I’ve been fascinated by how people behave and how in-group bias can change who they are. That interest led me into computational sociology (I study human behavior for a living), with my work appearing in The New York Times, USA Today, WIRED, and more. But my deepest fascination has always been with people’s propensity for the horrific. I LOVE the liminal space where fear, secrecy, and belonging collide. Being neurodivergent, living in a small Virginia town with my wife and our neurodivergent, queer son, I see how communities can both shelter and suffocate. That tension is why I’m drawn to stories saturated in dread, beauty, and what lives in the shadows.
I’ve never read another book that got under my skin like A Head Full of Ghosts.
I felt unsettled, not just by the horror, but by the way Tremblay made me question memory, faith, and family. I remember finishing it and just sitting there, trying to figure out what was what. It’s rare for a book to make me feel compassionate and terrified at the same time.
That’s why I recommend it: because it doesn’t leave you when you close the cover. It lingers, and I love that.
The lives of the Barretts, a suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia. To her parents' despair, the doctors are unable to halt Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help, and soon find themselves the unwitting stars of The Possession, a hit reality television show.Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls the terrifying events that took place when she was just eight years old, long-buried secrets…
I love this book because it made me laugh when I least expected it.
The wit is so sharp it almost feels like a weapon against the darkness creeping in at the edges. I remember grinning at one line and then, two pages later, feeling the walls closing in.
That balance of humor and horror made me feel like the story was written for someone like me, someone who finds the grotesque easier to face when it comes with a crooked smile.
From the Nebula and Hugo award-winning author of The Twisted Ones, comes What Moves the Dead, a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher."
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I couldn’t stop thinking about this book because it was suffocating.
The idea that "groupthink" could weigh on everyone so much that they learn to live with something terrifying, and still choose cruelty over kindness, unsettled me more than any jump scare. I remember setting it down one night and realizing what I was witnessing: a trainwreck in slow motion.
It reminded me how horror works best when it holds up a mirror, and sometimes what stares back is uglier than a monster, or in this case, a witch.
“This is totally, brilliantly original.” ―Stephen King
“HEX is creepy and gripping and original, sure to be one of the top horror novels of 2016.” ―George R.R. Martin
The English language debut of the bestselling Dutch novel, Hex, from Thomas Olde Heuvelt--a Hugo and World Fantasy award nominated talent to watch
Whoever is born here, is doomed to stay 'til death. Whoever settles, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes…
This is the book that taught me how powerful loneliness can be.
Every time I return to it, I feel one character’s ache settle into me, that desperate want to belong somewhere, even if it’s a house that doesn’t love you back. I recommend it because it still feels as if I’m attempting to figure out what is happening alongside the characters, the way only great writing can.
Jackson makes you realize that the scariest hauntings aren’t in the walls, they’re the ones we carry within us.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
A human child raised by the fae is an uncommon thing. But Rafi was such a child.
Now grown, half-fae but mortal, he lingers on the edge of human society in Miryoku, a nearby town sharing a border with fae territory. He doesn’t want to join the human world properly;…
I love this book because it made me laugh when I probably shouldn’t have.
The way sickness seeps into ordinary moments, the way your mind can twist itself into something unrecognizable. I remember laughing at the absurdity of some scenes and then realizing how close they were to the way fear really works.
It’s incredibly elegant, disturbing, and oddly funny in the absolutely best ways. That combination is addictive for me, and I still talk about it.
Virginia Feito's Mrs. March was hailed as "a brilliant debut . . . [by] a writer who keeps pace with the grandees she invokes" (Sarah Ditum, Guardian)-from Daphne Du Maurier and Shirley Jackson to Patricia Highsmith. Now, Feito returns with her "silver-polish sentences and her eerie psychological acumen" (Constance Grady, Vox) to unleash an entirely new antihero on us all.
Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess-she'll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate's…
In Raven’s Cross, Virginia, the decaying Scott house, known as the Martian House, watches a town desperate to forget. When Roxy, a teenage girl, vanishes into a chilled night, long-buried fears erupt, and suspicion turns savage. Polite smiles crack, old grudges surface, and the genteel mask slips, revealing the rot beneath, as the townspeople blame the newcomers for what they refuse to face.
True-crime podcaster Timothy Michaels arrives chasing the Martian House’s haunted legacy and finds himself pulled into something far more dangerous. With unlikely allies, he begins to unearth a history of complicity and cruelty the town would kill to keep buried. Because in Raven’s Cross, the shadows don’t just linger, they slowly burn.
Wishes are dangerous. They can bring you a night out, a gown, even a pair of slippers. Or something you never should have wished for in the first place.
After the royal wedding, the girl in the glass slippers has everything she ever wanted: an escape from a life of…
"An enormous amount of fun. Wholly fresh and original. Wickedly funny...a hot, sweaty, magic- and murder-infused rollercoaster...I loved it." - David Moody, author of Hater
Once, Steve was a hero. Now he’s running from the law. And he’s just become a killer, stumbling upon a woman being assaulted by the…
