Here are 100 books that On Garbage fans have personally recommended if you like
On Garbage.
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I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
This looks like it’s the sternest and most boring book ever, but I love Steedman’s cool-and-collected ability to address the implications of the obvious: You can only do one thing at a time. You only have two hands. And when you’re with one set of belongings, you’re neglecting all the other stuff you own.
Standard economic theory of consumer behaviour considers consumers' preferences, their incomes and commodity prices to be the determinants of consumption. However, consumption takes time and no consumer has more - or less - than 168 hours per week. This simple fact is almost invisible in standard theory, and takes the centre stage in this book.
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Almost everyone has more stuff than they can hold at once. Picking up something new involves setting down something that you already had. Iyengar’s book is the background for every marketing decision ever made, but from the consumer’s perspective: when there is so much stuff in the world, how do you make a choice? Part psychology, part business manual, Iyengar illustrates how much decision-making we do every single day.
Every day we make choices. Coke or Pepsi? Save or spend? Stay or go? Whether mundane or life-altering, these choices define us and shape our lives. Sheena Iyengar asks the difficult questions about how and why we choose: Is the desire for choice innate or bound by culture? Why do we sometimes choose against our best interests? How much control do we really have over what we choose? Her award-winning research reveals that the answers are surprising and profound. In our world of shifting political and cultural forces, technological revolution, and interconnected commerce, our decisions have far-reaching consequences. Use this…
Across America, a wave of brutal, inexplicable killings leaves hardened detectives and desperate federal agents grasping for answers.
But what appears to be vigilante terror is something far more ancient - an invisible war between the forces of light and the agents of darkness, playing out on the streets of…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Every time you buy something, aren’t you wondering if you should have bought something else? These authors show how companies make use of our endless waffling about coulda-shoulda-woulda, and focus on all of those categories that you might have overlooked as being part of the status quest, like dog food and appliances, as well as the things that you know the corporate world is doing an upsell on, like sporting equipment and wine. Along the way, you begin to realize that absolutely everything you ever buy, give, or receive is carrying a message about your actual identity -- or the identity that you’re hoping for.
Trading up isn't just for the wealthy anymore. These days no one is shocked when an administrative assistant buys silk pajamas at Victoria's Secret. Or a young professional buys only Kendall-Jackson premium wines. Or a construction worker splurges on a $3,000 set of Callaway golf clubs.
In dozens of categories, these new luxury brands now sell at huge premiums over conventional goods, and in much larger volumes than traditional old luxury goods. Trading Up has become the definitive book about this growing trend.
I first read Swann’s Way when I was seventeen. Throughout the following five decades, In Search of Lost Time has always remained within reach, a parallel universe more enriching than words can express. As a painter, I’m drawn to Proust’s subtle use of paintings to reveal and mystify the relationship between what we see and what we know. I’ve spoken on Proust at Berkeley, the Museum of Fine Arts in Boston and Houston, and was invited to give the annual Proust lecture at the Center for Fiction in New York as well as the Amon Carter Lecture on the Arts at the Harry Ransom Center in Austin.
"Like the Bible, In Search of Lost Time embodies its own sources, myths, and criticism. Like an archaeological site, the novel has come to stand for a state of civilization.” Roger Shattuck is masterful in reach and insight; his “field guide” is aptly named. The reader journeys alongside him to traverse the vast and incomparable terrain of a seven-volume novel. Full of wit and provocation, he leads us through thick and thin, and best of all, he allows our own reading of the great work to revive within us, illuminating the very experience of reading that Proust so brilliantly mined.
For any reader who has been humbled by the language, the density, or the sheer weight of Marcel Proust's In Search of Lost Time, Roger Shattuck is a godsend. Winner of the National Book Award for Marcel Proust, a sweeping examination of Proust's life and works, Shattuck now offers a useful and eminently readable guidebook to Proust's epic masterpiece, and a contemplation of memory and consciousness throughout great literature. Here, Shattuck laments Proust's defenselessness against zealous editors, praises some translations, and presents Proust as a novelist whose philosophical gifts were matched only by his irrepressible comic sense. Proust's Way, the…
Russell Goodman is a Regents Professor of Philosophy Emeritus at the University of New Mexico. Russell loved the remark by the philosopher Wittgenstein that "James was a good philosopher because he was a real human being". This list is inspired by that statement. Russell picked books that he loves and admires and would happily read again, and which explore in their various ways what it is to be a human being.
In my college days, it seemed that everyone was carrying around a copy of Barzun’s book on Darwin, Marx, and Wagner, and I remember devouring his two-volume book on Berlioz and the Romantic Century, just for fun. When I began to seriously study William James, I was amazed to see that Barzun had written about him too. A Stroll with William James has one of my favorite titles, signifying a certain American informality and inherent movement that is characteristic of both James the man and his philosophy of pragmatism.
Barzun’s engagingly written book contains chapters on James’s life, his relation to his brother Henry James the novelist, and on William’s masterwork, The Principles of Psychology, with its great chapter on “the stream of thought.” Barzun also considers the brilliant “study in human nature” that James calls The Varieties of Religious Experience, with its chapters on conversion, mysticism, and…
The Amazing Afterlife of Animals
by
Karen A. Anderson,
My book is for anyone grieving the loss of a beloved pet. If your heart feels shattered and you are searching for understanding, comfort, and connection, these chapters were written with you in mind.
