Here are 100 books that Flapper fans have personally recommended if you like
Flapper.
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Where Are Your Boys is the book I always wanted to write. Watching emo bands like My Chemical Romance and Paramore soar from suburbs to stardom during my high school years inspired me to take writing seriously, that a kid like me growing up in New Jersey with few connections to the media industry could find a backdoor in, because those bands did, too. With its dense population, adjacency to New York City, and a multitude of record stores and all-ages shows, New Jersey was the setting for much of emo's 2000s boom and the home of My Chemical Romance and many other important bands.
The gold standard of rock and roll oral histories. Two authors, years and years in the making, chronicling one of music's most incendiary eras. "Will you die for the music?" Lou Reed asks in the early pages. In other words, how many knife fights, sleepless nights, and dead friends would it take to stop you from chasing artistic salvation?
Reading this book while I wrote my own made me realize just how sterilized my scene (like much of America) had gotten by the turn of the millennium. Third-wave emo wasn't famously dangerous or gritty, but many of its icons grappled with life-threatening addiction and mental health issues (even more than I expected going in). Yet, thankfully, almost all of those band members are still with us. Please Kill Me illuminated this. It's no accident the final word in my book is "survive."
This is the true story of a misunderstood culture phenomenon, one embracing Andy Warhol, Jim Morrison, Lou Reed, David Bowie, Patti Smith, The Sex Pistols, Iggy Pop, The New York Dolls, The Clash and The Damned. It is a story of sex, drugs and rock and roll, documenting a time of glorious self-destruction and perverse innocence - punk was possibly the last time so many people will have had so much fun killing themselves. Legs McNeil, founder of "Punk" magazine has interviewed those who were members of the punk scene, from the brightest stars to the most observant groupies.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I love music books and annoy my wife with how many I consume per month. (She wants me to read fiction. Pish-posh.) The ones that play with format and provide multiple viewpoints are my favorites. I became a music journalist after spending my teenage years in a ska band; that alone taught me that music is complex, ever-evolving, and the technical is intrinsically tied to the personal. I approached my book with the same acknowledgment of diverse opinions and fierce emotional connection. I have devoted my life to loving and playing ska, and it seemed to be the only genre lacking a defender. The defender turned out to be me.
I can’t see myself writing a detailed chronicle of a specific location and period without pulling my hair out. But Will Hermes did precisely that (well, not the hair-pulling-out part) by relating five crucial years in New York. It initially reads weird, maybe even slow, because he writes short intersecting snippets of music history.
Once I got deeper into it, I fell in love. I already knew much of the history he touched on regarding stuff like punk, Bruce Springsteen, and salsa, but those fun factoids aren’t the point of Hermes’s book. Instead, it’s about how multiple scenes coexisted and informed one another. I’m well versed in the NY music scene now and—bonus!—New York itself.
Punk rock and hip-hop. Disco and salsa. The loft jazz scene and the downtown composers known as Minimalists. In the mid-1970s, New York City was a laboratory where all the major styles of modern music were reinvented—all at once, from one block to the next, by musicians who knew, admired, and borrowed from one another. Crime was everywhere, the government was broke, and the city’s infrastructure was collapsing. But rent was cheap, and the possibilities for musical exploration were limitless.
Love Goes to Buildings on Fire is the first book to tell the full story of the era’s music scenes…
My love of New York City began at a young age–my parents were from Queens and the Bronx, and they always spoke about it with such adoration. As a young person in high school, I ached to get out of South Florida and find my way to the city they described in such loving detail. I began reading about it within the topics that interested me–music, art, fashion, performance, and more–and this beautiful world opened up, full of creative possibilities. I moved to New York in 2010 and have been writing about it and photographing it ever since for a host of publications.
This is the first book I remember reading where I learned you could write about yourself in a way that was glittery, funny, and immersive without being pretentious.
Gilman is a master of voice and narrative, plus the majority of the book–subtitled "Tales of Growing Up Groovy and Clueless"–takes place in New York City. It’s a defining book of my life as a person and as a writer.
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I’m a native New Yorker whose recent move to the UK gives me both unique insight into a city I lived the hell out of for decades and space and time to look back and wonder what it was all about, like with a lover you still adore but are relieved you’re no longer with. I’ve partied in squats and walked red carpets. I can sniff out a fake-take on this city so many people feel they know long before ever visiting it, and that always offends/bores/turns me off. These books got it right, and I’m thrilled to point more people in their direction.
