Here are 100 books that My Dark Vanessa fans have personally recommended if you like
My Dark Vanessa.
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I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.
For millennia, we’ve heard the stories in Greek mythology about gods who come down to earth to rape women (Zeus got around), women as seductive sirens who lure sailors to their doom, or goddesses and mortal women alike being exiled.
Because of that, I was intrigued to read this book, a retelling of the familiar narrative, but from the perspective of a woman. I found this book to be very empowering.
I identified with the main character, a woman named Circe (in actuality a goddess) who is exiled because of her powers of witchcraft. However, in her exile, she finds that leaning into her power without the judgment of others makes her stronger.
I loved reading classic Greek mythology, complete with all the familiar characters, told from a woman’s perspective.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift…
“Buck’s Pantry is a surprising tale of intrigue and suspense, and a perfect example of how three days and a random encounter can change the course of so many lives. Khristin Wierman’s narrative is charming and disarming all at the same time.”—Laurie Gelman, author of the Class Mom series
I am drawn to books in which family history is never as simple as it first appears. I have always loved fiction about memory, silence, and the choices people make when they discover that something they believed about their past was not entirely true. As a novelist, I keep returning to these themes because I am fascinated by the way family stories shape who we become. I am especially interested in women who have to rebuild their sense of themselves when old explanations stop making sense. The books on this list stay with me because they do more than reveal secrets; they show what happens after the truth is known.
I first loved Rebecca for its atmosphere, but what stayed with me was something more unsettling: how completely another person’s version of the past can shape the present.
I remember finishing it and thinking about how easily we accept a story when everyone around us seems to believe it. As a writer, I keep returning to that idea.
Du Maurier showed me that an absence can dominate a novel as powerfully as a living character, and that what people refuse to say can matter as much as what they reveal. That has stayed with me in my own writing about memory, silence, and family secrets.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I like fiction which makes a character confront what the poet Thom Gunn called ‘the blackmail of his circumstances’: where you are born, the expectations of you. I like to think I am very much a self-created individual, but I can never escape what I was born into; the self is a prison that the will is trying to break out of. I like literature which reflects that challenge.
I first read Lolita when I was 14 and have read it every few decades since, learning something new each time.
I love the first-person immediacy of it and the way it is a crime novel in reverse: the narrator is already imprisoned but not for the crime he describes. It is a love story turned on its head: what the narrator says is love is in fact abuse.
It is a road trip across the vastness of the US, like one I took when I was a student.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
“A beautiful thinking-novel.”—Eileen MacDougall, host of WCTV’s Book Stew
“Funny, poignant, original, and memorable…”—The Midwest Book Review
A compulsive overachiever, Madeline lives by the credo that easy is synonymous with mediocre—which is why, at forty-nine, she’s a senior vice president at a…
I have spent more than four decades working closely with people, first in ministry and then in higher education. What continues to fascinate me is how people navigate complicated lives: how we respond to failure, disagreement, loss, responsibility, forgiveness, and the ordinary moments that ultimately shape us. Those same questions run through my own writing and are what draw me to these five books. I am less interested in perfect characters or easy answers than I am in what happens when imperfect people face difficult circumstances and still have to decide who they are going to become.
What stayed with me about The Kite Runner is its understanding of redemption.
You cannot change the past, and redemption does not undo the original harm. Forgiveness is not erasure. What happened still happened, and some of that weight remains. But knowing the truth and owning the harm can change the choices you make afterward. That distinction mattered to me.
Redemption is not pretending the past is gone or somehow balancing the scales perfectly. It is allowing what you now understand to change who you become and how you move forward. Few books I have read have explored guilt, forgiveness, and redemption with that kind of emotional honesty.
Afghanistan, 1975: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what will happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.
Some writers produce historically important novels of our life and times. I’ve always preferred the “smaller,” timeless stories that dig deep into domestic lives and relationships. For me, the best adventures are always the psychological ones. The bond between mothers and daughters is a rich, if perhaps underexplored, source of literary tension. Often fraught and a battle between deep love and debilitating frustration, it’s the stuff of the highest drama. In The Youngster, the daughter and mother have landed in a place of mutual love, which is then tested by extraordinary – and shocking – circumstances.
This selection is a bit of a cheat, given that the novel is about a mother and son (as told by Jack, the 5-year-old boy), but it’s also a moving evocation of maternal resilience under the most appalling circumstances.
I include it because this exceptional story strips bare the fundamental ties between a helpless child and a fiercely resourceful parent. And it’s a great read.
A major film starring Brie Larson. Shortlisted for the Man Booker Prize. Shortlisted for the Orange Prize.
Picador Classics edition with an introduction by John Boyne, author of The Boy in the Striped Pyjamas.
Today I'm five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I'm changed to five, abracadabra.
Jack lives with his Ma in Room. Room has a single locked door and a skylight, and it measures ten feet by ten feet. Jack loves watching TV but he knows that nothing he sees on the screen…
I grew up in a household with a secret at its center, one that I've long suspected held trauma. Long before the formation of the family I was born into, my mother was a divorcee with a young child, my eldest sister (a fact I only found out by finding a photo of my parents’ wedding with my sister in it!). My mother refused to tell my sister anything about her biological father or the circumstances of the divorce, saying only that she “preferred to pretend that part of her life had never happened.” I never did learn the full story. Needless to say, novels that give their protagonist that chance are very close to my heart.
I’m sure I’ve never laughed out loud so many times while reading a book that explores the effects of deep trauma.
What I love here is that we barely know the extent of Eleanor’s childhood trauma until the very end. What we experience instead is the increasingly interesting life of someone who doesn’t at all fit into the social world as we know it but is about as endearing in her innocence and brute honesty as they come.
