Here are 100 books that Artefacts as Categories fans have personally recommended if you like
Artefacts as Categories.
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I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
This looks like it’s the sternest and most boring book ever, but I love Steedman’s cool-and-collected ability to address the implications of the obvious: You can only do one thing at a time. You only have two hands. And when you’re with one set of belongings, you’re neglecting all the other stuff you own.
Standard economic theory of consumer behaviour considers consumers' preferences, their incomes and commodity prices to be the determinants of consumption. However, consumption takes time and no consumer has more - or less - than 168 hours per week. This simple fact is almost invisible in standard theory, and takes the centre stage in this book.
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Almost everyone has more stuff than they can hold at once. Picking up something new involves setting down something that you already had. Iyengar’s book is the background for every marketing decision ever made, but from the consumer’s perspective: when there is so much stuff in the world, how do you make a choice? Part psychology, part business manual, Iyengar illustrates how much decision-making we do every single day.
Every day we make choices. Coke or Pepsi? Save or spend? Stay or go? Whether mundane or life-altering, these choices define us and shape our lives. Sheena Iyengar asks the difficult questions about how and why we choose: Is the desire for choice innate or bound by culture? Why do we sometimes choose against our best interests? How much control do we really have over what we choose? Her award-winning research reveals that the answers are surprising and profound. In our world of shifting political and cultural forces, technological revolution, and interconnected commerce, our decisions have far-reaching consequences. Use this…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Every time you buy something, aren’t you wondering if you should have bought something else? These authors show how companies make use of our endless waffling about coulda-shoulda-woulda, and focus on all of those categories that you might have overlooked as being part of the status quest, like dog food and appliances, as well as the things that you know the corporate world is doing an upsell on, like sporting equipment and wine. Along the way, you begin to realize that absolutely everything you ever buy, give, or receive is carrying a message about your actual identity -- or the identity that you’re hoping for.
Trading up isn't just for the wealthy anymore. These days no one is shocked when an administrative assistant buys silk pajamas at Victoria's Secret. Or a young professional buys only Kendall-Jackson premium wines. Or a construction worker splurges on a $3,000 set of Callaway golf clubs.
In dozens of categories, these new luxury brands now sell at huge premiums over conventional goods, and in much larger volumes than traditional old luxury goods. Trading Up has become the definitive book about this growing trend.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Sh*t happens (bad relationships, business failures, burnt toast). That’s OK, says Scanlan, because making garbage is an essential part of any activity. In fact, you can’t get anywhere, or achieve any kind of personal or intellectual growth, without some detritus. To me, this explains why humans make so much trash of the kind that I’ve spent my life digging up in archaeological sites. And it makes me feel quite OK about spending a day writing stuff that might go straight into the shredder tomorrow…
This is the first work to examine the detritus of our culture in its full range; garbage in this sense is not only material waste and ruin, environmental degradation and so on, but also residual or 'broken' knowledge, useless concepts, the remainders of systems of intellectual and cultural thought. In this unique and original work (a kind of intellectual scavenging in its own right) the author shows why garbage is, perversely, the source of all that is valuable. The author considers how Western philosophy, science and technology attained mastery over nature through what can be seen as a prolonged act…
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.
Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West.
From Nobel prize-winning economist Amartya Sen, The Argumentative Indian: Writings on Indian Culture, History and Identity brings together an illuminating selection of writings on contemporary India.
India is an immensely diverse country with many distinct pursuits, vastly different convictions, widely divergent customs and a veritable feast of viewpoints.
Out of these conflicting views spring a rich tradition of skeptical argument and cultural achievement which is critically important, argues Amartya Sen, for the success of India's democracy, the defence of its secular politics, the removal of inequalities related to class, caste, gender and community, and the pursuit of sub-continental peace.
A banker by day and a cynical cartoonist-cum-blogger by night, I have traveled the world, have met many interesting people with compelling backgrounds, and have experienced many peculiar and beautiful things.
I love getting inspiration from my experiences and spinning stories out of that. As an author, I always look out for the unconventional ending fueled by my fervid imagination.
