Here are 89 books that The Ninth Hour fans have personally recommended if you like
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I am a writer who has spent my entire reading life emersed in the past, reading everything from Russian literature, to nineteenth-century English, to early modern American. It’s no surprise I became a historical fiction novelist. The 1950s is one of my favorite eras to write about because of its complexity. The glamour of the Golden Age and the dark truths it represents make for compelling reads. I hope you love the list below as much as I do.
Ireland is one of my favorite locations for novels, as well as New York City, and this one toggles between both. It’s the story of a young girl in a small town with no opportunity who travels to find a place where she can thrive. It’s a story we’ve heard many times before, and yet it never gets old.
I was drawn to the aspects of this novel that uncover the realities of the 1950s from the perspective of a young, female immigrant with no resources. It deals with survival in a totally different way than the books I listed above. There’s an intensity and reality to it that is profound.
Colm Toibin's Brooklyn is a devastating story of love, loss and one woman's terrible choice between duty and personal freedom. The book that inspired the major motion picture starring Saoirse Ronan.
It is Ireland in the early 1950s and for Eilis Lacey, as for so many young Irish girls, opportunities are scarce. So when her sister arranges for her to emigrate to New York, Eilis knows she must go, leaving behind her family and her home for the first time.
Arriving in a crowded lodging house in Brooklyn, Eilis can only be reminded of what she has sacrificed. She is…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
I love this story because, for me, it’s a perfect example of why a ship is such a great platform for storytelling, a moving stage for a compelling cast of characters to act out the drama of their past and present lives while heading into an uncertain future.
The Star of the Sea is a "coffin ship," the name given to the leaking hulks that transported a million emigrants from Ireland to America during the Great Famine of the 1840s.
It’s a historical novel but for me, a timeless story about emigration and the human condition, of refugees fleeing the monsters of their past, war, famine, disease, whatever, into what they hope will be a brighter future, and of what happens to them on the way.
Rediscover Joseph O'Connor's monumental #1 international bestseller.
In the bitter winter of 1847, from an Ireland torn by injustice and natural disaster, the Star of the Sea sets sail for New York.
On board are hundreds of fleeing refugees. Among them are a maidservant with a devastating secret, bankrupt Lord Merridith and his family, an aspiring novelist and a maker of revolutionary ballads, all braving the Atlantic in search of a new home. Each is connected more deeply than they can possibly know.
But a camouflaged killer is stalking the decks, hungry for…
I’m an Irish historian and biographer living in London and have always been fascinated by the confused attitudes that bedevil the relationship between Ireland and England. Educated in Ireland and the USA, I came to teach at the University of London in 1974, a period when IRA bombings had penetrated the British mainland. In 1991, I moved to Oxford and taught there for twenty-five years. As I constantly move between the two countries and watch my children growing up with English accents but Irish identities, I remain as fascinated as ever by the tensions, parallels, memories, and misunderstandings (often well-meaning) that prevail on both sides of the narrow Irish Sea.
Elizabeth Bowen once described the Ireland-England relationship as ‘a mixture of showing-off and suspicion, nearly as bad as sex’. Her 1928 novel demonstrates this beautifully, eviscerating the attitudes of Anglo-Irish grandees in their Big House as the country around them crackles with guerilla war and showing the incomprehension between the Irish (at all social levels) and the British soldiers sent ostensibly to keep the peace.
Though it ends in tragedy, social comedy, as so often, shows the brutal realities beneath the surface. And the atmosphere of the Irish landscape, at once idyllic and brooding, comes alive in Bowen’s supercharged prose.
