Here are 100 books that My Traitor's Heart fans have personally recommended if you like
My Traitor's Heart.
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My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
Untangling the roots of Apartheid is a thorny challenge, but Marq de Villiers’ approach—of telling the story of the Afrikaners, or South Africa’s “white tribe,” through one family’s complex and troubled history—does an excellent job of explaining the mentality that creates hateful systems of oppression.
This is a history of the Afrikaner as seen through the history of one family, the de Villiers, who first moved to South Africa in the 1600s. The book traces the history of the family and the Afrikaner, showing how the Afrikaner acted at the turning points in their history and revealing how that has made them what they are today. It also charts the development of the hallmarks of apartheid, including the pass system and tribe mentality. Journalist Marq de Villiers includes memorable scenes from the family's history culled from the diaries and papers.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
I loved the spare, reflective nature of this book, which is part anthropology, part history, and part life writing from an immensely talented writer.
It’s also a great read for anyone who loves a story-within-a-story, as it layers a lost Indigenous history with the efforts of an unorthodox pair of 19th-century researchers to record everything they could about the /Xam people before their language and culture were lost forever.
A spellbinding new book by the much-acclaimed writer, a journey to South Africa in search of the lost people called the /Xam - a haunting book about the brutality of colonial frontiers and the fate of those they dispossess.
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa to see for herself the ancestral lands that had once belonged to an indigenous group called the /Xam.
Throughout the nineteenth century the /Xam were persecuted and denied the right to live in their own territories. In the 1870s, facing cultural extinction, several /Xam individuals agreed to teach…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
A brilliant, challenging collection of the writings of the great anti-apartheid activist, who stressed the importance of freeing minds as well as bodies. "Inspirational" is an overused word, but it absolutely fits a work this wise, heartfelt, and urgent.
Biko's friendship with the journalist Donald Woods—immortalised in the film Cry, Freedom—is a testament to the power of the pen, and "I Write What I Like" is Biko at his finest, in his own words.
On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
My mother’s family is descended from both Afrikaner and English South Africans, and the inherent tension between those two groups has always fascinated me. From Olive Schreiner’s The Story of an African Farm to Andre Brink’s Devil’s Valley, books that examine the reclusive, defensive, and toughened attitudes of white settlers make for the kind of discomforting reading that I find immensely compelling.
I've loved just about everything that I've read by Gordimer, so it's hard to pick a favorite (The Lying Days is on another of my Shepherd shortlists!), but I've chosen one of her later titles here for balance.
One of the Novel Laureate's great post-apartheid works, this is a book with implications sadly not particular to South Africa—about freedom and accountability, love and family, and the normalization of violence. The style is a little unorthodox and can be tricky to follow, but Gordimer rewards readers who make the effort, which, to my mind, is very much worth the struggle.
How else can you defend yourself against losing your hi-fi equipment, your TV set and computer, your watch and rings? A house gun, like a house cat; that is a fact of ordinary life in many cities of the world as we come to the end of the twentieth century, especially in South Africa. At this time the successful, respected executive director of an insurance company, Harold, and his doctor wife, Claudia, for whom violence could never be a means of solving personal conflict, are faced with something that could never happen to them: their son has committed murder. What…
I worked for the last 25 years teaching literature classes and creative writing workshops—most of that time at the University of California at Davis. The students in my classes were mainly English majors and/or young writers. They tended to be serious about the potential of a text. To be serious, today, in America, about the potential of a text is to dwell in an inherently counter-cultural position. It is to conceive of the value of a text as something surpassing entertainment, i.e., use. Such a surpassing is a blasphemous notion… still tolerated in the context of the University. Its proliferation beyond those boundaries seems unworkable.
How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.
The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.
The four long narratives in The Emigrants appear at first to be the straightforward biographies of four Germans in exile. Sebald reconstructs the lives of a painter, a doctor, an elementary-school teacher, and Great Uncle Ambrose. Following (literally) in their footsteps, the narrator retraces routes of exile which lead from Lithuania to London, from Munich to Manchester, from the South German provinces to Switzerland, France, New York, Constantinople, and Jerusalem. Along with memories, documents, and diaries of the Holocaust, he collects photographs-the enigmatic snapshots which stud The Emigrants and bring to mind family photo albums. Sebald combines precise documentary with…
Do you love YA fantasy, but want some titles you feel confident sharing with your grandmother, younger sibling, mom, teacher? As an avid YA fantasy reader, I know the struggle of finding book recs that are exciting, magical, and wouldn’t make my mother blush. Upon entering the publishing industry, I made this my focus as an agent and now as an editor. As an author, I write YA and NA titles that don’t pull any punches but can be enjoyed by anyone. All 10 of my published books and upcoming releases can be enjoyed by teens, adults, and yes, your grandmother—and here are five more books I think achieve that as well.
I love the movie and musical adaptations of Anastasia, so it’s no wonder I love this magical family saga from Nadine Brandes. Brandes effortlessly weaves magic into the tale we thought we knew about Anastasia Romanov. And yes, there is both magic and romance.
With the leader of the Bolshevik army after her, Anastasia “Nastya” Romanov is given a mission to smuggle an ancient spell that might be her family’s only salvation into exile in Siberia. Nastya has barely dabbled in magic, but her only chances of saving herself and her family are to release the spell and deal with the consequences, or to enlist help from Zash, the handsome Bolshevik soldier who seems to be different. This story does contain violence, but overall is another read I both love and could recommend to anyone.
My name is Anastasia. The history books say I died. They don't know the half of it.
Anastasia "Nastya" Romanov was given a single mission: to smuggle an ancient spell into her suitcase on her way to exile in Siberia. It might be her family's only salvation. But the leader of the Bolshevik army is after them, and he's hunted Romanov before.
