100 Books Like The Ghost Stories of Edith Wharton

Robert Chambers (1865-1933) was one of the bestselling authors of the early twentieth century for novels - now largely forgettable - about shopgirls and adventurers. His fame in our century rests entirely on this book, which includes the four terrifying stories that make up the "King in Yellow" mythos, as well as several other haunted and haunting tales. This edition includes an introduction by Nic Pizzolatto, who included references to the book in his magnificent series True Detective.

Mary Elizabeth Braddon (1835-1915) may not be known by most contemporary readers...and that's a shame because her stories often include pointed observations about human nature that remain as relevant today as they were when first published. This wonderful collection, part of the superb British Library Tales of the Weird series, begins with an eerie and tragic ghost story, "The Cold Embrace," and ends with the lengthy "Good Lady Ducayne," which is often classified as an early vampire tale. 

Famous during her life for her social commentary novels like North and South, Elizabeth Gaskell (1810-1865) was also a spectacularly gifted author of ghost stories (Charles Dickens, in fact, frequently included her ghost tales in his periodical Household Words). This collection would be worth it for "The Old Nurse's Story" alone - considered to be one of the finest ghost stories ever written - but it contains other bone-chilling classics as well. 

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.

We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.

Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.

Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.

Dickens was a Master. Even his humorous ghost stories have an edge of fear.

I feel there's an art to incorporating the paranormal into a mystery without its presence dismissing the practical aspect of the characters’ investigation. D.J. Machale reached the perfect application of this in this book and its sequel.

While the series is directed at a younger audience, the mystery is superb without much handholding but with gripping action moments and the allure of something deeper that keeps the reader guessing until it all comes to a satisfying conclusion. Especially when paired with the sequel. Side note: tangent storylines that significantly impact each other without the characters realizing it is one of the top five forms of storytelling to me!

“Perhaps if I ask myself questions, my memory will come back?” The story opens with a now grown-up girl returning to her childhood home, only to realise on route that she is a ghost. But why did she die so young? Her mission must be to go back in time and warn her younger self of impending danger, however when she reaches her destination she can’t remember which of four sisters she is, as they all seem annoying. And what exactly is the disaster she is trying to avert? Could it be related to the pagan rituals the sisters are conducting to Monigan, the creepy doll they keep in the garden shed? What do you think? A thoughtful timeslip tale about trying to make sense of your childhood self.

She’s more famous for novels like Ethan Frome and The Age of Innocence, but I love Edith Wharton above all for her ghost stories. I especially admire "Afterward," which, for my candy corn, is the greatest literary ghost story ever written. It both chills me and makes me ponder; the emotions inside this complex tale of secret lives are so real that, after I’ve put it down, I find I want to talk to anyone else who has read it about what just happened.

Wharton handles both language and imagery with a deft touch, all while drawing the reader into a haunting that has more than one dimension.

Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.

He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.

The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.

Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.

Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.