Here are 99 books that A Deadly Education fans have personally recommended if you like
A Deadly Education.
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I love fantasies that dream up totally new worlds! Some people condemn the fantasy genre as formulaic, and sometimes they’re right—but it shouldn’t be so! Fantasies can explore worlds as wide and wild and wonderful as the human imagination itself! Anything’s possible! But I also love a fantasy world that’s as real, coherent, and consistent as our own real world. I think that’s the ultimate challenge for any author: to create it all from the grassroots up. And for any reader, the trip of a lifetime! My personal preference is for worlds a bit on the dark side—just so long as they blow my mind!
Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).
But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
"Broken, shattered, empty husks driven by a whirlwind. The clans shall be riven from their heart and cast into the furnace. And this before the snows return."
Three hundred years ago, the human race would have died out if not for a few who created and swore to abide by…
I’ve always been drawn to stories where light trembles on the edge of annihilation. The Deathly Shadow grew from that space—where broken people must still try, even when hope is an ember. I’m especially interested in how violence shapes children—their choices, their trust, and the way they carry themselves through a collapsing world. I strive to write characters with real emotional weight and a filmic sense of presence—where every gesture, glance, and silence means something. I believe the darkest stories, when told with care, can reveal what we most need to protect. This book explores the cost of survival—and whether love, memory, and courage are enough to challenge even the worst of endings.
Jemisin combines geological apocalypse, complex magic, and generational trauma with raw power.
That’s something I explore in my own work, so this trilogy was a strong—if abstract—indirect influence. Few books have stayed with me so viscerally.
The writing is sharp, emotionally devastating, and fearless. It doesn’t just tell a story—it tears through it with tectonic force. It made me want to write braver and more honestly about pain, survival, and what breaks beneath the surface.
At the end of the world, a woman must hide her secret power and find her kidnapped daughter in this "intricate and extraordinary" Hugo Award winning novel of power, oppression, and revolution. (The New York Times)
This is the way the world ends. . .for the last time.
It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester.
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
The Time of Terror: An action-packed maritime adventure of battle and bloodshed during the French Revolution (Nathan Peake Book 1).
The first gripping naval thriller in Seth Hunter's historical adventure series is sure to enthral fans of Julian Stockwin and Patrick O'Brian's Aubrey-Maturin novels.
I’ve been obsessed with sci-fi romance since I was a kid watching the Klingon wedding of Worf and Jadzia Dax in Star Trek: Deep Space Nine. I love the idea of mashing these two distinct genres together. While sci-fi and romance both explore the human condition, sci-fi goes wide while romance is intimate. I think this makes the crossover of these two genres work especially well. My foremost inspiration for sci-fi romance is Lois McMaster Bujold, who offers a masterclass in how to deftly weave compelling romance into a sci-fi setting without sacrificing any action or political intrigue.
This book is unhinged in the best way. I love Gideon’s unique voice. Around her is a deadly-serious necromancer murder mystery with interplanetary stakes, and she cares more about cracking dirty jokes and finally eating some warm food. Her relationship with her arch-nemesis/only friend Harrow leaps off the page.
I love the scene where they get into a pool so Harrow can finally confess to Gideon her darkest secret—so hot and so disturbing all at the same time. While this book isn’t technically a romance and the genre feels more like a horror fantasy set in space, I couldn’t resist putting it on the list. As Gideon says to Harrow, “One flesh, one end, bitch.”
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
My dad and Uncle (who was not my uncle!) were both WWII veterans; I was fortunate to receive an artist’s grant to gather stories from WWII veterans in Minnesota and told several at concerts honoring the anniversary of D-Day. My counseling background unexpectedly came into play as their stories left me understanding their heroism, sacrifice, shell shock, and grief. These vets grew up never leaving a circle about a hundred miles across and were suddenly thrown into a foreign country and war. I was compelled to research and write about the 1930’s, life on the farm, young romance, and trying to heal PTSD after the war.
Every now and then, I discover a book that has imagined a world and/or a character that takes me by surprise, and I can’t stop reading about them. Again, it’s all about character! In this book, I met a human cyborg enslaved by a computer program and built as a security unit rented out to corporate groups exploring planets for profit.
This sentient cyborg frees itself from enslavement, hilariously staves off the boredom of security work by watching its favorite media series, and as it watches characters in these shows, begins to learn about human behavior. I enjoyed the awkward, touching way it developed friendships and emotional connections. The character, which calls itself Murderbot, presents as if it’s on the spectrum.
Its first-person narration is snarky, occasionally hilarious, and endearing as it slowly learns what it means to have friendships. And oh, it finds all this wildly inconvenient, hates eye…
All Systems Red by Martha Wells begins The Murderbot Diaries, a new science fiction action and adventure series that tackles questions of the ethics of sentient robotics. It appeals to fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or lain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self discovery and an idle instinct to kill all humans. In a corporate dominated s pa cef a ring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by…
My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Want to laugh out loud? Then read The Princess Bride. I’m sure you’ve seen the classic movie version, but you owe it to yourself to go back to the source material by William Goldman. I never knew a book could be so funny!
