Here are 87 books that The Lake of Dead Languages fans have personally recommended if you like
The Lake of Dead Languages.
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I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I still have dreams set in the school-world of this book… that alone speaks to how compelling and utterly captivating Naomi’s setting is.
I loved the self-imposed isolation of the main character, how compelling her motivation and determination are. The school itself plays a huge role in the plot, and I found the explanations of how magic worked in this world to be fascinating.
As soon as I finished this first book, I picked up the next one.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
I am Julia Buckley. I am an avid reader and writer of mysteries. This particular subgenre of mystery focuses on schools and academic settings. I love institutions of learning as settings for mysteries because the buildings can be spooky and oppressive, but also because the dialogue is always intelligent. There is great potential for conflict between students, faculty, and campus interlopers. All of it is intriguing, and it allows for a closed world with limited suspects! If you haven’t read an academic mystery, give it a try! It’s like going back to school, but as a detective.
Number five in the Dublin Murder Squad series, this mystery takes a detective duo to a private English girls’ school and immerses them in the secrets and lies of young women who cling to some elements of childhood but have the ability to connive like any adult.
Compelling! Like all Tana French novels, the dialogue is amazing and electric, and the plot won’t let go of you, even after you finish.
"An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer." -Gillian Flynn
Read the New York Times bestseller by Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
A year ago a boy was found murdered at a girls' boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin's Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption:…
I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.
A painful truth about the times we live in is that people often throw judgement when they hear about something terrible: Why didn’t they do something? How could they let that happen? My suspicion is that people judge because they cannot fathom—or bear to fathom—that such tragedy occurs. Others of us know it does.
In this story, Kate Elizabeth Russell profoundly illustrates how a perfect storm of people not-doing-their-best can guide an innocent and well-meaning person right into the arms of a monster. And how those events haunt her until she’s able to face the truth of what happened.
Most importantly, we see how that same person, with the help of honorable people, puts one foot in front of the other and walks herself back out to wholeness.
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I love fantasy, and I love when fantasy meshes with reality in a way that comments on the real world through the fantasy. Emily Tesh nails that.
I also loved how evident it was that Tesh had worked at schools and made some of the drudgery of faculty meetings and admin work sparkle with humor in her novel. The characters are deeply and believably flawed.
'A searingly brilliant fantasy. This is magical school with teeth . . . an unmissable read' Tasha Suri, author of The Jasmine Throne
'Fans of Naomi Novik's Scholomance series won't want to miss this' Publishers Weekly
Dr Walden is the Director of Magic at Chetwood School and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings and securing the school's boundaries from demonic incursions.
Walden is good at her job - no, Walden is great at her job. But demons are masters of manipulation. It's…
I've been searching for spiritual freedom since the age of four when I was sent to school. Soon I recognised books as an escape from the limitations of the physical world and into the dream world. Each of the five books below have made serious contributions to this psycho-spiritual escape plan, and have lifted my spirit to that higher dimension of freedom. I live in the Scottish Highlands, as my ancestors did, in a misted swirl of ghostly archetypes, mountains, deer, lochs, and brooding skies. Even here though, an escape tunnel is needed into the deepest realm of mind, where the stories and mystery hide away until the moment needed.
Impossible to fathom how Carson McCullers could have distilled such wisdom into her soul by age twenty-three, and then produced this book. The passions and losses, violence and ambition, guilts and loves, of her cast of small-town 1930s Americana characters, wander across the pages like spectres disrupted by a shifting wind.
The lost, struggling to hear each other's songs above their own pain, but continuing to try through the long night, no matter the chance of success.
I first bought a copy of this in Sandusky, Ohio, in 1993, on a day off from working at Cedar Point Amusement Park, entranced as I read the first pages standing up in a mall bookshop, the after-echoes of rumbling roller-coasters pummelling my ears and spirit.
The beloved classic that turned Carson McCullers into an overnight literary sensation and one of the Modern Library's top 20 novels of the 20th century.
"A remarkable book...From the opening page, brilliant in its establishment of mood, character, and suspense, the book takes hold of the reader."
In a Georgia Mill town during the 1930s, an enigmatic John Singer, draws out the haunted confessions of an itinerant worker, a doctor, a widowed cafe owner, and a young girl. Each yearns for escape from small town life, but the young girl, Mick Kelly, the book's heroine (loosely based on McCullers),…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.
