Books like GMC — picked by fans

The original Save the Cat by Blake Snyder was written for screenplays but captured the imagination of all kinds of writers, myself included. But often it was difficult to translate to novel format. Jessica Brody’s book is an excellent adaptation of Snyder’s foundation for book people. 

The story structure methodology uses the same 15 beats (plot points) as the screenplay version. I love that Brody uses book examples as even most books about writing books tend to use movie examples. I think some authors worry about following story structure too closely, but I have always felt thinking analytically about story can only improve your writing. It’s only formulaic if you write it that way.

The houses on your block probably all have walls, roofs, foundations, floors, and plumbing…but they don’t all look the same, even on the outside. Once you get inside—all bets are off, right? But they all need… show more.

I am not a plotter. I have always wished I was. But nope, sorry, Gwen. That said, this is still an amazing book. Even if you are a discovery writer (sometimes called pantster for writing by the seat of your pants), thinking about your plot in terms of pacing, story elements, backstory, characterization, and setting…and thinking about them in a logical way is beneficial.

Kudos if you can write it down in a notebook before you start drafting. That’s not in my wheelhouse.

I loved how this book made me think about why I like stories. What engages me as a reader and excites me as a writer? Why two books with the same tropes can hit so differently. And how to add what the author refers to as “butter” to both the writing and the marketing, which is very important.

If your back cover copy is dry toast, it doesn’t matter how wonderful the writing on the inside is. The author is also very engaging and warm and my favorite, funny.

It’s never too early to think about how to actually sell your books, whether you indie publish or pitch to agents and editors. Writing a series is more profitable in almost every genre compared to writing standalone novels. And it will save you much heartache to have a series in mind before you start book one. Trust me. You don’t want to write yourself into a corner in book one that makes book two or three implausible. Think…Star Wars trilogy (the original 123 that became 456 in later years) as opposed to Speed and Speed 2. Which flowed better?

I’ve seen Ms.York speak at conferences, and her book voice is just as candid and engaging. This book covers many business writing/publishing topics but is never dry. From how to use comparable titles to world-building, I find myself returning to this book often.

I have read lots of books about World War 1 aviation. This is the most authentic novel I have read on this topic.

It was written by someone who actually flew and fought in WWI, but I think that only helps the fictional narrative. It’s a tale of friendship in the midst of horror, and I loved the descriptions of how the young pilots behaved when not flying.

I love Sue Gee’s writing; she is such a keen observer of the natural world and of the complexities and nuances of human relationships. This, set in the years following the First World War, concerns a group of artists who meet at the Slade School of Art, then form enduring relationships.

Painter Walter Cox and wood-engraver Sarah are joined by sculptor Euan, whose carvings explore the deep trauma of warfare and loss; watching him work in stone, Walter knows: ‘This was the real thing...a marriage between man and material which felt entire, complete.’

Sue Gee’s characters are so real that we feel thoroughly immersed in the period and their lives, both in the London art scene and in the Kentish countryside.

This book took me into an amazing and often terrifying world. It was absolutely fascinating—the way the town worked and all the rules. I loved being a newcomer in Morganville, along with the main character, Claire. I loved seeing her grow into herself, become more confident, and so very clever. I also loved the dynamics between Claire and her roommates and the relationships that bloomed between them. So many characters are amazing or fear-inducing, and some are both, but none are more swoon-worthy than Shane and Michael.

Claire encounters many dark, dangerous, and heart-wrenching moments throughout the series, and I was engrossed in each one, holding my breath at times and laughing out loud at others. I really love this series, and it’s another that’s stayed with me vividly.

This was the first novel I read on my own as an adult.

I had read a great deal in school—all required reading. Shortly after I graduated, I discovered Winds of War on a break from my summer job and started it. It was daunting: 898 pages. Right away, I was captivated.

Wouk made history around the start of World War II come alive with characters and POV’s from both sides of the conflict. He included critical battles and turning points in the war, but what made it different was his ability to create characters I cared about and plunge those characters deep into the conflict.

Wouk was the first author that made me love history, and it’s a love affair I’ve continued in my adult life. 

I love a good detective series. I love even more a good detective series that takes place in the UK and has at its center a flawed detective. Set the series in or around WWI, and that’s about as perfect as it can get for me.

This is the first of twenty-four Ian Rutledge mysteries, so it started me on many hours of happy reading. Inspector Ian Rutledge of Scotland Yard is shell-shocked from WWI. His wife Jean leaves him when he returns from the war after five years, and Rutledge is lonely and barely holding on when he is put on a murder case where a war hero is the chief suspect. Although Rutledge doesn’t have a love interest in this first book in the series, his broken heart makes him even more fragile and has me rooting for him even more.

As the books progress, I watched him… show more.

I first read this book exactly 50 years ago, back in 1974, when I was 26. Ever since then, I have reread Jaroslav Hašek's masterpiece every single year, always in February. It is the gloomiest month of the year in Europe when our tonus is at its lowest, and we desperately need something to cheer us up.

The hilarious story of the good soldier is precisely that “injection” of optimism, serenity, élan vital that helps me make it through the last winter months till the arrival of the Spring. Although I already know by heart many passages from Svejk, I still laugh aloud while reading them—reading about the instinctive wisdom of an ordinary, small Czech man trying to comically outsmart the demonic forces of History…