Books like GMC — picked by fans

The original Save the Cat by Blake Snyder was written for screenplays but captured the imagination of all kinds of writers, myself included. But often it was difficult to translate to novel format. Jessica Brody’s book is an excellent adaptation of Snyder’s foundation for book people. 

The story structure methodology uses the same 15 beats (plot points) as the screenplay version. I love that Brody uses book examples as even most books about writing books tend to use movie examples. I think some authors worry about following story structure too closely, but I have always felt thinking analytically about story can only improve your writing. It’s only formulaic if you write it that way.

The houses on your block probably all have walls, roofs, foundations, floors, and plumbing…but they don’t all look the same, even on the outside. Once you get inside—all bets are off, right? But they all need… show more.

I am not a plotter. I have always wished I was. But nope, sorry, Gwen. That said, this is still an amazing book. Even if you are a discovery writer (sometimes called pantster for writing by the seat of your pants), thinking about your plot in terms of pacing, story elements, backstory, characterization, and setting…and thinking about them in a logical way is beneficial.

Kudos if you can write it down in a notebook before you start drafting. That’s not in my wheelhouse.

I loved how this book made me think about why I like stories. What engages me as a reader and excites me as a writer? Why two books with the same tropes can hit so differently. And how to add what the author refers to as “butter” to both the writing and the marketing, which is very important.

If your back cover copy is dry toast, it doesn’t matter how wonderful the writing on the inside is. The author is also very engaging and warm and my favorite, funny.

It’s never too early to think about how to actually sell your books, whether you indie publish or pitch to agents and editors. Writing a series is more profitable in almost every genre compared to writing standalone novels. And it will save you much heartache to have a series in mind before you start book one. Trust me. You don’t want to write yourself into a corner in book one that makes book two or three implausible. Think…Star Wars trilogy (the original 123 that became 456 in later years) as opposed to Speed and Speed 2. Which flowed better?

I’ve seen Ms.York speak at conferences, and her book voice is just as candid and engaging. This book covers many business writing/publishing topics but is never dry. From how to use comparable titles to world-building, I find myself returning to this book often.

I love Sue Gee’s writing; she is such a keen observer of the natural world and of the complexities and nuances of human relationships. This, set in the years following the First World War, concerns a group of artists who meet at the Slade School of Art, then form enduring relationships.

Painter Walter Cox and wood-engraver Sarah are joined by sculptor Euan, whose carvings explore the deep trauma of warfare and loss; watching him work in stone, Walter knows: ‘This was the real thing...a marriage between man and material which felt entire, complete.’

Sue Gee’s characters are so real that we feel thoroughly immersed in the period and their lives, both in the London art scene and in the Kentish countryside.

This book took me into an amazing and often terrifying world. It was absolutely fascinating—the way the town worked and all the rules. I loved being a newcomer in Morganville, along with the main character, Claire. I loved seeing her grow into herself, become more confident, and so very clever. I also loved the dynamics between Claire and her roommates and the relationships that bloomed between them. So many characters are amazing or fear-inducing, and some are both, but none are more swoon-worthy than Shane and Michael.

Claire encounters many dark, dangerous, and heart-wrenching moments throughout the series, and I was engrossed in each one, holding my breath at times and laughing out loud at others. I really love this series, and it’s another that’s stayed with me vividly.

I love a good detective series. I love even more a good detective series that takes place in the UK and has at its center a flawed detective. Set the series in or around WWI, and that’s about as perfect as it can get for me.

This is the first of twenty-four Ian Rutledge mysteries, so it started me on many hours of happy reading. Inspector Ian Rutledge of Scotland Yard is shell-shocked from WWI. His wife Jean leaves him when he returns from the war after five years, and Rutledge is lonely and barely holding on when he is put on a murder case where a war hero is the chief suspect. Although Rutledge doesn’t have a love interest in this first book in the series, his broken heart makes him even more fragile and has me rooting for him even more.

As the books progress, I watched him… show more.

Lady Chatterley is a young woman who marries into the upper class and is just as bored as Emma Bovary. But unlike Madame Bovary, she takes up with a guy who values her equally, and a lot of great sex commences, explicit enough to get the book banned as obscene until 1960 in Britain.

The twist here is that Lady Chatterley’s lover is the gamekeeper on their estate, who teaches Lady Chatterley how to value nature and love. The emphasis is not on romance so much as fabulous sex, which Lawrence pretty much equates with love.

I like that Lady Chatterley is a modern, independent woman who finds what she needs and breaks with her former life, as Emma Bovary could not. I must say I envy Lady Chatterley, as I never found my own devoted gamekeeper.

I loved this book because it reminded me of how brutally the Suffragettes were treated, even by their own families.

I loved the history behind the story, which included World War I and how women looked after their families in a time of great poverty.

At times, I was angry for the heroine, but I loved how her fortitude and resilience to survive made me feel empowered. In the end, it was an uplifting story of hope and love. 

I fell in love with Lizzy and Ciaran as they tried to find their way back to each other after over a decade of not speaking. I loved the glamour of the Cannes film festival, which was a backdrop to the very real, human, unglamorous resentments they were harbouring, and I was gripped by the sense of time running out as the festival progressed.

The flashbacks to their time in France when they first met were gripping, and I was swept away by these two completely believable characters but was also caught up in the sizzle between them, and it’s such a funny, heartfelt book too.