The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange…
I have always liked antiheroes and characters that are in some way doomed. To me, there’s something romantic about them. And over time I have come to replace the fictional protagonists of noir and horror with antiheroes from real life. With miserable authors who wrote about their own lives, where instead of gangsters or monsters, they waged battle against themselves, against their own demons and despair. Books like these have kept me company during some of the darkest periods of my life, and their unflinching honesty has inspired me to become a writer. Perhaps they can do the same for you.
This book is about a heroin addict. However, you don’t need to be a heroin addict to sympathize with its protagonist’s existential weariness—or ennui, as the French call it. I know I do. After exiting a rehabilitation clinic, he wanders around listlessly, visiting friends and acquaintances, trying to find a reason to go on, yet finding none.
The story may be better known for the excellent film adaptation by Louis Malle—which switches heroin for alcohol—yet the terse and evocative writing of the original novel nevertheless packs a punch. The fact that the protagonist was closely inspired by the author’s friend lends an element of authenticity to it, making his suffering all the more relevant.
Adapted to film by both Louis Malle and Joachim Trier, this heart-rending and tenderly wrought novel narrates the decline of an artist and heroin addict in 1920s Paris.
Pierre Drieu la Rochelle might be said to be both the Hemingway and the Fitzgerald of twentieth-century French literature, a battle-scarred veteran of the First World War whose work chronicles the trials and tribulations of a lost generation, a man about town, a heartbreaker with a broken heart, a literary stylist whose work is as tough as it is lyrical and polished. Politically compromised as Drieu came to be by his affiliation…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
This book shows that depression is real. We need to pay attention to others and let them know they are not alone. I think this message is so important. It cannot be overstated. I loved the way the two girls in this book helped each other through Emily Dickinson.
Though some readers thought it was a little two coincidental that both girls have the same English class, have the same initials, and both like Emily Dickinson, I didn’t find that a problem. I also thought it hooked readers to know that one of the girls is considering suicide, but we don’t know which one.
13 Reasons Why meets the poetry of Emily Dickinson in this gripping debut novel perfect for fans of Sara Zarr or Jennifer Brown.
A Goth girl with an attitude problem, Elizabeth Davis must learn to control her anger before it destroys her. Emily Delgado appears to be a smart, sweet girl, with a normal life, but as depression clutches at her, she struggles to feel normal. Both girls are in Ms. Diaz's English class, where they connect to the words of Emily Dickinson. Both are hovering on the edge of an emotional precipice. One of them will attempt suicide. And…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
I’ve read it twice, and I can only stand back in wonder at how a person could create such a magnificent work of art (his first novel) at age 26. For richness of character development, philosophical weight, and power of language, this is one for the ages. Though the subject matter is heavy, it’s not a difficult read. Yet there are passages where you’ll want to slow down and take in the music of the words.
In this novel, the South looms dark and ominous in the background with its Biblical rhetoric, its conflict between a tradition of religious fundamentalism and modern scepticism, racial contrasts and the industrialisation of a rural society. But more than a novel of time and place, it is the story of a tormented family submerged in infidelity and driven by a vengeful love that is blocked, hurt and perverted. Peyton Loftis, who frantically needs a husband precisely because she loves her father; the decadent Milton, whose infidelity has made his marriage no more than a stage drama; and Helen, his wife,…
On reaching my late 40’s, the topic of ageing and dying raised its head with a clarion call. This wake up call led me to draw upon my 25 years’ experience as a scientist to research why we age, how we die, and what (if anything) we can do about it all. I also looked beyond the physical into the social and emotional aspects. These book recommendations reflect my journey to understanding that a life well lived is about doing things you like with people you love, rather than swallowing vitamin pills.
The end of our lives is full of choices. This book brilliantly presents a range of fictional endgames.
I was leant it by my parents, who described it as hilarious – I, in turn, was somewhat traumatized. But the imagery and the choose your own adventure aspect of it have stayed with me ever since reading it on holiday in France when the last thing I wanted to be thinking about was how we might die.
Shriver is a brilliant wordsmith, and you will return to her thoughts long after you close the book.
When her father dies, Kay Wilkinson can’t cry. Over ten years, Alzheimer’s had steadily eroded this erudite man into a paranoid lunatic. Surely one’s own father passing should never come as such a relief.
Both medical professionals, Kay and her husband Cyril have seen too many elderly patients in similar states of decay. Although healthy and vital in their early fifties, the couple fears what may lie ahead. Determined to die with dignity, Cyril makes a modest proposal. To spare themselves and their loved ones such a humiliating and protracted decline, they should agree to commit suicide together once they’ve…
