Here are 100 books that Lady Chatterley's Lover fans have personally recommended if you like
Lady Chatterley's Lover.
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From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
A male author describing the adulterous passions of an unhappy woman, Flaubert tears into Madame Bovary as superficial and ridiculously narcissistic. Yet Flaubert was a terrific writer and also shows how empty and purposeless the restricted life of a middle-class woman was in his time–not poor enough to be preoccupied with surviving, but not rich enough to lead a glamorous life. It’s not like Emma Bovary can go to law school!
Flaubert’s dissection of Emma’s forbidden love life is brilliant. It’s downright painful to see Emma’s hopes and fantasies when the men in her life take what they want from her, and she pours all she has into them. I can relate.
Flaubert's erotically charged and psychologically acute portrayal of a married woman's affair caused a moral outcry on its publication in 1857. Its heroine, Emma Bovary, is stifled by provincial life as the wife of a doctor. An ardent devourer of sentimental novels, she seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and when real life continues to fail to live up to her romantic expectations, the consequences are devastating. It was deemed so lifelike that many women claimed they were the model for…
Winner of the Robert F. Lucid Award for Mailer Studies.
Celebrating Mailer's centenary and the seventy-fifth publication of The Naked and the Dead, the book illustrates how Mailer remains a provocative presence in American letters.
From the debates of the nation's founders, to the revolutionary traditions of western romanticism,…
I write fiction, mostly historical mysteries, and non-fiction, generally about the English language. Both aspects of my writing reflect an interest in the past and how it continually shapes the present. The roots of English go back thousands of years to Latin, Anglo-Saxon, French, and many other sources. Yet the newest term to the vast storehouse of language may have been added only last week. Recently I’ve been writing about oaths, swear words, and bad language.
Silverton starts with the moment when one of the Sex Pistols used a
four-letter word live on afternoon TV in 1976. It’s an appropriate
beginning for a highly entertaining ramble through the dirtier byways
of the English language, encompassing historical research, pop culture , and personal anecdotes, and showing just how ingrained bad language is
in everyday life. His enjoyment and approval spring from every page.
When the Sex Pistols swore live on tea-time telly in 1976, there was outrage across Britain. Headlines screamed. Christians marched. TVs were kicked in. Thirty years on, all those words are media-mainstream - bandied about with impunity on TV and in the papers. This is the story of our bad language and its three-decade journey from the fringes of decency to the working centre of a more linguistically liberal nation. Silverton takes a clear, comprehensive and witty look at swearing and the impact of its new acceptability on our language, our manners and our society. He considers how we have…
I write fiction, mostly historical mysteries, and non-fiction, generally about the English language. Both aspects of my writing reflect an interest in the past and how it continually shapes the present. The roots of English go back thousands of years to Latin, Anglo-Saxon, French, and many other sources. Yet the newest term to the vast storehouse of language may have been added only last week. Recently I’ve been writing about oaths, swear words, and bad language.
Is it possible to write a whole book on a single word and a swear word
at that? The answer is yes and the proof is Jim Dawson’s witty and
comprehensive history of the MF word. The title, a spin on the 17th
century classic The Compleat Angler, shows that Dawson will be
wide-ranging in his references. Crammed with examples and interesting
stories, it also settles the question of whether, when it comes to
uttering expletives, Bruce Willis or Samuel L Jackson is Hollywood’s
most proficient MF.
"I've had it with these motherfucking snakes on this motherfucking plane!" shouted Samuel Jackson in the movie Snakes on a Plane. It was the use of the famous expletive that brought on huge promotional buzz. The best-selling book On Bullshit won its audience from its shockingly unapologetic treatment of its title rather than its fairly pedestrian academic inquiry.
The Compleat Motherfucker is an entertaining and informative investigation into the offensive slang, touching on African American culture and other curious seeds of American subcultural and pop cultural movements.
Author Jim Dawson also wrote the brisk-selling previous study of fartology, Who Cut…
Stories, essays & dialogues about art, imagination & the erotic life. A young man named Charles writes a series of erotic tales, and his bookish friend Lisa offers light-hearted critiques of them.
