Books like Romance Your Brand — picked by fans

The original Save the Cat by Blake Snyder was written for screenplays but captured the imagination of all kinds of writers, myself included. But often it was difficult to translate to novel format. Jessica Brody’s book is an excellent adaptation of Snyder’s foundation for book people. 

The story structure methodology uses the same 15 beats (plot points) as the screenplay version. I love that Brody uses book examples as even most books about writing books tend to use movie examples. I think some authors worry about following story structure too closely, but I have always felt thinking analytically about story can only improve your writing. It’s only formulaic if you write it that way.

The houses on your block probably all have walls, roofs, foundations, floors, and plumbing…but they don’t all look the same, even on the outside. Once you get inside—all bets are off, right? But they all need… show more.

I am not a plotter. I have always wished I was. But nope, sorry, Gwen. That said, this is still an amazing book. Even if you are a discovery writer (sometimes called pantster for writing by the seat of your pants), thinking about your plot in terms of pacing, story elements, backstory, characterization, and setting…and thinking about them in a logical way is beneficial.

Kudos if you can write it down in a notebook before you start drafting. That’s not in my wheelhouse.

I loved how this book made me think about why I like stories. What engages me as a reader and excites me as a writer? Why two books with the same tropes can hit so differently. And how to add what the author refers to as “butter” to both the writing and the marketing, which is very important.

If your back cover copy is dry toast, it doesn’t matter how wonderful the writing on the inside is. The author is also very engaging and warm and my favorite, funny.

This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)

Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.

As the tagline says: “The darkest secrets often hide in plain sight…” This is a British detective novel set in present-day Norfolk along the east coast of England. The story presents a community with many secrets and a dead young woman that knew many of them. Detective Tom Janssen must find a killer in a community trying to hide its dirty laundry.

This book has quite a twist at the end. It’s an example of many underlying subplots interacting within the local population's resistance to opening their lives to an investigation, including the reluctance of the dead girl’s parents to help.

This first came out just a few months prior to the first movie in 1977 and I still remember sitting in my dorm room reading every word with great expectation of how it would look in the coming movie. I had the same feeling reading it as I did when I first read Dune. A totally different story, but great world building.

Knuth’s unique mix of playfulness and rigor came to define computer science as an intellectual discipline: computer science didn’t really have anything to do with computers, but everything to do with a particular way of seeing the world. Just browse and wonder at the beauty and precision achieved in these books.   

Volume 3 (Sorting and Searching) is my personal favorite, and I encourage you to start there. During the pandemic, I finally got around to reading Volume 4A (Combinatorial Algorithms), which was published thirty plus years after Volume 3. It was the same feeling I had watching the movie The Phantom Menace years after growing up with the original Star Wars trilogy. I had forgotten just how unique and distinctive Knuth’s Art of Computer Programming is.

There have been so many books about George Lucas’s most famous creation, the Star Wars saga, and about the man himself.

As far as biographical accounts are concerned, Dale Pollock’s volume (initially published in 1983, and updated in 1990 and 1999) has to be given a lot of credit for being the first to properly introduce this unique filmmaker, whose life and career have been so full of unexpected twists and turns, to the world – and to me!

Pollock’s well-researched and very readable book set a high standard for all the writers following in his footsteps.

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth.