Books like The Whispering Dead

Silva’s novels about Gabriel Allon—a reluctant Israeli secret agent posing as an Italian art restorer—are my current favorite read and a serious contender for the best spy thrillers by a contemporary writer.

Each of the novels in the series works as a separate episode; in this case, Allon is lured into action to track down a Palestinian assassin.

But Allon is brought to life by recurring themes across the series, including the fact that his traumatized wife is permanently assigned to a psychiatric hospital by the car bomb that killed their son.

Silva’s meticulous writing and ingenious mixing of historical fact and fiction will appeal to literary readers. 

Although the books in this series are not released in chronological order, I found it helpful to begin at the beginning, with George Washington. Each of these books is well-written and provides a concise way to learn about the significant events that occurred. Several times I’ve finished a book in this series and then selected an in-depth biography to further my knowledge about the ones I found most interesting. Though occasionally laborious reading, the insight gained from a brief look at each president’s life is worth every word.

Rosenberg, whose knowledge of Israeli and U.S. politics provides a great background for his writing, has produced several series, all of which are excellent. But if you’re new to this author, I recommend reading this book first. His political thrillers are spellbinding, especially since Rosenberg foretold the 9/11 disaster and the killing of Saddam Hussein in his novels. In The Last Jihad, Saddam is hell-bent on attacking the West. On the eve of a treaty signing that may ensure peace for Israel and Palestine, the Israelis discover an Iraqi Scud missile armed with a nuclear warhead. It’s clear that Hussein is planning an attack on major U.S. cities and Tel Aviv, and Israel issues an ultimatum to the USA—take Saddam out or we’ll do it instead. This book is a fascinating tale about events that are as real and as possible as today’s newscasts. 

Peter Ackroyd has written several wonderful books about London, the Thames, and aspects of English life, but this six-volume series (the last to come in 2023) is the best and most comprehensive I’ve found. It’s a delightful trip through history, not only covering the politics of the times but giving insight into the daily lives of people from one era to the next, how towns became cities, infrastructure and the system of government developed. The page counts are daunting, but don’t be dissuaded—nobody can make history come alive better than Ackroyd.

Ghosts are my some of my favorite creatures in horror since, unlike werewolves and vampires, I believe they tap into a shared emotional landscape. Who has not wanted to speak to the spirit of a recently deceased loved one? Who has not stood over a grave and demanded answers? Farrenkopf takes this desire and builds a whole mythology around it while adding to the mix another irresistible question:

What if you could speak to your dead relatives and find out how you are going to die? Would you want to know?

Dave Gallagher, a cemetery caretaker, wrestles with this quandary, which gives the book its tension and grit. No easy answers are given here. Farrenkopf creates a world that is both fantastical and grounded in human longing. 

Ask any scholar of horror fiction to name the greatest ghost story writer of all time, and chances are good they'll come up with M. R. James (1862-1936). James, who is also highly regarded for his scholarly works and translations, was a provost at King's College, Cambridge who entertained students during the Christmas season with his ghost tales (honoring the old English tradition of telling ghost stories at Christmas). His classics include such justifiably famous stories as "Oh, Whistle, and I'll Come to You, My Lad" and "Casting the Runes" (which was adapted into the classic 1957 movie Curse of the Demon). This edition also includes a superb introduction by David Morrell.

I loved this lyrical, finely-observed story and its many bloodcurdling moments. I felt nothing but sympathy and love for James Harrison as he settled into his new home in the village of Ledsham and was blamed for things he didn’t do.

The ghost of Thomas Kempe a 17th century apothecary truly haunts these pages and gave me a serious case of goosebumps. It’s also a gripping mystery as James tries to put the ghost to rest. 

First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.

This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly. 

The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.

I like a writer of ghost stories to personally believe in ghosts, as Benson did.

I also appreciate that he brings to even his scariest and most horrible tales the same sharp social observation and wit that he brought to his Mapp and Lucia stories.

Note, however, that the great M. R. James thought Benson’s stories "went over the line of legitimate horridness." Well, I love James, but disagree with him here. I dislike gross horror myself, but think a touch of Benson-style horridness now and again is enlivening (if that’s the right term for a ghost story).

More of a supernatural mystery than a ghost story perhaps, but since the sinister magic that besets 13-year-old Aveline arises from a witch long buried in the cold, dark side of the churchyard, this fast-paced, imaginative tale qualifies as both. Particularly striking is that you can read it as a simple, scary ghost story – or as an unnerving portrait of someone with a narcissistic personality, alternating charm, menaces, and pathos to unsettle Aveline and bring her under her spell. Brrrr.