Here are 66 books that The God of the Woods fans have personally recommended if you like
The God of the Woods.
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My passion for novels about war with a love-related component is rooted in my upbringing. My father served in the military and suffered from PTSD all his life as a result. He regaled me with stories of his time in the army during World War II, but those stories were wildly comic or compelling tales of adventure in exotic, faraway lands. The darker aspects of his experience came out in his nightmares, and later in life, in the flashbacks he experienced after his diagnosis of Alzheimer’s. My mother’s life was also impacted by war. Her first marriage ended when her husband was killed in battle, and she had her own kind of PTSD as a result.
Here is another book about strong women who supported each other as they served in battle, not as soldiers, but as nurses.
Reading The Women, I got to experience the evacuation hospitals designed to provide rapid trauma care near combat zones. The war-torn love represented in these pages is both platonic and romantic.
This is not a YA novel, but it is a very accessible read, and it raises important ethical questions. What makes a good war, exactly?
From master storyteller Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds, comes the story of a turbulent, transformative era in America: the 1960s. The Women is that rarest of novels—at once an intimate portrait of a woman coming of age in a dangerous time and an epic tale of a nation divided by war and broken by politics, of a generation both fueled by dreams and lost on the battlefield.
“Women can be heroes, too.”
When twenty-year-old nursing student Frances “Frankie” McGrath hears these unexpected…
On the surface, Dawn Easton seems to have it all. Heiress to a fashion empire, and with a gorgeous younger boyfriend, there’s almost nothing she can’t have. Yet, despite her wealth and power, there’s one thing that’s remained out of reach her entire life—giving birth. As her 40th birthday inches…
I live in a 200+ year old house and have always been drawn to stories with dual timelines where the past and present intersect. Living in an old house where people lived and died, and exploring historic sites for my blog Past Lane Travels, I’m constantly aware of the lives that came before mine. I love the idea that something hidden in the past can still shape the present – and sometimes it seems like it’s just waiting to be uncovered by the right person. When stories are set in real places, it adds even more intrigue—I can visit, walk the same ground, and experience it for myself.
What I loved the most about this book was setting and time-period of colonial America.
Since I’ve written some historical fiction, I know how much research it takes to create a plot in a different era, and this book not only entertains, but educates! It’s chock-full of history and mystery – and kept me guessing until the end.
The author also has a very distinct writing style that is a joy to read.
NATIONAL BESTSELLER • GMA BOOK CLUB PICK • AN NPR BOOK OF THE YEAR • From the New York Times bestselling author of I Was Anastasia and Code Name Hélène comes a gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who defied the legal system and wrote herself into American history.
"Fans of Outlander’s Claire Fraser will enjoy Lawhon’s Martha, who is brave and outspoken when it comes to protecting the innocent. . . impressive."—The Washington Post
"Once again, Lawhon works storytelling magic with a real-life heroine." —People Magazine
A NEW YORK TIMES BESTSELLER A Today Show #ReadwithJenna Book Club Pick
A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help her start anew.
It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming…
When twins Cassie and Ana return to their childhood home in rural Connecticut to grieve their mother's death, they find an old manuscript written by their mom’s longtime friend. It’s a murder mystery, with their mother a key character.
Is it fiction, or confession? The manuscript reveals terrible secrets that…
I’ve been a science fiction fan for as long as I can remember. As someone who never quite felt like I fit in, these stories became a kind of refuge and revelation for me. They taught me that being on the outside looking in can be its own kind of superpower—the ability to see the world differently, to question it, and to imagine something better. I’m drawn to characters who are flawed, searching, and human, because they remind me that courage and belonging are choices we make, not gifts we’re given. That’s the heart of every story I love and the kind I try to write.
I’d read the reviews, so I was prepared for a great book. I wasn’t prepared to be thrown out of my comfort zone—but in the best possible way.
Mandel made me sit with what it really means to lose everything and still create something beautiful. It’s not about saving the world; it’s about creating a new dream and making it your home. I loved how it celebrates art, memory, and the strange persistence of humanity even when everything else is gone.
This book reminded me that hope is often raw, painful, and ultimately necessary.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I’ve always thought that the most clear-eyed, unforgiving observers in literature are teenagers, not because adolescence is simple (it’s the opposite), but because young people haven’t yet learned to shrug and look away. The novels I've chosen here all have central characters who see the adult world's failures, hypocrisies, and prejudices with a directness that most of us gradually lose; and they all use coming of age as a way to confront a world that is already, in some fundamental way, broken – by grief, violence, or the gap between what adults promise and what they deliver. Those are exactly the themes I love to write about.
I’ve always been fascinated by strange social enclaves and secretive, sealed-off, private worlds, and this book has both.
But in fact, the thing I admire most here is the sense of place and atmosphere. Tartt writes with a lush, immersive style which I found is increasingly compelling as the book went on.
Using a murder as the gateway drug to what’s really a literary fiction character study is both sneaky and brilliant: I was hooked by the story in the first chapter, but once I’d finished the book, it was Richard’s voice, those eerie characters, their strange insular co-dependency, and the biting Vermont winter landscape that really stayed with me.