Read Elizabeth Bowen's accessible feminist take on the Irish aristocracy
WITH AN INTRODUCTION BY VICTORIA GLENDINNING
The Irish troubles rage, but up at the 'Big House', tennis parties, dances and flirtations with the English officers continue, undisturbed by the ambushes, arrests and burning country beyond the gates. Faint vibrations of discord reach the young girl Lois, who is straining for her own freedom, and she will witness the troubles surge closer and reach their irrevocable, inevitable climax.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I am a lover of all things Irish because of my heritage, with my maiden name O’Shea. Both of my parents’ grandparents came from Ireland to the United States: the O’Sheas from County Kerry and the Ward and Sullivans from Galway and Bantry. As an English major, I have loved the works of Yeats, James Joyce, Samuel Beckett, and I wrote my Master’s thesis on Ulysses by Joyce. Both of my own novels center around the Irish. I understand their love/hate relationship with the Catholic Church, and I love the stinging wit and lively humor of the people. The Irish are great storytellers!
Edna O’Brien’s work makes me laugh and cry at the same time!
The Country Girls is a rollicking tale of two girls from rural Ireland in the 1950s, convent-educated, who leave home after their secondary school graduation to seek freedom and fun in the big city of Dublin.
Not quite Sex in the City, but a reader will laugh with the girls and sympathize with their troubles with men and work.
The BBC Radio 4 dramatisation of Edna O'Brien's The Country Girls trilogy begins in August 2019.
Edna O'Brien's wonderful, wild and moving novel shocked the nation on its publication in 1960. Adapted for the stage by the author, The Country Girls, the play, is a highly theatrical and free-flowing telling of this classic coming of age story.
This new edition of The Country Girls was published to coincide with its UK premiere at Chichester Festival Theatre in June 2017.
Edna O'Brien's stunning new novel Girl will be published by Faber in September 2019, available to pre-order now.
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I loved that this classic by one of America’s greatest literary minds gave me answers about what it would be like if I did what I always dreamed of doing: leaving America behind and moving to France. One of the important things I came to realize was that The Great Escape would not solve your problems, but it would help give you a fresh perspective on things.
'A masterwork... an almost unbearable, tumultuous, blood-pounding experience' Washinton Post
When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.
'In Another Country, Baldwin created the essential American drama of the century' Colm Toibin
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
I absolutely fell for and into this seductive and sublimely entertaining book about a journalist investigating the enigma of Stanislas Cordova, an infamous and reclusive horror movie director. Nobody knows where he is or even if he’s still alive.
The invention of Cordova’s legend in the book is inspired; I love how Pessl builds layers of fake pop culture references and internet rabbit holes that feel so real you can almost hear the flicker of celluloid of one of Cordova’s movies playing out in your head. Even years after reading this book, I still recall it vividly in my mind’s eye.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
Gayle Brandeis’s intimate memoir of wrestling with her mother’s suicide following a long mental illness kept me company in the ways it mirrored my own experience. It is sometimes easier to mourn a stranger’s pain, as you edge towards your own grief. Brandeis’s reading through her mother’s letters, with their paranoid delusions and grandiose aspirations, “passionate and creatively punctuated,” rang true to my father’s crazy literary outpourings. Her experiences of entering her mother’s home to witness the evidence of her last activities, to the almost physical trauma of learning the stark details of her mother’s suicide method, comforted me in their familiarity. The suicide of a mentally ill parent leaves a lot of guilt and confusion in its wake. Anger and resentment aren’t what one “should” feel after a death of a parent, but Brandeis doesn’t sugarcoat the complex mess of emotions that needs to be untangled.
Award-winning novelist and poet Gayle Brandeis’s wrenching memoir of her complicated family history and her mother’s suicide
Gayle Brandeis’s mother disappeared just after Gayle gave birth to her youngest child. Several days later, her body was found: she had hanged herself in the utility closet of a Pasadena parking garage. In this searing, formally inventive memoir, Gayle describes the dissonance between being a new mother, a sweet-smelling infant at her chest, and a grieving daughter trying to piece together what happened, who her mother was, and all she had and hadn’t understood about her.