I prefer the medium of the short story as it keeps the author honest and sharp—no meandering into unrelated tangents.
Ruskin Bond is known more for his simple stories about everyday people in the Himalayan foothills (like a North Indian R.K. Narayan). He does throw in the odd story, which seems like a folktale with a surprising ending like A Face in the Night and The Eyes Have It. This livens up the collection more, as you don’t know when you will get one of the unexpected plot twists.
His books ooze with his love for his adopted country, and he writes with such tenderness about young characters that they are wholesome and fulfilling to read.
What I love most about him is that he is one of the most approachable and friendly authors. He spends hours sitting in his hometown’s main bookshop talking with readers and autographing their purchases.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
I grew up in Zambia, a small, landlocked country where travel was prohibitively expensive, but through books, I could travel to any place and across time without ever leaving my bedroom. Now, I’m fortunate that I get to travel for work and leisure and have been to over thirty countries and counting. Before I go to a new country, I try to read historical fiction as a fun way to educate myself and better understand that country’s history, culture, food, and family life. I hope you also enjoy traveling worldwide and across time through this selection.
I loved this story set in India soon after partition. It’s a long book with requires upfront commitment but Seth is a masterful storyteller who had me hooked from the first page.
So much so that I lost many nights of sleep and couldn’t put the book down until the very end. While I was immersed in this story and rooting for the protagonist, Lata, I was learning about Indian history, culture, food, and family life.
“Surrender to this strange, beguiling world and be swept away on the wings of story. . . . It is difficult to imagine that many contemporary writers could give us a novel that provides so much deep satisfaction.” —Jonathan Yardley, Washington Post Book World
A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy tells the story of ordinary people caught up in a web of love, ambition, humor, sadness, prejudice, reconciliation, the most delicate social etiquette, and the most appalling violence.
Vikram Seth’s novel is, at its core, a love story: the tale of Lata’s—and…
I am a historian of modern India at the Department of History, University of Delhi, with a longstanding interest in the intersections of gender, caste, sexuality, and religious identities in early twentieth-century North India. My work draws deeply from Hindi vernacular sources—popular tracts, magazines, cartoons, and pamphlets—which offer a rich yet underexplored archive for understanding the everyday life of Hindu nationalist ideologies and also ways in which it was punctured or questioned. Since my doctoral research in 1996, I have been particularly drawn to the everyday gender and caste dimensions of Hindu politics.
I loved this book because it nuanced my understanding of how modern Hindu identity was manufactured through Hindi literature in the literary salons and polemics of nineteenth-century Banaras. Dalmia’s intricate study of the life and writings of Bharatendu Harischandra, a colorful and creative personality and often called the Father of Modern Hindi, impacted me strongly.
Here was a writer, playwright, publisher, and polemicist who played a critical role in the formation of Hindu modernity in North India. I also find the book interesting for its description of social history, rooted in the ancient city of Banaras.
This volume studies how a dominant strand of Hinduism in north India--the tradition which uses and misuses the slogan "Hindi-Hindu-Hindustan"--came into being in the late nineteenth century. It examines the life and writings of one major Hindi writer of the nineteenth century--the playwright, journalist, and polemicist Bharatendu Harishchandra (often called the "Father of Modern Hindi")--as its focal point for an analysis of some of the vital cultural processes through which modern north India came to be formed.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
A dark story about a corrupt man, An Obedient Father unfolds in a closely observed world. From page one: “It was morning. The sky was blue from edge to edge. I had just bathed and was on my balcony hanging a towel over the ledge. The May heat was so intense that as soon as I stepped out of the flat, worms of sweat appeared on my bald scalp.” The close sensory detail makes a dark story shockingly intimate.
Ram Karan, a corrupt official in the Delhi school system, lives in one of the city's slums with his widowed daughter and his eight-year-old granddaughter. Bumbling, contradictory, sad, Ram is a man corroded by a guilty secret. An Obedient Father takes the reader to an India that is both far away and real - into the mind of a character as tormented, funny, and ambiguous as one of Dostoevsky's anti-heroes.
