foreign military base (and the foreign military based in it), and the steadily growing class conflict in this flashpoint of empire leading up to the Revolution, followed by an odd stasis since then.
Guantanamo has become a symbol of what has gone wrong in the War on Terror. Yet Guantanamo is more than a U.S. naval base and prison in Cuba, it is a town, and our military occupation there has required more than soldiers and sailors - it has required workers. This revealing history of the women and men who worked on the U.S. naval base in Guantanamo Bay tells the story of U.S.-Cuban relations from a new perspective, and at the same time, shows how neocolonialism, empire, and revolution transformed the lives of everyday people.Drawing from rich oral histories and little-explored…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
The Machado Era (1924-1933) and the build-up of U.S. tourism are key to Cuba’s later history, but I have always found that period hard to teach. Schwartz does an admirable job of documenting the close connections between business circles in both countries, and the process by which Cuba became a playground for wealthy Americans in the ‘Teens and Twenties, fueling both deep corruption and a powerful anti-imperialism.
Pleasure Island explores the tourism industry in Cuba between 1920 and 1960, as international travel ceased to be primarily a privilege of the wealthy, incorporating the world's growing middle class. Rosalie Schwartz examines tourists' changing ideas of leisure and recreation, as well as the response of a colonial-era Spanish city turned fleshpot and endless cabaret. The tourism industry mushroomed in and around Havana after 1920, as hundreds of thousands of North Americans transformed the city in collaboration with a local business and political elite. The Depression, exacerbated by a bloody revolution in 1933, plunged the tourism industry into a downward…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
Utterly engrossing, this behind-the-scenes narrative over many decades demonstrates that the Cuban diplomats were almost always willing to move towards normalizing relations, but were repeatedly stymied by non-negotiable demands from the U.S. side. Besides that, it’s full of piquant details, involving the many non-official actors and secret meetings in New York, on the island, or in other countries. Diplomatic history rarely gets this exciting!
Challenging the conventional wisdom of perpetual hostility between the United States and Cuba--beyond invasions, covert operations, assassination plots using poison pens and exploding seashells, and a grinding economic embargo--this fascinating book chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. Since 1959, conflict and aggression have dominated the story of U.S.-Cuban relations. Now, William M. LeoGrande and Peter Kornbluh present a new and increasingly more relevant account. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
A watershed work in the new history of “the global Cold War” in the Third World, where Cuba’s revolutionary government acted with remarkable audacity to offer material, human, and military support to African revolutionaries (with the Soviet Union often a minor player). Gleijeses performed archival feats in Cuba, Africa, and the U.S. to bring together this many-sided portrait of skullduggery, intimate solidarity, and Cuban revolutionary agency.
Based on unprecedented research in Cuban, American and European archives, this is an account of Cuban policy in Africa from 1959 to 1976 and of its escalating clash with US policy towards the continent. Piero Gleijeses aims to shed new light on US foreign policy and CIA covert operations, revolutionize the view of Cuba's international role and provide the first look from the inside at Cuba's foreign policy during the Cold War.
I am a journalist and NYU professor whose primary field is American foreign policy. As a biographer, however, I am drawn to American history and, increasingly, to the history of liberalism. I am now writing a biography of that arch-liberal, Hubert Humphrey. My actual subject thus appears to be wars of ideas. I began reading in-depth about the 1850s, when the question of slavery divided the nation in half, while writing a short biography of Judah Benjamin, Secretary of State of the Confederacy. (Judah Benjamin: Counselor To The Confederacy will be published in October.) It was the decade in which the tectonic fault upon which the nation was built erupted to the surface. There's a book for me in there somewhere, but I haven't yet found it.
Southerners rarely spoke of "the South" until slavery began to be threatened in the 1840s; slavery made the South. The North was far more fragmented--until an anti-slavery culture took hold in the 1850s. Brooke is highly sensitive to the role of popular culture in forging that consensus--not just Uncle Tom's Cabin, the most influential novel in American history, but local theatricals and the poetry of John Greenleaf Whittier. Here was the original, unbridgeable division between red and blue states.
How does political change take hold? In the 1850s, politicians and abolitionists despaired, complaining that the "North, the poor timid, mercenary, driveling North" offered no forceful opposition to the power of the slaveholding South. And yet, as John L. Brooke proves, the North did change. Inspired by brave fugitives who escaped slavery and the cultural craze that was Uncle Tom's Cabin, the North rose up to battle slavery, ultimately waging the bloody Civil War.
While Lincoln's alleged quip about the little woman who started the big war has been oft-repeated, scholars have not fully explained the dynamics between politics and…
I am a lecturer in the School of Media and Communication at the University of Westminster. I write regularly on popular music and culture in scholarly form and as a critic in various publications. I am convinced that popular music can gesture at utopia despite its emergence from within a capitalist market society.
Iton’s book isn’t restricted to popular music but ranges more widely across Black popular cultures.