If you ask me or anyone else in the punk scene in 80s/90s New York, St. Mark’s Place—which was the epicenter of cool in our day—is a sad parody of itself now, touristy and dull. Until I read this book, I assumed its heyday began and ended with us, with Trash and Vaudeville and Manic Panic, with drinking 40-ounce beers on stoops.
Well, it turns out every generation that’s ever had a heyday on this famous, radical, anarchic block—whether as a gangster or dancing at Andy Warhol’s notorious Electric Circus parties—thought theirs was the only era that mattered. Calhoun chronicles hundreds of years of this exact attitude, which is fascinating and gives me some perspective.
I am peculiar. Really. I’m an autistic, non-binary, PhD historian who writes mystery novels (The Framed Women of Ardemore House, The Dead Come to Stay) and weird non-fiction books (Mr. Humble and Dr. Butcher and The Intermediaries). But I also love to read, and among my friends are folks like Deanna Wraybourn (Killers of a Certain Age) and Chuck Wendig (Staircase in the Woods), Mary Roach (Stiff) and Deborah Blum (Poisoner’s Handbook). I wanted to share their work, too. That’s why I started the Peculiar Book Club YouTube and podcast: to be a home for authors and readers of the quirky, quizzical, curious, and bizarre. If you’re weird, you’re family.
Why are there so many sex books on my peculiar list? Because sex is one of those subjects we often ignore or treat as taboo—despite it being around since, well, according to Feltman, a particularly amorous pre-historic ameba-like critter. This book also appeals to me because, as a gender-fluid person, I love the idea that the evolutionary status quo used to be essentially pansexual, with exploded gender categories (basically, that ameba was going to try its luck with anything it came across). Along the way, this book stomps on myths and instead shares true facts, which are often much weirder. You will love it.
A rollicking, myth-busting history of sex that moves from historical attempts at birth control to Hildegard von Bingen’s treatise on the female orgasm, demystifying plenty of urban legends along the way.
Roman physicians told female patients they should sneeze out as much semen as possible after intercourse to avoid pregnancy. Historical treatments for erectile dysfunction included goat testicle transplants. In this kaleidoscopic compendium of centuries-old erotica, science writer Rachel Feltman shows how much sex has changed—and how much it hasn’t. With unstoppable curiosity, she debunks myths, breaks down stigma, and uses the long, outlandish history of sex to dissect present-day…
I have long been drawn to how people of the past think about their sexual identities, attractions, and behaviors. I conducted my PhD research at the Kinsey Institute at Indiana University, where I spent many happy hours reading letters and books voicing people’s unfiltered desires for sexual arousal, connection, and expression. I found the punched-card machines that Alfred Kinsey used to organize data from his personal interviews oddly compelling, and that interest developed into a long-term engagement with the intersection of gender and sexuality with science and technology. I share my fascination with readers through my books on Kinsey, machines used in sex research, contraception, and fertility technology.
A small number of Scots at the end of the Victorian era and throughout the Edwardian era were eager to live in a world ungoverned by Protestant Christianity and unrestricted by its strict sexual morality.
Cheadle introduces readers to socialists, freethinkers, and writers in Glasgow and Edinburgh who advocated for sexual freedoms grounded in new forms of political, religious, and cultural thought. One example is Jane Hume Clapperton, who was deeply involved in the suffrage movement, described birth control methods in her 1888 novel Margaret Dunmore, and demanded full sexual freedom for women.
Sexual Progressives brings them to life, showing how they questioned dominant morality and envisioned a way of life in which people could prioritize sexual freedom and pleasure. You won’t forget them.
Sexual Progressives is a major new study of the feminists and socialists who campaigned against the moral conservatism of the Victorian period. Drawing on a range of sources, from letters and diaries to radical newspapers and utopian novels, it provides the first group portrait of Scotland's hitherto neglected sexual rebels. They include Bella and Charles Pearce, prominent Glasgow socialists and disciples of an American-based mystic who taught that religion needed 're-sexed'; Jane Hume Clapperton, a feminist freethinker with advanced views on birth-control and women's right to sexual pleasure; and Patrick Geddes, founder of an avant-garde Edinburgh subculture and co-author of…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I’m a Brooklyn-born writer of what’s now called “creative nonfiction,” and whatever literary success I’ve had, I attribute in part to having studied the works of Hunter S. Thompson, Henry Miller, Philip Roth, Joan Didion, and Joseph Heller. I’ve assimilated their voices and used them as guides to help me find my own voice. Read any of my books and you’ll find subtle (and at times not so subtle) echoes of this Holy Quintet. My latest book, A Brooklyn Memoir, is in part an homage to Miller’s Black Spring.
