Here are 100 books that What Moves the Dead fans have personally recommended if you like
What Moves the Dead.
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I am an astrophysicist with a passion for narratives that stare unflinchingly at the inherent hostility of outer space. Professionally, I study graduate astrophysics and research the ways high-energy celestial objects impact cosmic evolution. Creatively, I use my training to write science fiction horror exploring the spookiest things the universe has to offer. I particularly love stories that throw wrenches in the best-laid plans of star-faring protagonists, and will never get tired of a good old space mission gone terribly and tragically awry.
Deep space can be scary, but I consider deep caves to be much more terrifying.
The Luminous Dead has an eerie mission to the depths of a cave on a distant exoplanet—the worst of both worlds! This book follows a non-regulation diver on a dangerous job shrouded in secrets and the enigmatic, untrustworthy voice in her helmet guiding her through the darkness.
Unsurprisingly, it doesn’t take long for the characters to descend into antagonism and uncertainty about whether the other things lurking in the cave are figments of paranoia or dangerously real. If you like feeling queasy, secondhand claustrophobia, The Luminous Dead is for you.
"This claustrophobic, horror-leaning tour de force is highly recommended for fans of Jeff VanderMeer's Annihilation and Andy Weir's The Martian." -- Publishers Weekly (starred review)
A thrilling, atmospheric debut with the intensive drive of The Martian and Gravity and the creeping dread of Annihilation, in which a caver on a foreign planet finds herself on a terrifying psychological and emotional journey for survival.
When Gyre Price lied her way into this expedition, she thought she'd be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
I’ve never read another book that got under my skin like A Head Full of Ghosts.
I felt unsettled, not just by the horror, but by the way Tremblay made me question memory, faith, and family. I remember finishing it and just sitting there, trying to figure out what was what. It’s rare for a book to make me feel compassionate and terrified at the same time.
That’s why I recommend it: because it doesn’t leave you when you close the cover. It lingers, and I love that.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
I’m a Black woman who writes stories about Black girls who aren’t all that nice. And, to me, that means writing stories where Black girls are at the forefront of their stories and given the space to be whoever they are, wholly and without minimizing their character to make them fit into neat boxes next to others. I do this because being able to take up space as you are is, oftentimes, a privilege. And I want to make sure the stories I write offer that space to every reader who picks up one of my books.
I would not be a writer had I not read this book. It was the first time I saw a Black girl be the main character in a fantasy novel, and she doesn’t limit herself to playing by the rules.
Jane McKeene is a troublemaker with a smart mouth, but she’s fearless against the shamblers (zombies), resourceful, and her complicated friendship with Kate was something I loved every minute of.
Trained at Miss Preston's School of Combat for Negro Girls in both weaponry and etiquette, Jane McKeene is poised for a successful career protecting the wealthy from the encroaching plague of walking dead. But when families begin to go missing, Jane uncovers a conspiracy that pits her against some powerful enemies. Sent far from home, Jane will need all her resourcefulness, wit and strength of character to survive.
A powerful, compelling tale of a young girl's journey through a hostile world, Jane McKeene is an unforgettable protagonist, and Dread Nation is an unforgettable book.
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
These days, I’m an author, but that was long predated by being a reader. I’ve loved fairy tales all my life and spent most of my childhood lugging around a thick paperback copy of the Brothers Grimm's stories. My nationally bestselling second novel, Bear, is a reimagining of my favorite tale: “Snow-White and Rose-Red. " It is about two sisters who live in a cottage with their mother and whose lives are upended when a bear shows up at their door.
Machado is a master storyteller, a writer who plays with form and structure and our narrative expectations to create entirely new ways of telling tales. This collection was her groundbreaking debut.
I’ve always loved fairy tales and folklore for the ways they play with character archetypes, repetition, and deceptively simple story shapes. Machado does the same thing here, upending our ideas about wives, lovers, and monsters with these tales that might trick you into thinking you know what’s coming next—until she flips you over and turns you around. She’s a new Brother Grimm, a fairy-tale writer for the modern age.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I never expected to write a zombie story, let alone a novella series. I don’t usually do scary. I avoid horror movies and choose books with pretty covers. I think that’s why my books, like those on this list, walk the line of horror without plunging all the way in. There’s a delight in being spooked, but not if it leads you to recurring nightmares. I want books that will set my heart racing, but don’t plant a lingering fear. The books on this list will raise the hair on your arms, but won’t keep you up at night…unless, of course, it’s because you can’t put them down.
Full disclosure: I’m a sucker for retellings, as you may have noticed since this book is the second retelling to make my list.
This book retells the 12 Dancing Princesses, exploring the family’s curse more in-depth. That means it’s filled with gothic settings, plenty of tragedy, and the requisite family secrets. It’s the perfect spooky story to keep you up all night (because you won’t be able to put it down).
NEW YORK TIMES BESTSELLER • Get swept away by this “haunting” (Bustle) YA novel about twelve beautiful sisters living on an isolated island estate who begin to mysteriously die one by one. This dark and atmospheric fairy tale inspired story is perfect for fans of Yellowjackets.