However, in the ways he understands the historical intersection of popular music and institutional politics (especially in a magisterial chapter on soul music), Iton gave me a way of conceptualizing music as a form of political expression and organization in itself.
*Named one of CHOICE 's "Outstanding Academic Titles for 2009"*
Prior to the 1960s, when African Americans had little access to formal political power, black popular culture was commonly seen as a means of forging community and effecting political change.
But as Richard Iton shows in this provocative and insightful volume, despite the changes brought about by the civil rights movement, and contrary to the wishes of those committed to narrower conceptions of politics, black artists have continued to play a significant role in the making and maintenance of critical social…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I’ve been interested in exploring the characteristics and meaning of heroines in history since I met two fellow travelers in Nova Scotia in 1990 who introduced me to the work of Joseph Campbell and his The Hero with a Thousand Faces. As a history professor I am interested in women’s changing place in society and the history of heroines is an excellent way to explore this. I am passionate about moving beyond individual, celebratory stories to instead explore themes for a dynamic modern archetype of a heroine across time and cultures. I like to imagine a time when all humans can be heroes without the feminine suffix.
This book is packed with the history of Chinese warrior heroines and spies. From Hua Mulan to Soong Ching-ling, the book resonates with connections across the centuries, as well as modern differences.
All too often the fate of these brave and outstanding women was to die for their cause, a theme that I think is so important for many heroines in history. Edwards is adept at identifying how her heroines challenge and defy their position in society. She also reveals the gendered position that heroines occupy as fighters, and in particular, the challenge that it poses to women’s transnational traditional place as gendered feminine carers and life-givers.
In this compelling new study, Louise Edwards explores the lives of some of China's most famous women warriors and wartime spies through history. Focusing on key figures including Hua Mulan, Zheng Pingru and Liu Hulan, this book examines the ways in which these extraordinary women have been commemorated through a range of cultural mediums including film, theatre, museums and textbooks. Whether perceived as heroes or anti-heroes, Edwards shows that both the popular and official presentation of these women and their accomplishments has evolved in line with China's shifting political values and circumstances over the past one hundred years. Written in…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.
Berlin Calling is a gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
I’m the author ofIs Superman Circumcised? The Complete Jewish History of the World's Greatest Hero, which won the 2021 Diagram Prize, and The Darkness in Lee's Closet and the Others Waiting There. I write about pop culture forThe Forward and CNN.com. My writing has appeared in a range of publications, including New York Daily News, Jerusalem Post, and Philosophy Now. I’ve taught English and writing at the City University of New York and am a former writer-in-residence fellow at the New York Public Library.
Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.
In 1935, DC Comics founder Major Malcolm Wheeler-Nicholson published New Fun No. 1-the first comic book with all-new original material-at a time when comic books were mere repositories for the castoffs of the newspaper strips. What was initially considered to be disposable media for children was well on its way to becoming the mythology of our time-the 20th century's answer to Atlas or Zorro.
More than 40,000 comic books later, TASCHEN has produced the single most comprehensive book on DC Comics. More than 2,000 images-covers and interiors, original illustrations, photographs, film stills, and collectibles-are reproduced using the latest technology to…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
Twelve Percent Dread is about the curious state of anxiety that underpins living in the 21st Century, when we’re aware of so many current and looming disasters. However, it’s a bit of a misleading title, my book is actually very funny! Most of my work is built around stuffing as many jokes in as possible, and I want the reader to really chuckle and feel joy when they read it. In this book, the jokes come from the state of anxiety that the characters work themselves into. Assuming you, the reader, also experiences a certain level of dread throughout the day, here’s a list of books that will hopefully help relieve it.
I wanted to recommend a couple of funny graphic novels to help stave off dread, and this book by Lisa Hanawalt is simply the funniest graphic novel I have ever read. The author is perhaps best known as one of the co-creators of Bojack Horseman (with her signature animal characters) as well as Tuca & Bertie. It’s a collection of musings and essays, told through Lisa’s incredible artwork. She has such an unexpected left-field sense of humour that is sharp but somehow always warm, underpinned by her beautiful illustrations. This book is like riding on a strange multicoloured rollercoaster though a candy dreamland, but you’re very securely fastened into your seat and feel very snugly held throughout.
Sharply observant, laugh-out-loud funny comics from The Believer cartoonist and New York Times illustrator
My Dirty Dumb Eyes is the highly anticipated debut collection from award-winning cartoonist Lisa Hanawalt. In a few short years, Hanawalt has made a name for herself: her intricately detailed, absurdly funny comics have appeared in venues as wide and varied as The Hairpin, VanityFair.com, Lucky Peach, Saveur, The New York Times, and The Believer.
My Dirty Dumb Eyes intermingles drawings, paintings, single-panel gag jokes, funny lists, and anthropomorphized animals, all in the service of satirical, startlingly observant commentary on pop culture, contemporary society, and human…
