Books like The Postcard — picked by fans

I have always loved the image of Jo March hiding up in the attic (she calls it a “garret” because it’s more romantic) of her family’s New England house, munching on russet apples and writing furiously away with her pet rat, Scrabble, as her muse, or curling up with Jane Eyre—it’s the only place she can be alone.

She’s one of the classic aspiring young writers of literature—a totally unconventional, headstrong girl with big ambitions who has provided inspiration for her real-life counterparts for generations, me included.

A nominee for the 2020 Booker Prize, The Shadow King opens at the end of WWII as Italy prepares to invade almost undefended Ethopia, whose communications depend on long-distance runners. 

Orphaned Hirut feels her mother’s absence, yet rises from a lowly maid to a position of power as she inspires other women to openly and secretly resist an overwhelming colonial power. This matrilineal story set in a patriarchial society at war has many interwoven tales. I found it captivating, and the focus on relationships between women at war was a fractured mirror of my own concerns as I completed my novel set during America’s Civil War

A desperate mother gives her child all she can before they are separated: a cotton sack with a handful of nuts, a tattered dress, and a braid of hair. Little Ashley was sold away from her mother but somehow held onto and cherished that bag. Later, her granddaughter embroidered that story of a mother’s love onto the bag.

I never knew where this story would take me because it’s not a history book or a family story like any other. The author takes this one sad and beautiful object and asks us to think about motherhood, Black hair, women’s art, nuts, and the history of food for enslaved Americans. She even asks us to think about girlhood itself.

Could I ever see that much in one object? Could you? This is a gorgeous and inspiring reminder of how history works for different people and in different ways if we look… show more.

I loved Waltzing With The Dragons for its autobiographical sense of history and description of mother/daughter bonds that are truly universal. 

The story begins in 1922 with Ly, the daughter of one of the last Mandarins in north Vietnam, who flees an arranged marriage at thirteen to stay with her father’s friends, a French couple, and lives through the WWII Japanese occupation, finally fleeing to the South where she falls in love with a French Army doctor and gives birth to a daughter, Mai-Tam, in 1952. 

Mai-Tam, who is Eurasian and never feels she belongs, grows up in the shadow of the American-Vietnam war. The novel ends in 1967, preserving a mother-daughter kinship that sustains migration and separation. 

Winner of the Baillie Gifford Prize for nonfiction, this magnificent book begins as a memoir with Flannagan visiting the site of the POW camp in Japan where his father was subjected to slave labor during WWII, was starved, and faced certain death, saved only by the atomic bomb dropping on nearby Hiroshima. Throughout this book, Flanagan grapples with the fact he exists only because of this tragedy (as I grapple in Irena’s Gift with the fact I exist only because a Nazi SS officer who tortured and killed women saved my mother.)  

Often, in families of war survivors, one son or daughter becomes curious—obsessed even—with how their parent survived, perhaps not realizing they are also seeking to understand their own identity given they inherited their parent’s trauma. Frustrated by a Japanese museum’s omission of his father’s slave labor experience, Flanagan poses his dilemma: “Sometimes I wonder… show more.

This book is a sweeping, multigenerational, cinematic memoir spanning from the Chinese silk trade to WWII Japanese-occupied Hong Kong and, finally, suburban Australia. I love true stories where we learn about history and cultures through fascinating characters. In House of Kwa, Mimi’s eccentric father, Francis, may have put the war behind him, but Mimi certainly bears his scars. 

Imagine what it’s like to receive a legal letter notifying you that your father is suing you. That’s what turned Mimi’s hair gray overnight. Francis sued his daughter over the distribution of his sister’s estate, Mimi’s doting, nurturing, globe-trotting Aunt Theresa. 

It’s remarkable how Mimi overcame her abusive childhood in 1970s Western Australia and later became a renowned journalist and TV presenter. Mimi is the hero of this story for learning how to stand up for herself and her mother, and when she is older, for helping her mother obtain a… show more.

Given the heroic women I portray in Irena’s Gift, I am naturally drawn to stories of resilient women who challenge conventions to reinvent themselves and thrive in new countries. In Kantika, through exquisite prose, Elizabeth Graver transports readers from the vibrant streets of Constantinople to the bustling avenues of Barcelona–where characters based on her own Sephardic family are exiled after losing everything–to Havana and then New York. 

Its glorious cover is an apt description of the kaleidoscope of cultures and places this story allows us to inhabit. Graver's lyrical writing breathes life into each city as if it were a character. Each location bursts with movement and color, such as this description of 1907 Constantinople: “In wordless tunes, nonsense sounds and ballads, in Ladino, French and bits of Turkish, Hebrew, Greek, she sings, as on the street the lemon man sings lemons, the Bulgarian sings pudding, the vegetable… show more.

As a journalist, teacher and Education Director for Israel’s Kids4Peace (now part of Seeds of Peace), Ittay Flescher has spent years bringing together youth across conflict lines. In this vital book for our times, he shows how recognizing our shared humanity can cultivate dialogue and trust, dismantle stereotypes, counter dehumanization, and foster empathy—demonstrating that in both groups, there are partners for peace. Flescher highlights young voices challenging the one-sided narratives they have inherited, and shows how, “two rooted and indigenous national identities” can engage in difficult conversations about historical events, identity, and coexistence.

Given how war has affected my own family, what resonated most is Flescher’s ability to humanize conflict. He reminds us that behind every headline are innocent mothers, fathers, daughters, and sons who deserve our compassion. He has learned that people with extreme opinions often carry deep traumas that shaped their beliefs: “I can understand someone’s pain and… show more.

Reading aloud to students is my ultimate commendation for the best books, with a bonus for books that are short and powerful. Twenty and Ten is based on actual events in a French boarding school during World War II. When ten desperate Jewish children needed a sanctuary to survive, to avoid being sent to concentration camps, the nuns wisely discussed this with the twenty resident children. Those children would need to keep their life-or-death secret. Limited food and resources, barely enough for the twenty, would need to stretch to keep ten more alive, perhaps for years. If discovered, all might be taken, or killed. “What do you think they will do?” and “What would you do?” and “Why?” are among my favorite questions when sharing this book. Amazing conversations follow, for children and adults. Then eager hands reach for copies to read again.

How is a person like a novel? Both, at their core, are made of stories. Both, at their core, are the way in which various stories are imagined to hang together. But the nexus of stories at the core of a person is written in the brain (wordlessness), which is always in flux, changeable, and incomplete, forever before words and on the verge of being totally lost.

The nexus of stories at the core of a novel, on the other hand, is written in nothing other than words; as such, it makes manifest a disembodied, complete (i.e., fictive) person—a person invulnerable to death. A novel is what a person is forever wanting to turn into.