Nastya's only chances of saving herself and her family are either to release the spell and deal with the consequences, or to enlist help from Zash, the handsome soldier who doesn't act like the average Bolshevik. Nastya has…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I spent ten years uncovering hidden histories consulting with historians, conducting interviews, sourcing archival records, and visiting Poland and Germany to determine how my mother and grandparents survived the Holocaust. And how, as refugees starting again in new countries after the war, they dammed in their traumas with silence. I became fascinated by how repressing war traumas affects relationships and families—for example, in my family, a father who gave his daughter away, my mother’s loveless childhood with parents who turned out not to be hers, and the lies told that both protected and harmed her.
Anne Berest embarks on a detective journey after an anonymous postcard arrives at her family home listing the names of her maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz. Anne and her mother are determined to find out who sent the postcard and why. For sixteen years, Anne pursues her quest to uncover the sender’s identity and her family’s hidden past while grappling with her own identity—what it means to be Jewish and how she embodies the legacy of her murdered family members.
Although Berest wrote her family’s Holocaust history as a novel, she describes it as a ‘true novel.’ She changed the name of the village where family members were arrested in order to protect the people living there now. She also changed the names of perpetrators to protect descendants who did not get to choose their parents but had to…
Winner of the Choix Goncourt Prize, Anne Berest’s The Postcard is a vivid portrait of twentieth-century Parisian intellectual and artistic life, an enthralling investigation into family secrets, and poignant tale of a Jewish family devastated by the Holocaust and partly restored through the power of storytelling.
January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest’s maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques—all killed at Auschwitz.
I grew up dreaming of other worlds, both real and imagined. I’ve since had the great fortune of living in Angola, Bangladesh, Gambia, Italy, Malawi, Mozambique, Myanmar, and Tanzania—each country as fascinating to me as the next. Yet there’s so much more of the world I want to experience! This is why I love novels that immerse me in the history and culture of foreign lands. By entering the hearts and minds of characters with different life experiences than myself, I feel a sense of connection that expands my own worldview. I hope you enjoy these books as much as I have!
This heartwarming, multigenerational drama about the Korean community in Japan swept me into another time and place. Born and raised in a poor fishing village in Japanese-occupied Korea, Sunja makes an impulsive decision in the pursuit of love that transforms the trajectory of her life.
Thoughtful, resilient, and fiercely independent, Sunja was a relatable character whom I desperately wanted to see thrive. I felt her heartache when she left her beloved Korea and shared her indignation at the discrimination she and her family experienced in Japan. Expertly crafted and keenly observed, Pachinko shows us how history and politics shape the lives of ordinary people, often for generations to come.
* The million-copy bestseller* * National Book Award finalist * * One of the New York Times's 10 Best Books of 2017 * * Selected for Emma Watson's Our Shared Shelf book club *
'This is a captivating book... Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.
Yeongdo, Korea 1911. In a small fishing village on the banks of the East Sea, a club-footed, cleft-lipped man marries a fifteen-year-old girl. The couple have one child, their beloved daughter Sunja. When Sunja…
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
I wish I’d read this book before visiting Lebanese friends there.
The story of a man who returns to his native Lebanon years after the civil war, it portrays the complexity of their society through the impact the war had on a group of university friends.
It gives a wonderfully accurate feel of the sights, sounds, and tastes of the country, and an astute description of the psyche of the Lebanese people from the point of view of a returnee.
“A thoughtful, philosophically rich story that probes a still-open wound.” ―Kirkus Reviews
“Maalouf is a thoughtful, humane and passionate interlocutor.” ―The New York Times Book Review One night, a phone rings in Paris. Adam learns that Mourad, once his closest friend, is dying. He quickly throws some clothes in a suitcase and takes the first flight out, to the homeland he fled twenty-five years ago. Exiled in France, Adam has been leading a peaceful life as a respected historian, but back among the milk-white mountains of the East his past soon catches up with him. His childhood friends have all…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Since adolescence, I have been fascinated by Slavonic languages, literature, cultures, and history, and by what can be retrieved from archives all over Eastern Europe. And because so much has been suppressed or distorted in everything from biographies of writers to atrocities by totalitarian governments, there has been much to expose and write about. Studying at Cambridge in the 1960s gave me an opportunity to learn everything from Lithuanian to Slovak: I have been able to write histories of Stalin and of Georgia, biographies of Russians such as Chekhov, Suvorin, and Przhevalsky, and the field is still fresh and open for future work.
Patenaude focuses just on the Mexican period, from January 1937 to August 1940, of Trotsky’s exile, although the previous stages of his exile — Kazakhstan in 1928, then Turkey for four years, France for another three, followed by interment in Norway — are dealt with in a series of flashbacks. In fact, the whole book is written as if Trotsky in Coyoacán were recalling his past, from his prosperous farmer’s boyhood to his underground militancy, his Civil War military brilliance, and his blundering incompetence as a Bolshevik power-broker. The danger that Patenaude flirts with is to let Trotsky’s charisma and undoubted genius charm him into overlooking his subject’s monstrous indifference to the suffering and deaths of others, sometimes even of those close to him, as well as his overweening conceit.
By dealing with the last phase of the tragedy, nemesis, Trotsky is seen to pay in fear, resignation, failure, and…
Leon Trotsky was the charismatic intellectual of the Russian Revolution, a brilliant writer and orator who was also an authoritarian organizer. He might have succeeded Lenin and become the ruler of the Soviet Union. But by the time the Second World War broke out he was in exile, living in Mexico in a villa borrowed from the great artists Diego Rivera and Frida Kahlo, guarded only by several naive young Americans in awe of the great theoretician. The household was awash with emotional turmoil - tensions grew between Trotsky and Rivera, as questions arose over his relations with Frida Kahlo.…