The narrative stretches the boundaries of storytelling, taking the reader down a path that is touching, scary, and hilarious in turns. I loved the absurdist characters. I loved even more Goldman’s clear, comic voice throughout.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
I love how urban fantasy mixes magic and the real world, and I’m obsessed with stories that explore identity, especially when life throws you a curve ball and you need to recalibrate your existence around questions like “Who am I? Where am I going?” These books are set in contemporary fantasy universes and explore the themes of identity in different ways. Their worlds are bleak, which makes the spots of humor shine brighter and the protagonists’ triumphs all that more satisfying. As Ursula LeGuin said, “There must be darkness to see the stars.”
I love how weird and dark this book is. Carolyn and her siblings were raised by their abusive, adopted father, who trained them each in a single portfolio of magic.
When their father goes missing, Carolyn and her allies explore the truth of his disappearance. I was with Carolyn every step of the way of her journey to claw back her identity from her abusive past. And I can’t stop thinking about the explosive ending, even years after I first read the book.
“Wholly original . . . the work of the newest major talent in fantasy.”—The Wall Street Journal
“Freakishly compelling . . . through heart-thumping acts of violence and laugh-out-loud moments, this book practically dares you to keep reading.”—Atlanta Magazine
A missing God. A library with the secrets to the universe. A woman too busy to notice her heart slipping away.
Carolyn's not so different from the other people around her. She likes guacamole and cigarettes and steak. She knows how to use a phone. Clothes are a bit tricky, but everyone says nice things about her outfit with the Christmas…
It’s hard not to be passionate about sapphic spec fic when that’s entirely what I write. These books may all differ from my book in their own ways, but these authors and I all wrote fantastical stories of women who love women. These are the kind of stories I want to put out there, and it’s a space that could always use more occupying it.
This gothic novel tells two stories a century apart, both dealing with queerness, hauntings and the way women are treated by society. The characters are flawed and human, and it’s fascinating to see how a century has changed everything.
I’d been desperate for a good lesbian ghost story then, and this hit the spot far more than I’d expected.
'It's a terrible story and one way to tell it is this: two girls in love and a fog of wasps cursed the place forever after...'
BROOKHANTS SCHOOL FOR GIRLS: Infamous site of a series of tragic deaths over a hundred years ago. Soon to be the subject of a controversial horror movie about the rumoured 'Brookhants curse':…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
It took me months to pick up Carry On after it initially caught my eye on the bookshelf. It was everything I could have wanted.
It is a less problematic Harry Potter, if Harry and Draco ended up getting together. It shows a really authentic representation of unrequited queer love and recognizing one’s own queer identity. It is character-driven, but also full of fun magic adventure. I love a book that knows how to give you exactly what you want.
#1 New York Times best seller! Booklist Editors’ Choice 2015 - Youth! Named a "Best Book of 2015" by Time Magazine, School Library Journal, Barnes & Noble, NPR, PopSugar, The Millions, and The News & Observer!
Simon Snow is the worst Chosen One who's ever been chosen.
That's what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he's probably right.
Half the time, Simon can't even make his wand work, and the other half, he starts something on fire. His mentor's avoiding him, his girlfriend broke up with him, and there's…
Everything you know about Santa Claus is a lie. And that’s just the way she likes it.
She remembers nothing of her real parents. She was abducted by fairies who taught her all she knows. Everyone calls her Key, but no one can tell her why.
Fantasy, mystery, magic, and otherworldly realms—these have fascinated me since childhood. Growing up in Landshut, a town straight out of a fairytale, with misty hills and an ancient castle, I’ve always felt surrounded by magic. It makes you wonder what secrets lie in the woods or castle grounds. I crave fast-paced, suspenseful, fantastical books with a dash of romance and just enough weirdness to keep things exciting. If you’re like me and love stories that keep you guessing, check out my list of the best fantasy books that do just that. Plus, my debut Epic Fantasy novel is coming out this year, and it fits right into that category!
This story follows Alex, a girl haunted by ghosts only she can see. Because of this extraordinary ability, she gets—despite being a crime suspect—chooses to go to Yale and oversee their secret societies that meddle with magic. As she tries to rebuild her life, the death of a girl and her suspicions about the societies pull her back into danger.
The book’s intricate plot and suspense have made me read it multiple times, with its vividly real world, societies, and characters making me eager to visit New Haven and see if it matches the story. Its twists and turns ensure you'll be hooked and constantly wondering what comes next. Also, I've loved Yale since I first saw Gilmore Girls.
*The adult debut from the author of SHADOW AND BONE - now a Netflix Original series!*
The instant SUNDAY TIMES and NEW YORK TIMES bestseller that Stephen King calls 'Impossible to put down'.
Galaxy 'Alex' Stern is the most unlikely member of Yale's freshman class. A dropout and the sole survivor of a horrific, unsolved crime, Alex was hoping for a fresh start. But a free ride to one of the world's most prestigious universities was bound to come with a catch.
Alex has been tasked with monitoring the mysterious activities of Yale's secret societies - well-known haunts of the…