'Everything, somehow, fit together; some sly and benevolent Providence was revealing itself by degrees and I felt myself trembling on the brink of a fabulous discovery, as though any morning it was all going to come together---my future, my past, the whole of my life---and I was going to sit up in bed like a thunderbolt and say oh! oh! oh!'
Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries.…
I thoroughly enjoyed this fun, thought-provoking romp with a truly original premise: what happens when a woman returns home one day to a husband of 35 years that she's never met before? If that twist doesn't grab you, how about when that guy goes into the attic, a different husband descends? Once the narrator realizes what's going on, she can (sort of) control how long each man sticks around, which is where the story really gets interesting. Because with each husband, Laura finds herself in a whole new version of her own life. And it begs the question, When do you stop trying to do better and start actually living? Even though it's centered around love and relationships, you wouldn't call it romance. This book definitely makes you think about who you want to share you life with (if anyone).
'One of the funniest debuts for years' SUNDAY TIMES 'The most fun I've had reading in the longest time' MARIAN KEYES 'An absolute riot' THE UNMUMSY MUM
You wait ages for The One . . . then 203 come along at once
One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence - from photos to electricity bills - suggests he's right.
Lauren's attic, she slowly realises, is creating an endless supply of husbands for her.
There's the one who pretends to play music on her toes. The one who's too…
I love books that reimagine a story that is well known, challenging reader's assumptions about the characters or the circumstances they find themselves in, while also standing on its own for readers that haven't read the inspiration. JAMES brings Huck Finn's companion to life, giving him wit, intelligence, and agency. I read it twice, back-to-back. Easily my favorite read of 2025!
'Truly extraordinary books are rare, and this is one of them' - Roddy Doyle, Booker Prize-winning author of Paddy Clarke, Ha Ha Ha
James by Percival Everett is a profound and ferociously funny meditation on identity, belonging and the sacrifices we make to protect the ones we love, which reimagines The Adventures of Huckleberry Finn. From the author of The Trees, shortlisted for the Booker Prize, and Erasure, adapted into the Oscar-winning film American Fiction.
The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new…
I’ve read more than a hundred biographies over the years, mostly because I want to know what makes great people great. In doing so, I have sifted through some real crap along the way. I don’t typically read many stories about losers. Sad to say, and most people don’t want to hear it, but losers are a dime a dozen and unmotivating downers. My book list gives others the benefits of my 40-plus years of work in identifying books about brilliant, accomplished people written by first-rate historians and narrated by the ”cream of the crop.”
I abhorred Robert Moses from the first time I opened this book 20 years ago.
This power-grabbing bureaucratic functionary made me ill on some level, mad as hell on another, and want to take a shower after each time I opened the book.
In the end, I still hated Moses for his gall and immoral audacity, but you could not deny his accomplishments, as he saw them. Nevertheless, I had to love a book that could take such a scoundrel whom I grew to loathe and make me glad I read it.
The Power Broker by Robert A. Caro is 'simply one of the best non-fiction books in English of the last forty years' (Dominic Sandbrook, Sunday Times): a riveting and timeless account of power, politics and the city of New York by 'the greatest political biographer of our times' (Sunday Times); chosen by Time magazine as one of the 100 Best Non-Fiction Books of All Time and by the Modern Library as one of the 100 Greatest Books of the Twentieth Century; Winner of the Pulitzer Prize; a Sunday Times Bestseller; 'An outright masterpiece' (Evening Standard)
Writing is about the metaphysical as well as the rational if it’s any good. As an author, I am always more interested in the wreckage of a crisis than the crisis itself—in the aftermath. Survivors search for purpose above all else. They undertake long sojourns, seek spiritual counsel, or find solace in art or politics. As a writer who has dealt with illness for most of my adult life, I think one path that is shared by all these novels is the discovery of agency—over one’s body, one’s choices, and one’s own life and death. There lies meaning.
This is a meta-fictional novel about the fragile state of memory and interpretation.
Stories can save us, and in the case of 13-year-old Briony Tallis, stories can ruin us. A single accusation is enough to destroy her sister, a young man’s life, and their future together. It shows us that the art of writing can be both sacred and profane.
It is a novel inhabited by ghosts, one that taught me the importance of absence in storytelling, of the silences and liminal spaces when writing about epic events. The style obfuscates the plot, then later renders it in vivid detail.
What lives between the lines is critical. It asks if forgiveness and acts of retribution can counter the death that eventually comes for all of us.
On the hottest day of the summer of 1934, thirteen-year-old Briony Tallis sees her sister Cecilia strip off her clothes and plunge into the fountain in the garden of their country house. Watching her is Robbie Turner, her childhood friend who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start, and will have become victims of the younger girl's imagination. Briony will have witnessed mysteries, and committed a…
Linus Baker leads a quiet, solitary life. At forty, he lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of children in government-sanctioned orphanages.
When Linus is unexpectedly summoned by Extremely Upper Management he's given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children reside: a gnome, a sprite, a wyvern, an unidentifiable green blob, a were-Pomeranian, and the Antichrist. Linus must set aside his fears and determine whether or not…
