Books like King of Cuba — picked by fans

A portrait of the privileged American families living in Cuba just before the Revolution. Their concerns are the United Fruit Company and the sugarcane that surrounds them in Oriente Province, but they are soon to be thrown into tumult by Fidel Castro and his rebel soldiers, who have been building their revolution in the Sierra Maestra. This is a subtle and beautifully-written reminder of how an entire world can be turned upside down, something few in that community saw coming. In these tumultuous days, it sometimes makes me wonder about my own community.

Stout gives us, in remarkable detail, the life of a woman deeply involved with the Cuban Revolution. Just how deeply came as a revelation to me. No book, I believe, in either Spanish or English, has told us a tenth as much about Celia Sanchez. Celia was Fidel’s partner through all the early days of the movement. I was swept along by the clear prose, the dynamic character of Celia Sanchez, and a thousand stories I’d never heard before. The Cuban Revolution, like many others, has been mythologized, and here is the perfect antidote: the story of a determined woman operating at the very heart of the Revolution.

A novel that reads like a memoir. After a childhood in Miami, the narrator explores her links to her Cuban past—and what Cuban exile has not done the same? But here are intimate, stimulating scenes that tie us to the Revolution, and in particular to Che Guevara. As Menendez writes, “Every trip to Havana is a dance between wanting to believe in the good of people and protecting oneself from the desperation that poisons every interaction.”

It was here that I first discovered Camilo Cienfuegos—whom I write about in my book. Camilo was the last of 82 men to board a small yacht, the Granma, which sailed, in November of 1956, from Tuxpan, Mexico to the south shore of Cuba. Fifteen men survived the landing and made their way up into the Sierra Maestra to start the Revolution. This is one of the hemisphere’s most remarkable stories, and Szulc’s book remains the definitive work on Fidel Castro and his campaign to unseat Fulgencio Batista.

Tanya Harmer is a noted diplomatic historian who focuses on the left-wing presidency of Salvador Allende in Chile during the early 1970s. Allende, as most people know, was violently overthrown in a CIA-backed coup d’etat in 1973. That event ushered in 15 years of brutal dictatorship and transformed Chile’s experiment with democratic socialism into the first example of neoliberalism in Latin America and the world. Harmer’s biography of Allende’s youngest daughter, Beatriz, is a brilliant, intimate portrait of a young activist torn between loyalty to her Socialist (and non-violent) father and the appeal of Cuba’s revolutionary fervor, with its emphasis on violent insurrection against the old order. It is a tragedy, much like the 1960s itself.

Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.

By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and… show more.

If you only ever read one Palestinian memoirist, it should be Fawaz Turki.

He published three book-length memoirs, all excellent, but this is his most comprehensive autobiography and as such the must-read of all his works. It covers his early years in Haifa, his family’s displacement to Lebanon in 1948, and his subsequent adolescence in Burj al-Barajneh refugee camp; as well as his later studies and career in the US.

Exile’s Return is organized around his first return visit to Palestine in the 1990s, where he comes face-to-face with the realities of the Israeli occupation and continuing Palestinian dispossession. There are now many brilliant memoirs and autobiographies by Palestinian refugees, but Turki remains the memoirist par excellence in this genre. 

This book is almost a response to, or continuation of, Marq de Villiers’ historical account: one young man’s reflections on returning from exile to a country that had only recently rejected Apartheid.

It’s a deeply personal work in which the author grapples with his conscience as well as the wider culture in which he grew up.

This is probably the first book I ever read that made me think of the American Revolution as an event in global history.

I was mesmerized by how Maya Jasanoff gives voice to the Loyalists—the people American history usually forgets—as they faced uncertain futures as exiles in the remnants of the British empire after 1783.

And Maya writes like I want to write, absorbing readers in the human messiness of loss, loyalty, and belonging. I love how she connects intimate, personal stories to the vast sweep of empire, turning difficult work in dozens of dusty archives into living, breathing drama. 

Anne Berest embarks on a detective journey after an anonymous postcard arrives at her family home listing the names of her maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Anne and her mother are determined to find out who sent the postcard and why. For sixteen years, Anne pursues her quest to uncover the sender’s identity and her family’s hidden past while grappling with her own identity—what it means to be Jewish and how she embodies the legacy of her murdered family members. 

Although Berest wrote her family’s Holocaust history as a novel, she describes it as a ‘true novel.’ She changed the name of the village where family members were arrested in order to protect the people living there now. She also changed the names of perpetrators to protect descendants who did not get to choose their parents but had to… show more.