Books like The Love-Artist — picked by fans

It’s not Hadrian’s love affair with the beautiful boy Antinous that swept me off my feet, nor the way Hadrian makes him a god after his mysterious death and builds a city dedicated to worshiping him.

That’s only a small part of a book overflowing with the emperor’s interior life, his fears and doubts and dreams. Yourcenar spent most of her life on and off writing this book, her life’s work. Filled with the exhilaration and perplexity of achieving absolute power and then holding onto it, we experience Hadrian as a profoundly paradoxical genius from the inside out. 

The end of the Empire has had me gripped since I was a boy.

Eagle in the Snow catapults you right into the dying state and right to its edge. I found myself walking the imperial borders in snowbound Germania, wondering if and when the Roman world was about to collapse beneath my feet.

It is one of those novels that leaves you feeling like you’ve lived another life, and that feeling has stayed with me ever since. A magical piece of historical fiction.

I was drawn to this book, a ripping and irreverent yarn about Vikings, by the foreword to its new edition written by Michael Chabon.

Our sea-faring hero finds himself in endless scrapes everywhere a Viking ship could go, often brought about by his own foolishness. Of special note are his adventures in Islamic Spain.

And I discovered as I was writing this recommendation that the novel was (sort of) made into a 1964 movie, a British-Yugoslav coproduction starring, among others, Sidney Poitier. You’ve got to love that.

I became enthralled by Claudius through the TV drama starring Derek Jacobi, but later came to the novels.

A stammering, reclusive young man dismissed as a fool, the bookish Claudius is all of us who watch from the wings, hoping not to draw attention to ourselves. He manages to outlive others, including Tacitus and Caligula, to succeed to the imperial purple.

Graves is a noted historian who drew on Plutarch, Suetonius, and Tacitus for his portrayal. His books on ancient cultures and religions were among many that I devoured in my research.

Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.

It’s rare that I find a book that plunges me so deeply into the psychology of a character.

Grace is the protagonist of Alias Grace. She’s cunning. She’s bold. She’s possibly a murderess. The most fascinating aspect of Grace to me is that she is based on a real-life character from Canada in the mid-1800s.

Throughout the whole book, I kept wondering about her—not just the fictional character, but the real one too—was this what she was really thinking? Was this how she really behaved?

I found her voice in the novel to be absolutely undeniable. You want to believe everything she says, but at the same time, you mistrust her...

I’ve been deeply engaged in questions of women’s spirituality, including the accusations of witchcraft leveled at healers, psychics, and just plain unpopular women.

The witch in question is Janet Horne, whose execution in 1727 marked the last witchcraft trial and judicial killing in Britain. The harrowing story of this woman and her daughter, set in Dornoch in far northeastern Scotland, provides the basis for Paris’s heartfelt novel.

I was taken by his use of a traveling group of entertainers as a major element in the story of prejudice and malice. Just this year, an official tartan was released, commemorating the hundreds who lost their lives. The pattern is predominantly black, with red for the tape on legal documents and gray denoting ash.

Among the many detective shows, I’ve loved “Murdoch Mysteries” for its cheeky take on Canadian history and policing. You’ll find that this story collection for Young Adult readers takes a similar approach.

The fictional detective is shown in his youth, already solving mysteries and interacting with both famous fictional villains and historical figures. I read many of these stories–nearly all published in Black Cat Weekly–in manuscript, returning the favor as Sirois is a writing friend, a longtime beta reader, and even designed a cover for one of my novels.

I love the movie and musical adaptations of Anastasia, so it’s no wonder I love this magical family saga from Nadine Brandes. Brandes effortlessly weaves magic into the tale we thought we knew about Anastasia Romanov. And yes, there is both magic and romance.

With the leader of the Bolshevik army after her, Anastasia “Nastya” Romanov is given a mission to smuggle an ancient spell that might be her family’s only salvation into exile in Siberia. Nastya has barely dabbled in magic, but her only chances of saving herself and her family are to release the spell and deal with the consequences, or to enlist help from Zash, the handsome Bolshevik soldier who seems to be different. This story does contain violence, but overall is another read I both love and could recommend to anyone.

Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.

By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and… show more.