Here are 100 books that The Great Escape fans have personally recommended if you like
The Great Escape.
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I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
Anne Berest embarks on a detective journey after an anonymous postcard arrives at her family home listing the names of her maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Anne and her mother are determined to find out who sent the postcard and why. For sixteen years, Anne pursues her quest to uncover the sender’s identity and her family’s hidden past while grappling with her own identity—what it means to be Jewish and how she embodies the legacy of her murdered family members.
Although Berest wrote her family’s Holocaust history as a novel, she describes it as a ‘true novel.’ She changed the name of the village where family members were arrested in order to protect the people living there now. She also changed the names of perpetrators to protect descendants who did not get to choose their parents but had to…
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.
The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
Cristina Garcia has become the definitive chronicler of both Cuba and Cuban exiles. King of Cuba tells the story of two men: El Comandante (also called the despot, the tyrant, or El Líder—clearly this is Fidel) and a Miami exile, Goyo Herrera, who is as old and infirm as Castro himself. Garcia’s portrait of the desperation and ignominies these two old guys suffer, and of their hopeless attempts to cleave to past glories, transcends Cuban history and brings us two men I found cantankerous and self-inflating, but irresistible.
A “darkly hilarious” (Elle) novel about a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge by the National Book Award finalist Cristina García, this “clever, well-conceived dual portrait shows what connects and divides Cubans inside and outside of the island” (Kirkus Reviews).
Vivid and teeming with life, King of Cuba transports readers to Cuba and Miami, and into the heads of two larger-than-life men: a fictionalized Fidel Castro and an octogenarian Cuban exile obsessed with seeking revenge against the dictator. García’s masterful twinning of these characters combines with a rabble of other Cuban voices to portray…
Maybe it’s something about my training as a newspaper journalist, but I have a real affinity for the untold story and the wrongly accused. I wrote many stories as a cops and courts reporter, and profiled both saints and sinners. I learned that it’s easy for the outsider to be made into the villain. (Cue: “When You’re Strange” by The Doors.) I’m particularly interested in historical fiction where we can reconsider people who’ve been turned into monsters. When I learned that the Macbeth play that I loved was far from the truth, I was launched into a decades-long writing project.
I had the great pleasure of studying with Jane Alison during my MFA at Queens University of Charlotte, and so as a diligent student, I, of course, read her books. As a poet as well as a novelist, I was captivated by the lyricism in this depiction of the Roman poet who gave us the Metamorphoses.
A different twist on historical retelling, this book is based on Ovid’s banishment to a miserable backwater far from his beloved Rome and his encounter with a fictional Black Sea enchantress. Alison built an incredible character in Xenia, a woman of power, a muse, and maybe Ovid’s match.
A darkly brilliant first novel imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work, and perhaps his most accomplished? Between the known details of the poets life and these enigmas, Jane Alison has interpolated a haunting drama of passion and psychological manipulation. On holiday in the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations…
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
I wish I’d read this book before visiting Lebanese friends there.
The story of a man who returns to his native Lebanon years after the civil war, it portrays the complexity of their society through the impact the war had on a group of university friends.
It gives a wonderfully accurate feel of the sights, sounds, and tastes of the country, and an astute description of the psyche of the Lebanese people from the point of view of a returnee.
“A thoughtful, philosophically rich story that probes a still-open wound.” ―Kirkus Reviews
“Maalouf is a thoughtful, humane and passionate interlocutor.” ―The New York Times Book Review One night, a phone rings in Paris. Adam learns that Mourad, once his closest friend, is dying. He quickly throws some clothes in a suitcase and takes the first flight out, to the homeland he fled twenty-five years ago. Exiled in France, Adam has been leading a peaceful life as a respected historian, but back among the milk-white mountains of the East his past soon catches up with him. His childhood friends have all…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.
It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.
A relative of the architect of apartheid who left the country offers his observations on his return, discussing the extremists that continue to divide the country
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
I am a historian at University College London, where I examine Palestinian refugee history in both my writing and my teaching. I first visited a Palestinian refugee camp 15 years ago, and I’ve spent much of my life since then researching the subject’s history and politics. As I see it, this topic is really the key to understanding the political dynamics of Israel-Palestine today. While a huge amount has been written on Israel-Palestine, I have always found that the most striking and informative works focus on refugees’ own experiences – and that’s the common thread running through the books I’ve chosen here.
Being Palestinian is a collection of essays by Palestinians reflecting on their identity and experiences living outside of their homeland.
I’ve chosen it here because few works are so effective in conveying both the commonalities and the diversity of the Palestinian refugee experience. The contributors range from Ivy League professors to activists campaigning for justice in the Middle East today; they include figures who grew up in refugee camps and those raised in some of the wealthiest cities in the world.
In many ways Being Palestinian is the perfect introduction to learning more about the subject, because it is accessible and highly personal without being simplistic.
What does it means to be Palestinian in the diaspora? This collection of 100 personal reflections on being Palestinian is the first book of its kind. Reflecting on Palestinian identity as it is experienced at the individual level, issues of identity, exile, refugee status, nostalgia, belonging and alienation are at the heart of the book. The contributors speak in many voices, exploring the richness and diversity of identity construction among Palestinians in the diaspora. Included are contributions from Palestinians living in the Anglo-Saxon diaspora, mainly the UK and North America. They come from a variety of professional backgrounds: business people,…
I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.
Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
I started the Edge of Empire series which includes Beside Turning Water when I was a Park Guide at Boston’s National Historical Park. As a guide I gave tours on the Freedom Trail which preserves the buildings and stories from the era of the American Revolution. I wanted to create a book like the ones I love full of romance a bit of sex, and with historical accuracy. Books that would help readers fall in love with the characters and understand the history of the events in the Revolution without that dry history-class feeling.
I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love.
The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him.
BONUS: This edition contains a Blindspot discussion guide.
Stewart Jameson, a Scottish portrait painter fleeing his debtors in Edinburgh, has washed up on the British Empire's far shores—in the city of Boston, lately seized with the spirit of liberty. Eager to begin anew, he advertises for an apprentice, but the lad who comes knocking is no lad at all. Fanny Easton is a fallen woman from Boston's most prominent family who has disguised herself as a boy to become Jameson's defiant and seductive apprentice.
Written with wit and exuberance by accomplished historians, Blindspot is an affectionate send-up of the best…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m Lindsay, and I never stop falling in love with human creativity. From the moment I first cracked open a library-borrowed copy of The Wizard of Ozas a child, I’ve been asking “What if…?” and I’ve delighted in how other authors imaginatively tackle that question. My interests are eclectic, ranging from history and politics to baking and sparkly things. I read to be swept away and to take a peek inside the storyteller’s mind and heart.
Easily one of my favorite epic fantasies I’ve read in recent years. The complexity of Gillian’s world is a highlight, yet she still makes the story and those within it accessible for her readers. It felt deep, not cluttered. She writes distinctly and with heart from three different points of view. I couldn’t flip pages fast enough, anxious for the moment these three story threads would intersect. It was more than worth the wait.
She rides a fireborn, a steed of fire and ash, trained for destruction.
Ceridwen tal Desmond dreams of ruling like her father over the nation of Soldonia, where warriors ride to battle on magical steeds—soaring on storm winds, vanishing in shadow, quaking the earth, and summoning the sea. After a tragic accident claims her twin brother, she is exiled and sworn to atonement by spending her life—or death—for her people.
But when invaders spill onto Soldonia’s shores and traitors seize upon the chaos to murder her father, Ceridwen claims the crown to keep the nation from splintering. Combatting overwhelming odds…
