Books like Living in Cemeteries — picked by fans

I love this book because it made me laugh when I least expected it.

The wit is so sharp it almost feels like a weapon against the darkness creeping in at the edges. I remember grinning at one line and then, two pages later, feeling the walls closing in.

That balance of humor and horror made me feel like the story was written for someone like me, someone who finds the grotesque easier to face when it comes with a crooked smile.

I love books that engage in a literary conversation with writers from a previous era, and Mat Johnson’s novel does just that—it’s both a homage and a critique of Edgar Allan Poe’s sole novel, The Narrative of Arthur Gordon Pym, itself a hodgepodge of gothic elements and maritime adventure. It’s also horrifyingly racist with its depictions of black-skinned islanders.

Johnson inverts and reframes these uncomfortable racial dynamics to glorious effect. It is both a raucous satire and full-throttle adventure story, as Johnson’s hero, Chris Jaynes, leads an all-black crew to the South Pole—into the center of whiteness—to discover what may be on the last bastion of the African Diaspora. From there, it only gets weirder and funnier.

Forget all those self-help tomes and Cosmo articles—this is the book that will improve your relationships.

It may seem deranged to admit loving a book, which is, arguably, one of the coldest I’ve ever read, but this slim 128-page exercise in pitiless dread made me a better person. After reading it one afternoon, I emerged shaken and disturbed. Ever since then, I have tried never to argue with my spouse on long road trips. Or argue, period. I’m not kidding.

There is a connection to major Poe themes here, but I will leave that a mystery. As the title implies, a vanishing occurs, and the novel is about the void that opens up afterward. Damn, just writing that sentence has me shaking. Go hug your loved ones. 

I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.

That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful. 

Many of my books are ghost stories, and I enjoy finding other authors who write scary stories in that genre. Darcy Coates, a prolific author from Australia, does a wonderful job creating an eerie, spine-tingling setting and characters who will remind you of that monster you thought was in the closet. These are downright scary stories that will cause you to sleep with the light on. She has written numerous excellent stand-alone books, but her Gravekeeper series is a great way to delve into the mind of an author who has this genre nailed down tight (just like that coffin that might be hidden behind a wall in your basement)!   

From the moment the salvage crew stepped onto that overgrown Southern property, I knew I was in for something deliciously creepy. I could almost smell the mildew and moss. What I loved most was the way this book made the cemetery feel alive, like the land itself was watching.

There’s a slow-build tension that just gets under your skin. The characters felt real, especially Dahlia, the lead, who’s equal parts tough and vulnerable. This is a story about family legacies, old wounds, and things that don’t stay buried.

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.

We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.

Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.

Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.

Dickens was a Master. Even his humorous ghost stories have an edge of fear.

These days, “folk horror” is a popular term for movies like Midsommer and The Witch.

In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.

The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).

I loved this lyrical, finely-observed story and its many bloodcurdling moments. I felt nothing but sympathy and love for James Harrison as he settled into his new home in the village of Ledsham and was blamed for things he didn’t do.

The ghost of Thomas Kempe a 17th century apothecary truly haunts these pages and gave me a serious case of goosebumps. It’s also a gripping mystery as James tries to put the ghost to rest.