I read Tropic of Cancerat the beginning of my writing career, soon after I’d begun living on my own for the first time. Miller’s life as a Brooklyn boy in Paris, struggling to survive and to write, seemed similar in so many ways to my own life in Manhattan. I’ve since readTropic of Cancer multiple times and have portions memorized. I went through a phase where everything I wrote came out sounding like Henry Miller—that’s how taken I was by his voice. Miller taught me that it’s possible to write a great book that’s voice-driven rather than plot-driven.
I am an unusual scientist in the sense that I have doctorates in both biology and anthropology, so I am very interested in the dichotomy between what our bodies truly want (biology) and how we are supposed to behave, or tell others to behave, in our cultural settings (cultural anthropology). Amazingly, studies show that we spend more time and attention in our lives living for others for what they think of us, than doing what we truly want, and that we often regret that, when we are close to dying. These books make us reconsider that way of living, so we can change this before it is too late.
The book is a nice combination between being a popular book and still including a lot of interesting, valid scientific data, which make us reconsider what we think we knew about the evolution of human sexuality, and our own daily lives.
Some reviews have suggested it is mostly a popular, superficial book, but actually, it does include very detailed studies, both ethnographic - about humans living in various types of societies - and anthropological - including about the lifestyle of chimpanzees and bonobos. As a first read on the evolution of human sexuality, I do think it is a good start.
In this controversial, thought-provoking, and brilliant book, renegade thinkers Christopher Ryan and Cacilda Jetha debunk almost everything we know about sex, weaving together convergent, frequently overlooked evidence from anthropology, archaeology, primatology, anatomy, and psychosexuality to show how far from human nature monogamy really is. In "Sex at Dawn", the authors expose the ancient roots of human sexuality while pointing toward a more optimistic future illuminated by our innate capacities for love, cooperation, and generosity.
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
This is the Granddaddy of earthshattering, perspective-changing books: philosopher Michel Foucault’s nimble dissection of the rise and the role of sexuality in the Western world. Written, and surely meant to be read, more like a Homeric epic poem than an academic treatise, every single sentence in this book quivers with energy and perception. From pithy aphorisms like “The sodomite had been a temporary aberration; the homosexual was now a species”, to heady pronouncements such as ‘”Power relations are both intentional and nonsubjective”, this book is a gift that perpetually keeps on giving. Guaranteed to blow your mind.
Why we are so fascinated with sex and sexuality—from the preeminent philosopher of the 20th century.
Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I wrote a book on Limits. Limits is the core question of modern environmentalism. But I want to break environmentalism out of the grip of Malthusianism and a set of ideas about our world as being inherently limited, that have delegated us environmentalists to party-pooping prophets of doom. I want to reclaim a radical notion of self-limitation which is what makes the environmentalist movement unique – a claim that a free life worth living is a life lived within limits, a simple life so that others may simply live. It is not the planet that is asking us to limit ourselves, but we that desire it.
Michel Foucault had a variety of interests and wrote about many different topics – ecology and limits to growth were definitely not among them. I have found this book super useful though in thinking about what I call self-limitation, the processes through which individuals and collectives voluntarily craft the limits of their action and their power. Foucault’s book analyses how ancient Greeks perceived sexuality, and how they managed their bodies and desires. For the Greeks mastery over one’s wants was seen as key to personal freedom and development. Sexual freedom was part and parcel of the self-regulation of sexual desire. I can´t say I understand everything Foucault writes, but this is definitely one of his clearest books, with a more American style short prose than his previous labyrythical French writing. Reading about a civilization that was so similar, but also so different from ours, and how it regulated without suppressing…
In this sequel to The History of Sexuality, Volume I: An Introduction, the brilliantly original French thinker who died in 1984 gives an analysis of how the ancient Greeks perceived sexuality.
Throughout The Use of Pleasure Foucault analyzes an irresistible array of ancient Greek texts on eroticism as he tries to answer basic questions: How in the West did sexual experience become a moral issue? And why were other appetites of the body, such as hunger, and collective concerns, such as civic duty, not subjected to the numberless rules and regulations and judgments that have defined, if not confined, sexual…