Here are 100 books that The Coffin Path fans have personally recommended if you like
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I’ve loved character-focused stories long before I loved horror, which is saying something, because I’ve loved horror for a long time. It’s my belief horror is at its best when a storyteller focuses on the characters, as it adds a new dimension to the scare and forces the audience to worry about the characters. Anyone can do a jump scare; they’re not hard, but a well-crafted character that amplifies the horror is more difficult, and that’s why it’s so special when it works. It’s why authors like Stephen King and William Peter Blatty are timeless – their stories are character-first.
A chilling horror in a small fictional English village.
I love The Woman in Black because it’s more than a ghost story; it’s also a story about love and the connection between family. I’ve read it twice and what I love the most about it is the ambience Susan Hill creates with her well-crafted sentence structure.
There’s a lot of focus on Arthur Kipps, the protagonist, and his life before and after the haunting of Eel Marsh, but it’s not only him the story cares about. The Woman in Black herself is a mystery and has a tragic backstory that turns her from a full-on villain to a sympathetic one.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
As well as horror and the supernatural, I love historical fiction; partly why this book appealed to me. Karen Maitland obviously knows her history, making the background darkly believable.
The story has a bleak setting: Mid-1300s, England. Sustained severe weather leads to widespread starvation and poverty. A mean-spirited man who owns a horse and cart finds himself travelling with a group of misfits, including a distinctly odd, very creepy, little girl.
All the characters have intriguing secrets in their pasts. I really enjoyed finding out about them, who they really are, what they are running away from. They are all trying to outrun the Plague, which is never far behind for the whole story, almost like a living entity itself.
I still think about this book from time to time, especially the ending, but no spoilers here.
In this extraordinary novel, Karen Maitland delivers a dazzling reinterpretation of Chaucer’s Canterbury Tales—an ingenious alchemy of history, mystery, and powerful human drama.
The year is 1348. The Black Plague grips the country. In a world ruled by faith and fear, nine desperate strangers, brought together by chance, attempt to outrun the certain death that is running inexorably toward them.
Each member of this motley company has a story to tell. From Camelot, the relic-seller who will become the group’s leader, to Cygnus, the one-armed storyteller . . . from the strange, silent child called Narigorm to a painter and…
While attending college, I lived in a haunted house. This was before all the ghost-hunting shows and YouTube, so I didn’t know what I was seeing at night. During the year and a half of these experiences, I saw two distinct shadow figures and had other people living in the front of the house, as well as my roommate, confirm they, too, had seen and heard things that were unexplainable. This began my interest in the paranormal. After graduation, I became a law enforcement officer and have been a Police Detective for the last 21 years. I have explored haunted locations and seen spirits and other unexplainable things.
A family tragedy leads a young family to seek an old home in a peaceful seaside village in the UK. There is a reason the house is vacant… it’s haunted. I was chilled reading this book. James Herbert is a master of suspense and does a great job of tying past events to the present.
I enjoyed how the spirits of the past interacted with the current homeowners. It was scary and believable!
The Caleighs have had a terrible year... They need time and space, while they await the news they dread. Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...
Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local…
The Everlasting Life of Charlie Wall
by
Paul Wilborn,
It’s 1985, and Ronald Armstrong, known in the magic mushroom trade as “Trip,” takes a “sober” job as a driver for a retired Tampa mobster. His boss, Charlie Wall, has survived four attempts on his life, the last one in 1955. When Charlie falls into depression, Trip rebuilds his boss’…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
This is another ghost story told in the traditional vein. However, it is not set within the bounds of some old building but in an entire mountain village, populated by more than one ghost.
I think this is a gentle, rather beautiful read. The cold surroundings are depicted so well, it is easy to envisage them in your own mind. We begin to get to the heart of the story when Freddie crashes his car one snowy night. Circumstances mean he has no choice but to accept the hospitality of an elderly couple and spend the night under their roof. While staying with them, the tragic, ancient history of the place begins to show itself to Freddie, drawing him irrevocably into its story.
Yes, it is somewhat predictable, but I find that almost comforting. There may not be any huge surprises or great reveals, yet the way in which the…
From the New York Times bestselling author of Sepulchre and Labyrinth-a compelling story of love, ghosts and remembrance.
World War I robbed England and France of an entire generation of friends, lovers and futures. In Freddie Watson's case, the battlefields took his beloved brother and, at times, his peace of mind. In the winter of 1928, still seeking some kind of resolution, Freddie is travelling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Freezing and dazed, he stumbles through the woods, emerging in a tiny village, where he finds an…
I have loved gothic and ghostly tales ever since my grandmother showed me a haunted house and told me stories about fairies and changelings. You can often find me browsing in vintage markets and bookshops searching for the perfect find. I have published two gothic middle-grade novels. Welcome To Dead Town is about 12-year-old Raven McKay, who is put into foster care in the town of Grave’s Pass when her parents disappear. But Grave’s Pass isn’t an ordinary town. It’s a town where the living and the dead live side by side. Read below to find out about the next book in the series.
I loved this lyrical, finely-observed story and its many bloodcurdling moments. I felt nothing but sympathy and love for James Harrison as he settled into his new home in the village of Ledsham and was blamed for things he didn’t do.
The ghost of Thomas Kempe a 17th century apothecary truly haunts these pages and gave me a serious case of goosebumps. It’s also a gripping mystery as James tries to put the ghost to rest.
The classic ghost story from Penelope Lively, one of the modern greats of British fiction for adults and children alike.