The way Eleanor Oliphant sees the world made me appreciate how ridiculous so many of our social rituals can be. I rooted for her every step of the way and came away almost wishing I could wear her particular goggles when walking through my own life.
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
I’ve been teaching in prep schools for twenty-five years, and I also attended one. As both student and teacher, I’ve been fascinated by student social dynamics—how groups form, fracture, and define what they value or reject. I’m equally interested in how teachers’ experiences mirror yet differ from students’. Though I always looked forward to summer breaks, I was drawn to literature—especially mysteries—set in prep schools. These stories helped me better understand the complexity of these relationships while offering a lens to reflect on my own experiences, often with far more drama than real life.
I still have dreams set in the school-world of this book… that alone speaks to how compelling and utterly captivating Naomi’s setting is.
I loved the self-imposed isolation of the main character, how compelling her motivation and determination are. The school itself plays a huge role in the plot, and I found the explanations of how magic worked in this world to be fascinating.
As soon as I finished this first book, I picked up the next one.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
I am a writer who was first a reader and am convinced that novels can speak profound truth. They’ve helped me too many times to believe otherwise. I write novels about how we unwind from painful pasts to create new and better lives. In my experience, that requires us to face difficult truths and choose to be different until we are. I write fiction because I can begin with something awful, cut out boring detours that didn’t matter, and get my honorable and well-intentioned characters to happy endings faster than I’ve gotten to mine. These books map similar journeys, and all have left me better off for having read them.
I fell into this story with the first line and barely came up for air until I was done.
I’m not sure I’ve ever read a book filled with so much beautiful and tragic truth, or an ending that filled me with so much optimism. Thousands have written gorgeous reviews about the story, the characters, the writing—so I won’t even attempt that here.
These lines, from the book, are among the most beautiful and meaningful to me: “If you are surrounded by those who call what you are different instead of beautiful. If your mind or body has cried out for peace and acknowledgement and understanding, just know…You are part of an infinite family. The people who have been through terrible things and survived them. If you are reading these words, you WON today.”
A modern cult classic, a major motion picture and a timeless bestseller, The Perks of Being a Wallflower is a deeply affecting coming-of-age story.
Charlie is not the biggest geek in high school, but he's by no means popular.
Shy, introspective, intelligent beyond his years, caught between trying to live his life and trying to run from it, Charlie is attempting to navigate through the uncharted territory of high school. The world of first dates and mixed tapes, family dramas and new friends. The world of sex, drugs, and music - when all one requires to feel infinite is that…
I’ve been interested in stories about power, exploitation, and female resilience for as long as I can remember. As a former professional dancer, I grew up in a world where the body was watched, judged, disciplined, and expected to perform, no matter the circumstance. My later experience as a physician scholar and as a mother has deepened my interest in the systems that shape girls’ and women’s ideas about their own lives. Finally, as a survivor, I also understand how these experiences can distort a girl’s sense of herself. I come to these books from the intersection of art, medicine, feminism, and lived experience.
This book still haunts me, even though I read it years ago.
It’s about the selling of dreams. I have found this to be a common topic when it comes to power dynamics and the exploitation of young girls. A gymnastics coach tells parents their daughter has extraordinary potential. The parents get stars in their eyes. But no one warns the parents that things can go terribly wrong in pursuit of the dreams they have for their child.
As a mother, I’ve been on the receiving end of one of these coaches’ speeches. But I had a secret weapon: my own experience pursuing a dream. I saw firsthand that things could go very wrong, something other parents didn’t necessarily have experience with.
Almost unbearably tense, chilling and addictive . . . Exceptional' - Paula Hawkins, author of Girl on the Train
A mother knows best . . . doesn't she?
Talented and determined, Devon is the centre of her ambitious parents' world, and the lynchpin of their marriage. There is nothing Katie and Eric wouldn't do for her.
When a violent hit-and-run accident sends shockwaves through their close-knit community, Katie is immediately concerned for her daughter, a rising star of the gymnastics world. She and Eric have worked so hard to protect Devon from anything that might distract or hurt her. That's…
Men have always been attracted to young women, who possess a glow that their mothers have possibly lost. Girls are more vulnerable and impressionable and are more likely to believe what they are told. Their passionate desire to be loved, combined with their conviction that no one understands them, makes them uniquely vulnerable to predators. But there is another side to the story. Girls do not passively wait to be seduced or exploited. They thrill in actively testing their own sexual power and often put themselves in physical and emotional danger with no understanding of the long-term consequences of relationships where the power dynamic leaves them exposed to exploitation and abuse.
A nonfiction book that tells the story of three unrelated women and their unique but universal struggles; I loved it because of the author’s incredible talent for articulating the everyday lived experience of being female, the subtle and overt judgments, and the fact that women are held to different standards, even by other women.
"‘Even when women fight back, they must do it correctly. They must cry the right amount and look pretty but not hot." Many times while reading, I recognised myself, my sister, my mother, and my friends.
All three stories are highly engaging, but the truly compelling story is Maggie’s, a troubled girl from a difficult family who is preyed upon by her teacher, a married man with a family. The subsequent effect on her life is just devastating (remember, folks: this is nonfiction.)
The International No. 1 Bestseller A BBC 2 Between the Covers Book Club Pick 'Cuts to the heart of who we are' Sunday Times 'A book that begs discussion' Vanity Fair All Lina wanted was to be desired. How did she end up in a marriage with two children and a husband who wouldn't touch her? All Maggie wanted was to be understood. How did she end up in a relationship with her teacher and then in court, a hated pariah in her small town? All Sloane wanted was to be admired. How did she end up a sexual object…