The best books about crime fiction, the world’s most popular genre

I’ve read Bloody Murder more times than any other non-fiction book. The first edition made a huge impression on me. Symons introduced me to countless fascinating authors and books (many of them obscure) which I’d never heard of and which have given me endless reading pleasure. Symons’ opinions were, and remain, controversial, and his disdain for ‘humdrum’ writing from the ‘Golden Age’ between the wars has attracted much criticism, some of it sensible, some of it over-the-top. His belief that the ‘detective story’ had metamorphosed into the ‘crime novel’ was eloquently argued, but I think mistaken. Today’s readers have just as much of an appetite for an entertaining, well-crafted puzzle as ever. But never mind the flaws; this elegantly written book remains as influential as it is indispensable.

Haycraft was an American commentator and this survey of the history of crime writing up to the Second World War is soundly written and sympathetic. Interestingly, he believed that the locked room puzzle was played out and that authors should avoid it, whereas this type of mystery has enjoyed a significant revival in recent years. Predicting how crime writing will evolve in the future is fraught with danger! Inevitably, Haycraft’s focus was mainly on American and British crime fiction. The limited number of translated mysteries in those days meant that the global reach of crime writing, and the achievements of authors whose first language is not English, has long been under-estimated. Only now is this problem being addressed.   

This is a fun book. The late Bob Adey’s passion for locked-room puzzles and his extraordinary breadth of reading shines through. After a discursive history of this type of detective story, he lists over two thousand novels and stories and the ‘impossible crime’ elements within them. A separate section listing all the solutions is not only enlightening but highly entertaining. A recent updated edition by Brian Skupin evidences the enduring appeal of ‘miraculous mysteries.’ 

During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.