Some stories feel like erotic meditations or random erotic moments in a young man's life. Others start with…
I write fiction, mostly historical mysteries, and non-fiction, generally about the English language. Both aspects of my writing reflect an interest in the past and how it continually shapes the present. The roots of English go back thousands of years to Latin, Anglo-Saxon, French, and many other sources. Yet the newest term to the vast storehouse of language may have been added only last week. Recently I’ve been writing about oaths, swear words, and bad language.
This American title is at the more academic end of books on swearing
and oaths. Mohr shows how obscenity evolves over time. Words now
considered indecent were acceptable in the Middle Ages while careless
invocations of God and Jesus were taboo (that’s not to say they
weren’t used). The very title of the book neatly illustrates a
difference between US and British culture, with the asterisk being
used to soften potential offence in the States. By contrast in the UK, the word usually appears naked and unashamed on the cover (as in
Frankie Boyle’s My Shit Life So Far).
Almost everyone swears, or worries about not swearing, from the two year-old who has just discovered the power of potty mouth to the grandma who wonders why every other word she hears is obscene. Whether they express anger or exhilaration, are meant to insult or to commend, swear words perform a crucial role in language. But swearing is also a uniquely well-suited lens through which to look at history, offering a fascinating record of what people care about on the deepest levels of a culture-what's divine, what's terrifying, and what's taboo.
I write fiction, mostly historical mysteries, and non-fiction, generally about the English language. Both aspects of my writing reflect an interest in the past and how it continually shapes the present. The roots of English go back thousands of years to Latin, Anglo-Saxon, French, and many other sources. Yet the newest term to the vast storehouse of language may have been added only last week. Recently I’ve been writing about oaths, swear words, and bad language.
Jonathon Green is the doyen of dirty words. Or, more respectfully, he
is the premier lexicographer of the graphic, the dubious, and the
obscene. For decades Green has been trawling obscure publications and
other outré sources for examples of slang in the English language, and
publishing dictionaries that are unmatched in their scope and detail.
No term, however racist, sexist, classist, or any other kind of -ist,
is too small to go unnoticed. In Odd Job Man, a mixture of
autobiography and ruminations on bad language, Green describes himself
as an ‘anatomist of the underbelly cutting not into ripe cadavers but
into riper language.’ It’s a life’s work.
For thirty years Jonathon Green has been collecting slang - the indefinable language of the gutter, the brothel, the jail, the barroom - producing a succession of dictionaries, most recently the three-volume Green's Dictionary of Slang, that have been recognised as the most comprehensive and authoritative ever compiled. In this fascinating memoir Green reveals that he first began collecting slang in the 1970s, noticing that the contemporary authorities (notably Eric Partridge) preferred the past to the present, unaware of the huge array of new slang being coined by the counter-culture. He ponders why he still does this strange, lonely job,…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
Emily Bronte wrote one novel in her short life, but what an amazing novel it is. The anti-heroes Heathcliff (rough, bitter, and rude from early mistreatment) and his childhood beloved, Catherine (spoiled and willful), are unique in fiction, and when they go head-to-head, there’s no stopping them. But Bronte doesn’t make it easy to understand them.
Heathcliff obsessively pursues Catherine after she’s married, but what she feels for him has been debated by many scholars, such as myself–some say it’s not sexual, but I disagree. The scene where they finally kiss and cling to each other while she is eight months pregnant with her husband’s child, right before her death, was extremely shocking to the Victorian public. It was so powerful that it scared me when I first read it at age 14.
One of the great novels of the nineteenth century, Emily Bronte's haunting tale of passion and greed remains unsurpassed in its depiction of destructive love. Her tragically short life is brilliantly imagined in the major new movie, Emily, starring Emma Mackey in the title role.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Wuthering Heights features an afterword by David Pinching.
One wild, snowy night on the Yorkshire moors, a gentleman asks…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
This novel of unrequited (or is it?) mad love for a married woman was so popular that many young men of the time took to wearing the yellow waistcoat that our hero Werther sports in the novel. Werther’s sensitivity and passionate nature were the essence of Romantic-era values.
Unlike Lancelot, Werther is not a hyper-masculine, aggressive guy pursuing love; instead, he moons around talking with Lotte, his beloved, about life, love, and poetry. I must say I’d take Werther over Lancelot any day, but as with the Werthers in my life, it doesn’t turn out well.
