100 Books Like Stalin's Nemesis

A lot of people have heard about a crazy monk called Grigorii Rasputin, who, by the way, was neither crazy nor a monk. We read many volumes about him when researching our book on the myths of the Russian Revolution. We thought we had seen it all. Yet Douglas Smith’s book about Rasputin was still an eye-opener.

This scholarly book, based on years of archival work, reads like a work of fiction. Page after page lifts the veil of mystery surrounding Rasputin! We also deeply appreciated how Smith placed the powerful courtier in the social context of his time—the peasants, the priests, the aristocrats, the imperial court—many of which perished in the Revolution. 

The most compelling aspect of Mirror of the Soul is its analysis of the great poet Tyutchev’s bi-polar temperament and compulsive philandering. He was a forgivable Don Juan, in that he deeply empathized with his victims, although his misbehaviour shortened the lives of his first wife and of his most infatuated mistress. Morbidly irresponsible, he impregnated at least two mistresses and both his wives before marriage. Joy was for Tyutchev a thin veneer of light over misery and darkness; deaths of those close to him and contrition (if not guilt) finally reconciled him, in a death-bed poem, with a “punitive God” who removes everything — “breath, willpower, sleep” — leaving just an aggrieved, loving wife as his intermediary. Mirror of the Soul is beautifully written and edited. It will be, for a long time, the standard work on Tyutchev, doubtless in Russia, too.

Like Felix Krull, or Jonathan Wild, this is the story of a con-man, murderer, traitor, somehow redeemed by his charm and incidents of bravery The novel is at its best when Javakhishvili starts to describe Kvachi’s experiences with the Russians during the Revolution, the civil war and the early years of the Soviet state; it becomes clear that what has seemed a send-up of morality and a celebration of the picaresque is in fact equally valid as a cold assessment of revolutionary realpolitik. This is a wonderful novel, subtle and extravagant at the same time, seeming to fly by the seat of its pants but in fact consistently aware of exactly how to tread the line between structure and improvisation. It is extremely generous, bursting out of what appear to be its narrow confines to give us far more than we initially expected.

This book narrowly focuses on one of the most famous moments that putatively determined the course of Russian and world history in the 20th century—Lenin’s journey from exile in Zurich, through enemy territory, to Petrograd in April 1917. The journey acquired infamy because it was facilitated by the German Army and government.

Leaving to one side consideration of counterfactuals or “what-ifs,” I loved Merridale’s book because it manages to capture so many worlds—the world of Russian revolutionary politics and exile, of espionage during WWI, and the early weeks of the Revolution of 1917—all while maintaining a focus on the human level of a train journey.

I love the movie and musical adaptations of Anastasia, so it’s no wonder I love this magical family saga from Nadine Brandes. Brandes effortlessly weaves magic into the tale we thought we knew about Anastasia Romanov. And yes, there is both magic and romance.

With the leader of the Bolshevik army after her, Anastasia “Nastya” Romanov is given a mission to smuggle an ancient spell that might be her family’s only salvation into exile in Siberia. Nastya has barely dabbled in magic, but her only chances of saving herself and her family are to release the spell and deal with the consequences, or to enlist help from Zash, the handsome Bolshevik soldier who seems to be different. This story does contain violence, but overall is another read I both love and could recommend to anyone.

On the planet of January, one side is in permanent daylight and the other side is permanent night, with people managing to live on a strip of moderate light between the two extremes.

Sophie, a shy teenager, breaks the rules and is sent to the dark side to die, only she survives.  While she is in the dark, she meets telepathic creatures who, despite their terrifying visage, are kind-hearted—a shock to someone raised in a community who believes the creatures (and others) are awful because of the way they look.

Together with her best friend, Bianca, they decide to save the human race, against all dark odds, including secret outlaws. 

This TV series would showcase all the strange glory of Anders, along with the emotional depth that will have us rooting for our young heroines who literally go between the darkness and the light. Hey, J.J. Abrams, you listenin’?

How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.

The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.  

I had the great pleasure of studying with Jane Alison during my MFA at Queens University of Charlotte, and so as a diligent student, I, of course, read her books. As a poet as well as a novelist, I was captivated by the lyricism in this depiction of the Roman poet who gave us the Metamorphoses.

A different twist on historical retelling, this book is based on Ovid’s banishment to a miserable backwater far from his beloved Rome and his encounter with a fictional Black Sea enchantress. Alison built an incredible character in Xenia, a woman of power, a muse, and maybe Ovid’s match. 

I studied with Jane Kamensky while I was working on a MA in American History. Little did I know that she had a wicked historical character hidden inside. Learning that inspired me to write good history inside a realistic and sexy historical plot. This is a story of hidden identity and unexpected love. 

The characters are a portrait artist and his apprentice. The apprentice appears to be a young man, as only young men would take such a position in 18th-century Boston, and the artist is surprised at his yearning for him.