Here are 100 books that The Memoirs of a Survivor fans have personally recommended if you like
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I’m an Irish author who lives close to three very different forests: deciduous, planted coniferous, and the planned gardens of a former stately home that once welcomed WB Yeats and several other famous writers. I’ve always loved the woods – it often feels like stepping through a portal into some other, stranger parallel world – and drew huge inspiration from these places for Shiver the Whole Night Through. I wanted the forest to feel like a character, which was sentient and had agency. I incorporated several real-life locations into the fictional Shook Woods…and wrote a lot of the story in the forest, gazing into the dark trees, waiting for them to speak.
A tropical forest in Africa is the epicentre of a bizarre and very troubling phenomenon. Through a sort of “leak” in space-time, everything is slowly turning to crystal, and this “disease” will eventually seep out into the rest of the world. An English doctor goes on an Apocalypse Now-style journey into the forest to try and understand. Ballard’s sci-fi classic is as weird and thought-provoking as always, and the forest itself is a palpable presence throughout.
From J. G. Ballard, author of 'Crash' and 'Cocaine Nights' comes his extraordinary vision of an African forest that turns all in its path to crystal.
Through a 'leaking' of time, the West African jungle starts to crystallize. Trees metamorphose into enormous jewels. Crocodiles encased in second glittering skins lurch down the river. Pythons with huge blind gemstone eyes rear in heraldic poses. Most flee the area in terror, afraid to face a catastrophe they cannot understand.
But some, dazzled and strangely entranced, remain to drift through this dreamworld forest: a doctor in pursuit of his ex-mistress, an enigmatic Jesuit…
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
When I completed one of my early novels, a really demented one called Factory Town, a fellow author emailed me with great concern for my mental health. He was convinced I was heading down a dark cave that I couldn’t be rescued from. But it wasn’t true. Writing and reading these dark novels doesn’t make me depressed. It makes me feel creatively revitalized. Dark literature reminds us that being alive is painful—but it’s also wonderful. I hope to never spend any real time with people as terrifying as the ones I’ve found on these pages. But I’m incredibly thankful they were a part of my imagined world for a time.
I’ve always been fascinated by surrealism and expressionism—and The Unconsoled takes those dreamlike images and expresses them in a fascinating and disorienting story. Reading this novel makes you feel like you’re trapped in a terrifying and anxious nightmare—and I mean that in the best possible way. The novel uses dream logic: characters appear out of thin air and morph into other characters. The setting is a strange labyrinth in some nameless European city. If you like David Lynch movies, you’ll dig this. If you’re looking for a linear narrative, stay away!
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give . . .
On first publication in 1995, The Unconsoled was met in some quarters with bewilderment and vilification, in others with the highest praise. One commentator asked, 'Has Ishiguro gone for greatness or has he gone mad?' Over the years, this uniquely strange and extraordinary novel about a man whose life has accelerated beyond his control has come to be seen by many as being the…
I am a cultural historian, film critic, literary critic, editor, and essayist–and a frustrated fiction writer–fascinated by ‘the fantastic’ in art or in life. Answering that fascination, I wrote Savage Girls and Wild Boys: A History of Feral Children (2002), and I’ve written two books for the BFI Film Classics series on two great movies of the fantastic, Rosemary’s Baby (2020) and It’s A Wonderful Life (2023). I also edited three anthologies of Victorian and Edwardian fantasy, The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) and Victorian Fairy Tales (2015), and now an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics.
I recently re-read this book, and it returned me at once to the joy and strangeness of the first time I read it.
Lewis offers up the theory that perhaps what we know in this world as myth and archetype exists in reality on other planets. The book brings that thought to vivid life. It detonates all the power and perplexity of the first chapters of "Genesis" and replays "Paradise Lost" on the floating blissful islands of Venus.
Though the endnote is one of glorious joy, few have been as good at depicting evil as Lewis was. Written at the height of the horrors of the Second World War, the Un-Man has haunted my nightmares for much of my life.
The second novel in Lewis's science fiction trilogy tells of Dr Ransom's voyage to the planet of Perelandra (Venus).
In the second novel in C.S. Lewis's classic science fiction trilogy, Dr Ransom is called to the paradise planet of Perelandra, or Venus, which turns out to be a beautiful Eden-like world. He is horrified to find that his old enemy, Dr Weston, has also arrived and is putting him in grave peril once more. As the mad Weston's body is taken over by the forces of evil, Ransom engages in a desperate struggle to save the innocence of Perelandra...
In this collection of nine stories, J.C. Gemmell takes readers on a quest into the future.
Tion is a dystopian civilisation built on the wreckage of a drowned Earth. Here, technology saves and oppresses, and mankind clings to survival in a place where the privileged live above the clouds, and…
I like books that aren’t easy to categorize by genre because that’s the kind of book I like to write. Most of my novels are defined as science fiction for marketing purposes and placed on the science fiction shelves of book shops, but they aren’t very typical of science fiction and don’t necessarily always appeal to those looking for a lot of futuristic tech, or tales of galactic empires. In some ways, the things I write about are more typical of the concerns of readers of non-SF ‘mainstream’ (I hate the term, but there it is!) literary fiction, but many such readers will find them too science fictional.
Set among the dilapidated Anglo-Irish gentry in rural Ireland as they sink slowly into decline, what makes this book strange and unique among country house novels is the way it deals with its narrator. The daughter of a landowner in a big run-down house, in a social world dominated by horses and hunting, she sees what’s going on around her but fails to understand it, hemmed in by rules of behaviour that make many things simply impossible to name. We see that her brother is gay, for instance, but she never spots it, even when she walks in on her brother and his boyfriend in a state of undress, and she never finds her own way out of this strange doomed world.