Lotte becomes his entire world, but she is a virtuous wife to her dull husband, so she tries to friend-zone him. He isn’t having it, but she holds fast. This more than disappoints poor Werther, as you will see.
One of the world's first bestsellers, this tragic masterpiece attained an instant and lasting success upon its 1774 publication, catapulting the author to the forefront of the German literary movement known as Sturm und Drang. A burst of parodies, operas, poems, and plays based on The Sorrows of Young Werther rapidly ensued, along with the cultlike following of young romantics across Europe who affected the manner of the novel's passionate and self-destructive hero. Young Werther bares his soul to readers in the form of alternately joyful and despairing letters about his unrequited love. His story marks the initial great achievement…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
If you’ve ever dreamed of the proverbial knight in shining armor who will protect and save you (and who hasn’t?), this epic medieval tale shows where the idea came from. Lancelot is the perfect knight who must rescue his kidnapped beloved, Queen Guinevere, and off to battle he goes. But Queen Guinevere is married to King Arthur, an inconvenient fact that isn’t a problem in this story. Being crazy in love with your majesty’s wife was not a big moral problem in the twelfth century, apparently. In fact, they ate it up.
When he finds her, he overcomes the villain and is rewarded by having hot sex all night with her, which both lovers desire. I love that Guinevere is an equally passionate lover, not an idealized pure-minded maiden.
Originlly published in 1984, this book contains the full text of Lancelot or, The Knight of the Cart, the third or fourth major work by the twelfth-century poet Chretien de Troyes, alongisde a full translation and textual notes.
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
This book explores the themes of loss, grief, and fidelity to one’s marriage, even once that relationship is unraveling. The prose is precise, and the narrator’s inner life is seemingly transparent. At the same time, it’s a mystery: why did the narrator’s husband disappear while doing research for a book on mourning rituals in southern Greece? And why does she hide the secret of their marital separation—and her new life with a new man—from her mother-in-law, who insists she track down her son, Christopher?
The narrator seeks out her soon-to-be ex at her mother-in-law's command, only to discover a tragic event. The ties to a failing love and a distant family are strengthened and the reader’s expectations upended. I loved how Kitamura took existential issues and boiled them down into a deceptively quiet story.
A young woman has agreed with her faithless husband: it's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, alone, she gets word that her ex-husband has gone missing in a remote region in the rugged southern Peloponnese. Reluctantly she agrees to go and search for him, still keeping their split to herself. In her heart, she's not even sure if she wants to find him. Adrift in the wild and barren landscape, she traces the failure of their relationship, and finds that she…
Women’s fiction was my go-to genre after discovering Danielle Steele many years ago. I progressed from epic emotional family dramas to chick lit/romcoms, wanting to read books that made me laugh and gave that feel-good feeling. I love a happy ever after, and don’t mind knowing that the main characters will end up together because for me it’s all about the journey. I’ve been so lucky since being an author, to have received lots of emails and social media messages, telling me how much my books have either helped someone, inspired someone, made them laugh, given them hope, and generally left them with a warm feeling in their heart.
The book is about a lady who is trying to find her perfect man and is literally knocked off her feet by a man she meets on the platform of her local station on her daily train journey to London Euston.
They fall head over heels in love and her journey is the highlight of her day until she finds out a huge secret about him which means that their future is impossible.
This book has stayed with me, one part in particular since I read it over 30 years ago. It was the book that taught me that love comes in many shapes and sizes and that you can’t always choose who steals your heart.
Discover the Sunday Times bestseller's first novel - a hilarious rom-com about trying to find Mr Right
Teri has dated more men than she's had low-calorie, low-fat dinners, and she still hasn't found Mr Right. She's found other men though: Mr Lazy, Mr Greedy, Mr Completely Selfish, Mr Looking-For-Mother-Substitute and Mr Pervert. But no Mr Right.
That is until she's literally knocked off her feet by Jamie Duncan as they rush to catch the same train from Euston station: the 18.07 from platform 8. It's not long before love blossoms and commuting takes on a whole new meaning.