Here are 87 books that The Lake of Dead Languages fans have personally recommended if you like
The Lake of Dead Languages.
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I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I still have dreams set in the school-world of this book… that alone speaks to how compelling and utterly captivating Naomi’s setting is.
I loved the self-imposed isolation of the main character, how compelling her motivation and determination are. The school itself plays a huge role in the plot, and I found the explanations of how magic worked in this world to be fascinating.
As soon as I finished this first book, I picked up the next one.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
I am Julia Buckley. I am an avid reader and writer of mysteries. This particular subgenre of mystery focuses on schools and academic settings. I love institutions of learning as settings for mysteries because the buildings can be spooky and oppressive, but also because the dialogue is always intelligent. There is great potential for conflict between students, faculty, and campus interlopers. All of it is intriguing, and it allows for a closed world with limited suspects! If you haven’t read an academic mystery, give it a try! It’s like going back to school, but as a detective.
Number five in the Dublin Murder Squad series, this mystery takes a detective duo to a private English girls’ school and immerses them in the secrets and lies of young women who cling to some elements of childhood but have the ability to connive like any adult.
Compelling! Like all Tana French novels, the dialogue is amazing and electric, and the plot won’t let go of you, even after you finish.
"An absolutely mesmerizing read. . . . Tana French is simply this: a truly great writer." -Gillian Flynn
Read the New York Times bestseller by Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
A year ago a boy was found murdered at a girls' boarding school, and the case was never solved. Detective Stephen Moran has been waiting for his chance to join Dublin's Murder Squad when sixteen-year-old Holly Mackey arrives in his office with a photo of the boy with the caption:…
I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.
I found this book powerful in its subtle exposé of how, for generations, girls have been forced to see the world through the eyes of men. The gatekeepers—in art, literature, and popular culture—have historically been men.
We see how teenage Vanessa has been influenced by the sexualization of a young Britney Spears and Fiona Apple, as well as books like Lolita that have been recommended to her by her favorite teacher. Her teacher is the beneficiary of the societal grooming that has already taken root in Vanessa’s psyche, exploiting it further to serve his own sexual needs.
This book ruined me because even after her teacher tells her, “I will ruin you,” Vanessa sees herself as being in control of their inappropriate relationship when she is anything but.
When Cass leaves London with a broken heart, she plans to settle on the beautiful Australian coastline where she holidayed as a child. Yet when she arrives, the old house she purchased is not what she expected, nor are the eerie noises in the night.
I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I love fantasy, and I love when fantasy meshes with reality in a way that comments on the real world through the fantasy. Emily Tesh nails that.
I also loved how evident it was that Tesh had worked at schools and made some of the drudgery of faculty meetings and admin work sparkle with humor in her novel. The characters are deeply and believably flawed.
'A searingly brilliant fantasy. This is magical school with teeth . . . an unmissable read' Tasha Suri, author of The Jasmine Throne
'Fans of Naomi Novik's Scholomance series won't want to miss this' Publishers Weekly
Dr Walden is the Director of Magic at Chetwood School and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings and securing the school's boundaries from demonic incursions.
Walden is good at her job - no, Walden is great at her job. But demons are masters of manipulation. It's…
I've been searching for spiritual freedom since the age of four when I was sent to school. Soon I recognised books as an escape from the limitations of the physical world and into the dream world. Each of the five books below have made serious contributions to this psycho-spiritual escape plan, and have lifted my spirit to that higher dimension of freedom. I live in the Scottish Highlands, as my ancestors did, in a misted swirl of ghostly archetypes, mountains, deer, lochs, and brooding skies. Even here though, an escape tunnel is needed into the deepest realm of mind, where the stories and mystery hide away until the moment needed.
Impossible to fathom how Carson McCullers could have distilled such wisdom into her soul by age twenty-three, and then produced this book. The passions and losses, violence and ambition, guilts and loves, of her cast of small-town 1930s Americana characters, wander across the pages like spectres disrupted by a shifting wind.
The lost, struggling to hear each other's songs above their own pain, but continuing to try through the long night, no matter the chance of success.
I first bought a copy of this in Sandusky, Ohio, in 1993, on a day off from working at Cedar Point Amusement Park, entranced as I read the first pages standing up in a mall bookshop, the after-echoes of rumbling roller-coasters pummelling my ears and spirit.
The beloved classic that turned Carson McCullers into an overnight literary sensation and one of the Modern Library's top 20 novels of the 20th century.
"A remarkable book...From the opening page, brilliant in its establishment of mood, character, and suspense, the book takes hold of the reader."
In a Georgia Mill town during the 1930s, an enigmatic John Singer, draws out the haunted confessions of an itinerant worker, a doctor, a widowed cafe owner, and a young girl. Each yearns for escape from small town life, but the young girl, Mick Kelly, the book's heroine (loosely based on McCullers),…
CDC statistics say that more teens and young adults die from suicide than from cancer, heart disease, AIDS, birth defects, stroke, pneumonia, flu, and chronic lung disease COMBINED. Each day in the US, there are an average of 5,400 suicide attempts by teens in grades 7-12. These statistics are frightening, and yet, as a high school teacher, I knew lecturing my students that suicide is NEVER the answer to problems wouldn't work. They'd have to see it for themselves. So that's what I tried to do as a writer. The poems in ANNA are short but penetrating, and combined with Anna's note at the book's end, I hope the point is made.