I share uplifting and life-changing stories that help you move beyond the devastation of grief, including…
At age sixteen, I traveled from Pennsylvania to Alaska’s wilderness to live for three months. I took Einstein’s book on relativity. My mind swirled and expanded. The next year, I wrote a paper for high school titled My Universe in Four Realities. Seven years later, I read Julian Jaynes’ book on consciousness. The epiphanies rolled in. The reality we’re taught to believe in always rang false to me. When I learned the inside tricks lawmakers use to stop Americans from blocking environmentally harmful industrial actions, I wrote a book about it. I’m passionate about exposing deceit, whether cultural or legal. These books helped.
I learned some practical lessons about the mailability of my mind and how certain cultural “truths” most modern people take for granted are just tinted versions of reality that distort not only my ideas but also my behavior towards other people and nature.
I particularly appreciate the author’s efforts to contrast the modern American worldview with that of Native Americans. The differences are stark and continue to profoundly influence my evolving sense of reality.
It's time to rewild ourselves and our dominant worldviews to build Earth-centered communities for all
These pages summon from our bones our commitment to defend this living Earth.
-Joanna Macy, author, Coming Back to Life and Active Hope
The dominant cultural worldview is based upon extraction and exploitation practices that have brought us to the precipice of social, environmental, and climate collapse. Braiding poetic storytelling, climate justice analyses, and collective knowledge of Earth-centered cultures, The Story is in Our Bones opens a portal to restoration and justice beyond the end of a world in crisis.
I learned about Stoicism through its connection to Rational Emotive Behavior Therapy, whose founder, Albert Ellis, was influenced by Stoic philosophy. Since I had an interest in philosophy, I decided to look more into Stoicism, and—to my surprise—I learned that philosophy could be practical (who knew?!), and that others were trying to put Stoicism into practice today! This led me to try to find other Stoics by founding the New York City Stoics in 2013, followed by co-founding a non-profit—The Stoic Fellowship—to help other people do the same in 2016. I’ve now given talks on Stoicism worldwide in addition to co-writing a book on Stoic practice.
Stoic practice involves a series of techniques to ultimately improve the state of your mind. To do that effectively, it’s immensely helpful to understand the Stoic conception of how the mind works. Part II of The Stoic Life is my go-to reference for reviewing the basics of Stoic psychology, in addition to covering key principles of Stoic ethics in Part III of the book. These two concepts are essential to understand for modern Stoics, and Brennan does a masterful job of explaining them.
Tad Brennan explains how to live the Stoic life - and why we might want to. Stoicism has been one of the main currents of thought in Western civilization for two thousand years: Brennan offers a fascinating guide through the ethical ideas of the original Stoic philosophers, and shows how valuable these ideas remain today, both intellectually and in practice. He writes in a lively informal style which will bring Stoicism to life for readers who are new to ancient philosophy. The Stoic Life will also be of great interest to philosophers and classicists seeking a full understanding of the…
I like books that aren’t easy to categorize by genre because that’s the kind of book I like to write. Most of my novels are defined as science fiction for marketing purposes and placed on the science fiction shelves of book shops, but they aren’t very typical of science fiction and don’t necessarily always appeal to those looking for a lot of futuristic tech, or tales of galactic empires. In some ways, the things I write about are more typical of the concerns of readers of non-SF ‘mainstream’ (I hate the term, but there it is!) literary fiction, but many such readers will find them too science fictional.
Doris Lessing is one of the genuinely great authors of the 20th century. A true visionary, she moved effortlessly between naturalistic writing and her own unique variety of science fiction/fantasy—the latter written with such conviction that it seems completely real (while her naturalistic writing is so vivid is to seem almost more than real). In this book, a middle-aged woman looks out of her window at a civilization that is rapidly falling apart. As the woman retreats into her own inner world, a strange girl comes to live with her, bringing an animal called Hugo that is somewhere in between a dog and a cat. It’s a spell-binding piece of world-building and a reminder that everything that seems permanent will one day crumble.
In a beleaguered city where rats and roving gangs terrorize the streets, where government has broken down and meaningless violence holds sway, a woman -- middle-aged and middle-class -- is brought a twelve-year-old girl and told that it is her responsibility to raise the child. This book, which the author has called "an attempt at autobiography," is that woman's journal -- a glimpse of a future only slightly more horrendous than our present, and of the forces that alone can save us from total destruction.
Jose Castillo is a cynical, wise-cracking Cuban-American who restores classic cars. He’s also a private eye whose sarcastic ways sometimes get him into trouble.
One day, in the process of installing a four-barrel carburetor on a 1965 Mustang, into his shop walks trouble—in the shape of a mysterious, beautiful woman…
The search for meaning in history is all part of the search for meaning in life. Whether archaeologists or historians, economists or physicists, they are not just looking for artefacts when digging in the dirt or scanning the skies, they are looking for evidence to piece together a bigger picture—meaning in the minutiae. I’m sceptical, but the philosophy of history remains a fascinating subject, which is why I’ve explored ideas about civilization, progress, and progressive history in a number of books and articles. My primary concern about teleological accounts of history is that they tend to deny people's agency, especially non-Western peoples.
I love the way this book brings together two seemingly unrelated topics, art, and socio-political organization, to offer a new perspective on the development of human societies—linear, of course. The policies and practices of development agencies do not just draw on the latest fads of economics, rather, our thinking about the shape and trajectory of ideal societies has long been influenced by the way we quite literally see and perceive the world.
In his groundbreaking study, Art, Politics and Development, Philipp Lepenies contributes to the ongoing controversy about why the track record of development aid is so dismal. He asserts that development aid policies are grounded in a specific way of literally looking at the world. This "worldview" is the result of a mental conditioning that began with the invention of linear perspective in Renaissance art. It not only triggered the emergence of modern science and brought forth our Western notion of progress, but ultimately, development as well.Art, Politics, and Development examines this process by pulling from a range of disciplines, including…