This book is darkly funny, tinged with gothic, and completely merciless. No less a writer than Hilary Mantel has said she wishes she’d written this novel.
A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK (BOOKER PRIZE GEMS)
'Molly Keane is a mistress of wicked comedy' Vogue
'I really wish I had written this book. It's a tragi-comedy set in Ireland after the First World War. A real work of craftsmanship' Hilary Mantel
I do know how to behave - believe me, because I know. I have always known . . .
Behind the gates of Temple Alice, the aristocratic Anglo-Irish St Charles family sinks into a state of decaying grace. To Aroon St Charles, large and unlovely daughter of the house, the fierce forces of…
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Nelson’s book is a revelation in how it explores the work that both religion and popular culture can do – her readings of Lovecraft’s work are particularly evocative. I’m not on board with the sharp line she draws between high and low culture, but it’s one of those books that’s fascinating even when you disagree with it.
In this work, Victoria Nelson illuminates the deep but hidden attraction the supernatural still holds for a secular mainstream culture that forced the transcendental underground and firmly displaced wonder and awe with the forces of reason, materialism, and science. In a backward look at an era now drawing to a close, "The Secret Life of Puppets" describes a curious reversal in the roles of art and religion: where art and literature once took their content from religion, we came increasingly to seek religion, covertly, through art and entertainment. In a tour of Western culture that is at once exhilarating and…
I fell in love with the British Romantic poets when I took a course about them, and I fixated like a chick on the first one we studied, William Blake. He seemed very different from me, and in touch with something tremendous: I wanted to know about it. Ten years later I wrote my doctoral dissertation on Blake, and then published quite a bit about him. Meanwhile there were other poets, poets in other countries, and painters and musicians: besides being accomplished at their art, I find their ideas about nature, the self, art, and society still resonate with me.
When I was a student I found this book an inspiration. Beautifully written, it brings out deep affinities between the poetry and ideas of Wordsworth, Shelley, and other poets in England and the idealist philosophers in Germany, and the ways both groups rewrote the cosmic ideas of Christianity and ancient esoteric systems. It continually sets off sparks with its surprising comparisons. In the fifty years since it appeared, scholars have complained about how many writers the book leaves out, but given that its theme is “The High Romantic Argument” and not all of Romanticism, I am still impressed by how much it takes in.
In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)-the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth." Abrams shows that the major poets of the age had in common important themes, modes of expression, and ways of feeling and imagining; that the writings of these poets were an integral part of a comprehensive intellectual tendency which manifested itself in philosophy as well as poetry, in England and in Germany; and that this tendency was causally related to drastic political and social changes of the…
My firsthand experience of the Cold War influenced my taste in reading and entertainment from an early age. I’ve spent my entire adult life collecting books and movies that showcase adventure and adversity in situations where combinations of war and climate change have brought about the end of life as we knew it. All those influences have inspired me to make my own contributions to this form of literature.
For as long as I can remember, I have always enjoyed submarine stories. This author got my attention when he put a post-apocalyptic twist on it. Action and adventure are blended with mystery solving in a way that I still enjoy. The author describes a variety of familiar locations around the world in haunting ways that remind us just how fragile civilization can be.
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Sh*t happens (bad relationships, business failures, burnt toast). That’s OK, says Scanlan, because making garbage is an essential part of any activity. In fact, you can’t get anywhere, or achieve any kind of personal or intellectual growth, without some detritus. To me, this explains why humans make so much trash of the kind that I’ve spent my life digging up in archaeological sites. And it makes me feel quite OK about spending a day writing stuff that might go straight into the shredder tomorrow…
This is the first work to examine the detritus of our culture in its full range; garbage in this sense is not only material waste and ruin, environmental degradation and so on, but also residual or 'broken' knowledge, useless concepts, the remainders of systems of intellectual and cultural thought. In this unique and original work (a kind of intellectual scavenging in its own right) the author shows why garbage is, perversely, the source of all that is valuable. The author considers how Western philosophy, science and technology attained mastery over nature through what can be seen as a prolonged act…
I have lived and worked in around 10 countries and studied international relations for more than 10 years. What fascinates me is how easy it is to have a misconceived view of the world. Today’s media largely plays a role in such misperception of others. The best cure against polarized, ready-to-think arguments made by others is simply to travel. The list I crafted for you will for sure make you travel. Travel through time and space; travel through history, philosophy, and civilisations. You won’t see the world the same way after reading these books.
In 2025, with rising tensions between the U.S. and China, growing political divides in the West, and a world order under strain, many fear global chaos is imminent. Drawing from 5,000 years of global history, this book shows that a world order didn’t begin with the West—and won’t end with it.
From ancient India to Islamic caliphates and Chinese dynasties, the book reveals how global norms, cooperation, and coexistence emerged independently across civilizations and cultures. As Western influence wanes, we’re not heading for collapse but transformation, and we should not be fearing it.
The epic history of world order, revealing how the decline of the West may be a good thing for its future.
Since the dawn of the twenty-first century, the West has been in crisis. Social unrest, political polarization, and the rise of other great powers - especially China - threaten to unravel today's Western-led world order. Many fear this would lead to global chaos. But this is a Western illusion.
Surveying five thousand years of global history, political scientist Amitav Acharya reveals that world order existed long before the rise of the West. Moving from ancient Sumer, India, Greece, and…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