I loved the message of this book of self-love and finding your own way to shine. Elise says, “I was born to be unpopular. There was no other way it could have gone.” I think that unfortunately, a lot of teens feel this way, but that doesn’t mean that life is over.
It doesn’t mean that high school will last forever, although it may feel that way at times. I think depressed teens who read this may not totally identify with Elise’s way of finding her own better life, but they will be left with the idea that there is hope.
Making friends has never been Elise Dembowski's strong suit. All throughout her life, she's been the butt of every joke and the outsider in every conversation. When a final attempt at popularity fails, Elise nearly gives up. Then she stumbles upon a warehouse party where she meets Vicky, a girl in a band who accepts her; Char, a cute, yet mysterious disc jockey; Pippa, a carefree spirit from England; and most importantly, a love for DJing. Told in a refreshingly genuine and laugh-out-loud funny voice, Leila Sales' THIS SONG WILL SAVE YOUR LIFE is an exuberant novel about identity, friendship,…
As someone who has experienced a lot of loss in my life, I’ve done a good amount of research and exploration into the soulful nature in all of us (the living and the dead) through reading nonfiction (Laura Lynn Jackson, Brian Weiss, Edgar Cayce, Jane Roberts, John Edward and Suzane Northrop among them) and fiction that deals with strong soulful connections. Through my own work as an author, I seek to provide the message love, in any form, transcends life and death. We only have to be open to the possibility to know it and experience it. Nothing is a coincidence and we are all connected. I hope these selections open you to the possibility.
Fabiaschi’s story is told from two very different perspectives.
One is from earth and told from the perspectives of a grieving daughter and husband as they grapple with their loss. The other is from purgatory or a stasis from the perspective of the mother/wife who seems to have committed suicide. But everything is not as it seems. From the afterlife, Maddy tries to help her grieving family find answers and closure.
I was fascinated by the way Maddy attempts to affect the lives of her loved ones.
Maddy was a loving, devoted stay-at-home mother... until she committed suicide, which left her husband Brady and her teenage daughter Eve heartbroken and reeling, wondering how they can possibly continue without her. Maddy, however, isn't quite done with them. In an attempt to fulfil her family's needs, Maddy watches and meddles from beyond the grave, determined to find the perfect wife and mother to replace herself and heal her family. That's when she finds Rory: a free-spirited schoolteacher, who Maddy manoeuvres into Eve's confidences, but who turns out to be harbouring a tragedy of her own.
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
This helpful book digs into the stigma of suicide, how it has been viewed as taboo, and how the bodies of people who committed suicide have traditionally even been denied burial. The people left behind find themselves isolated by their shame and the fear that others will shy away from a topic considered sinful in most religions. This was certainly my experience. Had my father died of cancer or a heart attack, I would have talked openly of his death and received a lot of support. But I felt his mental illness, addiction, and suicide too dark a topic to impose on anyone.
Happy, functional families don’t go through things like this. It was an extension of the shame I’d internalized as a child growing up with socially divergent parents who struggled with mental health issues. Alexander, who lost her own mother to suicide, gives links to survivor support groups,…
Breathtaking stories of incredible power for anyone struggling to find the meaning in the suicidal death of a loved one--and for all readers seeking writing that moves and inspires. After author Victoria Alexander's mother took her life, she spent the next ten years collecting stories from people, like herself, who have walked through one of life's most difficult journeys. The result is a beautifully written book of powerful, spellbinding stories told by those who were left behind--parents, children, spouses, lovers, friends, and colleagues. In the Wake of Suicide offers survivors the understanding, compassion, and hope they need to guide them…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide
Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her.
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
McDermott writes about Irish-American people, and this novel is about nuns in Brooklyn who help out a young widow and her little daughter after the suicide of her husband.
I was a nun for eleven years, so loved the realistic portrayal of the nuns with all their human foibles and virtues!
The young girl becomes the central character as she grows up helping the sisters in their work with the poor, even deciding she might like to be a nun herself until she has a disastrous encounter on a train. Beautifully written with humor and compassion.
WINNER OF THE PRIX FEMINA ETRANGER 2018 SHORTLISTED FOR THE 2017 KIRKUS PRIZE ONE OF TIME MAGAZINE'S TOP TEN BOOKS OF 2017 ____________________ From the National Book Award-winning author comes a luminous, deeply humane novel about three generations of an Irish immigrant family in 1940s and 1950s Brooklyn - for those who love Colm Toibin, Anne Enright and Anne Tyler On a dim winter afternoon in a Brooklyn tenement, a young Irish immigrant unhooks the oven gas, and inhales. In the aftermath of the fire that follows, Sister St. Savior, an ageing nun appears, unbidden, to direct the way forward…