"Step inside a fairy tale." —Stephanie Garber, #1 New York Times bestselling author of Caraval
In a manor by the sea, twelve sisters are cursed.
Annaleigh lives a sheltered life at Highmoor with her sisters and their father and stepmother. Once there were twelve, but loneliness fills the grand halls now that four of…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Bleak, beautiful, and visceral. I’ve reread this graphic novel a dozen times just to look at the absolutely stunning creature design that engulfs the environment. Sal, a sword-wielding exterminator, is faced with their crumbling relationship, their terrible job, and the monsters that lurk in every corner of this near-future world—all in one shift.
LA, 2028. Down-on-their-luck exterminator Sal Hernandez is sick of long hours and living in their work van. They’re ready to quit their job and reconcile with their estranged partner. The only thing standing in their way is one last shift. But what seems like a routine call quickly gets out of hand when a proselytizing mass of flesh abducts Sal’s newest coworker, Luke, and turns their extermination job into a rescue mission.
I’ve always been inspired by the setting as character. Place is powerful, especially when that place is touched by the natural world. Between growing up in the rural American South and doing fieldwork with biologists, nature has wormed its way into the majority of my work. And as a queer horror writer, I deeply value horror stories that have us in the protagonist’s role. I’ve curated this list to reflect all of that at once: queer protagonists trying to survive in environments that would love to eat them alive. I hope you enjoy them as much as I did.
Set in 1930’s Louisiana, the environment is a character in and of itself—lush, suffocating, dreamlike. In fact, the entire book feels like an unsettling dream. The narrative of trauma and death swirls around Eugene, a reporter, and Johnny Walker, an enigmatic fugitive. Heed the content warnings before you dive into this book, it’s heavy, and Powell leaves very little off the page.
Small-town Louisiana, 1935.When Eugene was twelve, a girl from town disappeared. Everyone said the gators must have got her when she strayed too near the bayou. No foul play, just a terrible accident. But Eugene can't shake the conviction that Mary Beth's death had something to do with the man who used to haunt her—the man no one else could see.Now, nearly two decades later, there are more dangerous things than gators in Chanlarivyè. People are disappearing again, and this time, no one can find the bodies. As the town's unease grows, charismatic fugitive Johnny Walker arrives on the scene,…
Ever since I was a little girl and watched the 1943 version of Jane Eyre on Halloween, I’ve had an affinity for gothic fiction. I love books that keep me up at night, the slow, subtle creep of horror that this genre elicits. Combine that with fantastical elements, or better yet a retelling of an old classic, and I’m in. Writing A Multitude of Dreams, a reimagining of Poe’s The Masque of the Red Death, allowed me to indulge in everything I love about gothic fantasy, and it gave me the perfect excuse to read as much of it as possible.
Clipstone proved herself a master of the genre with her debut, Lakesedge, and its sequel, Forestfall.
Her upcoming novel, Unholy Terrors, continues her streak of deliciously dark and romantic fantasies. This story of a monster hunter falling under the spell of the very monster she’s sent to kill is full of lyrical prose and impeccable Spooky Season vibes.
There’s even a nod to the goth aesthetic, complete with black nail polish and lipstick. Chef’s kiss perfection.
Everline Blackthorn has devoted her life to the wardens―a sect of holy warriors who guard against monsters known as the vespertine.
When a series of strange omens occur, Everline disobeys orders to investigate, and uncovers a startling truth in the form of Ravel Severin: a rogue vespertine who reveals the monsters have secrets of their own.
Ravel promises the help she needs― for a price. Vespertine magic requires blood, and if Everline wants Ravel to guide across the dangerous moorland, she will have to allow him to feed from her.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Hi, I’m E.C. Glynn. I love writing stories that tackle the messiness of religious societies and belief systems through a fantasy lens. What qualifies me for such an endeavour? Well, with a Master's in International Relations, a decade as a Recovering Catholic, a career as an Officer in the Army, and an unhealthy fascination with cults, I think that’s not a bad place to start for developing a nuanced and interesting perspective on the topic. I am a very picky reader and need to read books that have beautiful prose, interesting worlds, complex and convoluted concepts, and believable dialogue to enjoy my reading experience.
Such a creative concept for the magical lore and religion of the world – tarot magic being a tangible thing anyone with the card can use. The creature in the main female character's head lends both fear and comfort at surprising moments, and the dark gothic setting created an overall creepiness that forced me to keep reading late into the night, just to seek relief.
I loved this book, read it in about a day, and continue to gift and recommend to others.
For fans of Uprooted and For the Wolf comes a dark, lushly gothic fantasy about a maiden who must unleash the monster within to save her kingdom—but the monster in her head isn't the only threat lurking.
Elspeth needs a monster. The monster might be her.
Elspeth Spindle needs more than luck to stay safe in the eerie, mist-locked kingdom she calls home—she needs a monster. She calls him the Nightmare, an ancient, mercurial spirit trapped in her head. He protects her. He keeps her secrets.