James is fed up. His family has moved to a new cottage - with grounds that are great for excavations, and trees that are perfect for climbing - and stuff is happening. Stuff that is normally the kind of thing he does. And he's getting blamed for it. But it's not him who's writing strange things on shopping lists and fences. It's not him who smashes bottles and pours tea in the Vicar's lap. It's a ghost - honestly.…
During Covid, I gave myself the Story-a-Month Challenge. I started a story on the first day of each month and stopped on the last day. A subconscious theme emerged: the struggles of grown people and their parents, done fantastically. By year’s end, I had twelve stories, placed in magazines somewhere. I collected them, adding earlier stories, longer and with younger protagonists, but with the same theme of arrested development. I called the book “Adult Children,” a wry reference to offspring of alcoholics (I am one). Also subconscious: my inspiration from other authors of fantastical collections, some of whom I’ve included here.
These days, “folk horror” is a popular term for movies like Midsommer and The Witch.
In the early twentieth century, M. R. James is said to have invented this genre and revitalized the ghost story as a form. His memorably unsettling work often involves academics, scholars, and researchers confronting an uncanny, bucolic world.
The most renowned stories in this collection include “Casting the Runes” (a reviewer of an occult book learns an earlier critic died mysteriously), “The Mezzotint” (an upsetting engraving changes each time a curator looks at it), and “Oh Whistle, and I’ll Come to You, My Lad” (a professor dubious of the existence of ghosts fatefully finds an ancient whistle on vacation).
When we think of ghost stories, we tend to think of cub scouts cringing by a fire, s'mores at the ready, as some aging camp counselor tries to scare them witless with yet another tale from the crypt. But as Michael Chabon's marvelous introduction reminds us, the ghost story was once integral to the genre of the short story. Indeed, as he points out, it can be argued that the ghost story was the genre. Dickens's "A Christmas Carol," Henry James's "The Turn of the Screw"-most of the early short story writers wrote ghost stories as a matter of course.…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut…
I grew up listening to my family’s "true" ghost stories, each creepy tale ending with a declaration that "there are no such things as ghosts." As a teenager, I devoured books of folklore, with all their tales of ghosts, witches, and long-legetty beasties: and also many books about paranormal research. As an adult, I’m a complete unbeliever but still very fond of both reading and writing ghost stories!
I once made the mistake of reading several of James’ ghost stories, one after another, while alone in the house.
I was making a cup of coffee when something started scratching stealthily at the inside of a cupboard door. I had to lower myself from the ceiling before I discovered that some scrunched carrier bags hung inside the cupboard had unscrunched, causing the ghostly scratching. But that’s why I love James’ ghost stories.
The second in a series of republished classic literature, The Ghost Stories of M. R. James collects the tales that best illustrate his quiet mastery of the ghost story form. Running through each of these stories is a slowly escalating sense of unease and dread, which ultimately shifts into the wildly uncanny. James' characters exist in a world of ancient objects whose atrocious histories begin to repeat when they are disturbed, and the blinkered repression common to James' narratives only amplifies the shock of the spectral appearance.
I used to be the caretaker for the last home of Edgar Allan Poe, and during my four-year tenure, I tried to read everything Poe ever wrote, as well as literature inspired by his work. The key word there is “tried.” It’s an impossible task. Poe’s influence is vast and evergreen. The traditional ghost story was not his specialty, but nevertheless, I associate him with spirits and phantoms since one of his primary obsessions was the potential oblivion of the afterlife. I share these obsessions, and I doubt I would have taken the job if I wasn’t already drawn to stories that imagine what lies beyond the veil.
I love it when a story taps into my dream life when the author imagines a landscape that tickles my subconscious. Since the experience is so deeply personal, it obviously cannot be planned or market-tested, which makes it all the more thrilling when it happens.
That was my experience reading this book. As a boy, I often dreamed about my small town turning into a neighborhood full of ghosts overnight (Don’t ask me why. I was a strange child). This happens to be the exact premise of Velkwood. In Kiste’s narrative, a living woman must enter this literal ghost town at her own peril to uncover the secret behind a family tragedy, and the results are both philosophical and beautiful.
From Bram Stoker Award -winning author Gwendolyn Kiste comes a chilling novel about three childhood friends who miraculously survive the night everyone in their suburban hometown turned into ghosts-perfect for fans of Yellowjackets.
The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter-and only one has in the past twenty years, until now.
Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another,…
I’ve been a fan of horror stories since I was a kid. As an introverted and shy kid, I used to joke with my best friend about how I felt like a ghost and wished I had the power to be invisible. After I became a children’s book author/illustrator, I became fascinated with ghost picture books and started collecting them. Ghost picture books not only fulfilled my spooky necessities but also gave me warmth and heartfelt emotions.
A delightful, funny story of friendship, ghost chores, a spooky house and a professional haunter.
Meet Sir Simon, Super Scarer. He's a professional ghost who has been transferred to his first house. And just in time! He was getting tired of haunting bus stops and forests and potatoes. And to top it off, this house is occupied by an old lady -- they're the easiest to haunt!
But things don't go as planned when it turns out a KID comes with this old lady. Chester spots Simon immediately and peppers him with questions. Simon is exasperated. . . until he…
The authoritative but accessible history of the birth of modern American intelligence in World War II that treats not just one but all of the various disciplines: spies, codebreakers, saboteurs.
Told in a relatable style that focuses on actual people, it was a New Yorker "Best of 2022" selection and…
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats…