When my father died in 1998, bladder cancer, I was 41 years old and privileged to be his primary caregiver for five weeks. My first major loss and it was as though a mack truck had been driven through my chest. Ten years later, my mother died, after nine years of dementia, which is like losing someone twice. That was a more ravaging grief. Twelve years later, my nephew died, a month away from his 36th birthday. And in 2022, one close friend of mine took his own life and another died of cancer at age 57. Grief is the subject I gravitate toward in the books I read and the essays I write.
It is fair to say that this is my favorite memoir I’ve ever read. I’m shocked it didn’t make bestseller lists when it came out. Finneran is a poet, who through the language, attention to detail, and strategic pacing of key scenes, makes readers see and feel what she wants us to see and feel. This book offered me, as a teacher of college writing, numerous perfect examples of how scenes can be developed to drop readers into a moment, to transport them. Finneran focuses the memoir on how her brother’s suicide affected her whole, big, Catholic family. The Tender Land, a Family Love Story is a portrait of a family who has lost something huge. Devastating content aside, this is a memoir that you will delight in, sentence by sentence, for its language. Highly recommend this remarkable book.
An extraordinary memoir of a family haunted by tragedy: “I’ve read very few contemporary novels that can rival Finneran’s nonfiction.” —Jonathan Franzen
A superb portrait of family life, this “absorbing and thoughtful” memoir is a love story unlike any other (Library Journal). The Finnerans—Irish Catholic parents with five children in St. Louis—are a seemingly unexceptional family whose lives are upended by a catastrophic event: the suicide of the author’s fifteen-year-old younger brother after being publicly humiliated in junior high school.
A gentle, handsome boy, Sean Finneran was a straight-A student and gifted athlete, especially treasured by every member of his…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
I’ve read it twice, and I can only stand back in wonder at how a person could create such a magnificent work of art (his first novel) at age 26. For richness of character development, philosophical weight, and power of language, this is one for the ages. Though the subject matter is heavy, it’s not a difficult read. Yet there are passages where you’ll want to slow down and take in the music of the words.
In this novel, the South looms dark and ominous in the background with its Biblical rhetoric, its conflict between a tradition of religious fundamentalism and modern scepticism, racial contrasts and the industrialisation of a rural society. But more than a novel of time and place, it is the story of a tormented family submerged in infidelity and driven by a vengeful love that is blocked, hurt and perverted. Peyton Loftis, who frantically needs a husband precisely because she loves her father; the decadent Milton, whose infidelity has made his marriage no more than a stage drama; and Helen, his wife,…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I live in the southern Appalachians, a place that boasts some of the most beautiful views on earth and laments some of the most ravaged landscapes. As a fiction writer who is passionate about nature and human rights, I’ve taken up my pen to craft a novel with regular people at its heart, all living regular lives that are disrupted by tragedies all too common to the region. This is the general throughline in the books I am recommending, although the themes differ. I’ve offered a variety of genres, as well, which best reflects my own bookshelf at my home in the hills.
This is not a work of fiction but a memoir by a novelist, an unflinching portrait of generations of a family ever at the brink. It reads almost as vignettes, exquisitely crafted and somehow soothing even in their brutal honesty. Poignantly rendered pieces of the author’s life reflect aspects of Appalachian culture that can often come across as stereotyping, but the personal nature of this work combined with Dodd White’s skilled pen makes it an authentic view into struggles endemic to the region. He bravely writes of suicides in his family, most heartbreakingly that of his son. Until I read this book, Joan Didion’s A Year of Magical Thinkingwas secure in its position at the top of my “best memoirs” list.
This collection of fourteen essays by Charles Dodd White-praised by Silas House as "one of the best prose stylists of Appalachian literature"-explores the boundaries of family, loss, masculinity, and place. Contemplating the suicides of his father, uncle, and son, White meditates on what it means to go on when seemingly everything worth living for is lost. What he discovers is an intimate connection to the natural world, a renewed impulse to understand his troubled family history, and a devotion to following the clues that point to the possibility of a whole life.
Avoiding easy sentiment and cliche, White's transformative language…
