Here are 100 books that Earth and Heaven fans have personally recommended if you like
Earth and Heaven.
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Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Mary Hoffman has said that what she likes best when writing historical fiction is plenty of facts but a great big gap at the centre. That’s how she came to write about Gabriele, her imagined model for Michelangelo’s iconic sculpture.
Renaissance Florence is full of rivalries, intrigues, and conflicts, into which this unworldly youth is plunged, at first manipulated, later learning to find his way and decide where his loyalties lie. With a strong narrative pace and sumptuous detail of fashionable Florentine society, the story creates a believable background to one of the world’s most famous and recognisable masterpieces.
Michelangelo's statue of David is renowned all over the world. Thousands flock to Florence to admire the artistry behind this Renaissance masterpiece, and to admire the beauty of the human form captured in the marble. But the identity of the model for this statue that has been so revered for over five hundred years has been lost ...In this epic story Mary Hoffman uses her persuasive narrative skills to imagine the story of Gabriele, an eighteen-year-old who, by becoming Michelangelo's model, finds himself drawn into a world of spies, politicking, sabotage and murder. Set against the backdrop of Florence, this…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Burntcoat is the name of the home, a converted warehouse, of sculptor Edith Harkness’s home, and also of a Japanese technique she’s mastered in which wood is almost destroyed by fire, then charcoal is scraped off to reveal the beauty of the grain beneath.
The story is set in a pandemic, of a disease more rampant and deadly than the recent COVID-19, and Edith is working on a monumental piece to commemorate those lost. Her character blends defiance and acceptance; her story of intense physical love and searing loss, moving back and forth in time, is told with measured calmness. Although this is a relatively short novel, it feels big and expansive.
An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).
'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR
You were the last one here before I closed the door of Burntcoat, before we all shut our doors.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.
Downstairs, the studio is a crucible glowing with memories and desire.…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This book includes one of the most famous portrayals of a sculpture on stage, and is one of my favorite Shakespeare plays. One of his later works, it combines a story very like the tragedy of Othello with a second half that has an entirely different mood of youth and hope, love, and redemption.
In the play’s final scene (spoiler alert!), a party including King Leontes and his newly-found daughter, Perdita, gathers to admire the work of a celebrity sculptor, Julio Romano. The statue perfectly depicts Leontes’ wronged wife, Hermione, whom he believed dead.
In this glorious moment, Hermione comes back to him in the form of a living statue stepping down from its pedestal. There’s a delightful ballet version of the play, too.
The Winter's Tale, one of Shakespeare's very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, "Were it but told you, should be hooted at / Like an old tale."
It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.
A "winter's tale" is one told or read on a long winter's night. Paradoxically, this winter's tale is ideally…
I have always loved writing, receiving, and reading letters—slips of paper that hold one person’s thoughts in order to transfer them to another person. One of my prized possessions is a short stack of letters I wrote to my parents from summer camp when I was 10 years old. Each one relays some catastrophe—a fall from a horse, a motorcycle crash, a waterskiing incident—with the relish of a wartime correspondent. Epistolary novels, diaries, and journal entries will always fascinate me. I love their immediacy. I begin reading and am immediately captivated by words that are ostensibly written for someone else but which speak directly to me.
This book was a revelation: a tactile, hands-on dream. I loved the physicality of holding and reading actual cards and letters between two people, got caught up in the mystery of how and why they were corresponding and thoroughly enjoyed the pervasive feeling of being involved in what appeared to be a very private conversation.
I never get tired of reading and revisiting it. Its appeal never grows old.
Don't miss The Pharos Gate , the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine , the book finally shares what happened to the lovers.
Griffin: It's good to get in touch with you at last. Could I have one of your fish postcards? I think you were right-the wine glass has more impact than the cup. -Sabine
But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she? Thus begins the strange and intriguing correspondence of Griffin…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
I love writing picture books. They are the perfect blend of words and art. Long ago, my sister and I would sit at the kitchen table and draw. Since she was nearly three years older than me, her drawings always seemed better than mine. That memory turned into my picture book, Arlo Draws an Octopus, about a boy who struggled to draw an octopus. Years later, it was great fun to write a story that turned a “disaster-piece” into a triumph. While I didn't become an artist, I love to read about artists, their unique view of the world, and their art. These picture books are some of the best.
It not only shares fascinating details about pop artist Andy Warhol’s life and artistic journey, but it also gets readers talking about what makes art, art.
Is it liking things? Is it about painting pretty things? Is it about seeing things in a new way? Who decides what art is, anyway?
This is the story of Andy Warhol-and how his pop art took the world by storm. From drawing shoes for a shoe company to his Campbell's Soup cans and Marilyn Monroe prints, Andy made art out of the everyday. People claimed Andy's art wasn't real art, but that didn't stop him from making it, plus movies, a magazine, a TV show, and more!
With Art Is Everywhere, Jeff Mack explores Warhol's fascination (and our own) with celebrity and fame, and opens readers' minds to the possibilities for art in the world around us.
I ardently began research and writing on Jean-Michel Basquiat in grad school (2004), before his paintings demolished sales records and when he was still somewhat misunderstood and marginalized by perplexed art historians. Since then, his potency and intrigue have blazed a global pop culture inferno. I’ve conducted dozens of interviews, befriended those close to him, memorized his lines, colors, words, and spaces in books and real life, and re-read countless pages. Currently I’m writing and compiling a field guide to his work. All Basquiat publications are imperfect. I hope with sensitivity and intellectual intent, fans can move through their initial impressions to better understand his meaningful motives, inclinations, and artwork.
I am conflicted recommending this book. I detest this bestselling biography’s gossipy tone concerning Jean-Michel Basquiat’s personal and professional drama.
Yet many of these disturbances are unpleasantly true, and Hoban extensively, tediously researched her book. When I forget key names, or need to reference milestones, I look in the glossary and chapters. Chronologically it is helpful, but loosely delivered.
A revised edition would make a lot of sense, with so much discovery since its publication. The expansiveness, thoroughness, and ambition keep this book useful to me. Readers should take this exhaustive bio with a grain of salt, because of its biased fixation on the negative curiosities of Basquiat’s legacy.
In addition, with so much new information being revealed, researchers must cross-reference all facts taken from this title.
The tragic story of the talented painter Jean-Michel Basquiat details his turbulent childhood, explosive dealings with the elite art world, relationships with such figures as Andy Warhol and Madonna, and rise to fame, which led to his death from a drug overdose at the age of twenty-seven. 12,000 first printing.
There are so many ways to make friends—and to be friends. As a painfully shy person for most of my life, I’ve learned that words aren’t always necessary, and that shared interests and non-verbal (or differently-verbal) communication can take you a long way. It’s probably why so many of my books focus on unconventional friendships, like that between a boy and a funny-talking fruit bat (in Megabat), a boy and his emotional support duck (in Quack), or even a bee and a flea (in Bee and Flea and the Compost Caper). Not surprisingly, I also love reading books that celebrate unlikely friends. These are just a few of my favorites.
Adventure awaits when an inkblot from one of Ethan’s dad’s sketches comes to life and leaps off the page. Sydney Smith’s inky illustrations add to the fun of this fast-paced and funny story about friendship and family. And because Inkling loves to read/eat up ink, and he takes on the mood of whatever text he’s just devoured, it’s also a cool and clever introduction for kids to some classics and to different genres of writing.
What’s more, the book ends on a note that suggests a sequel that I can’t wait to read!
Mishaps and madness ensue when magical drawing ink comes to life in the Rylance home and 11-year-old Ethan tries to prove he's just as talented as his famous father.
A moving but light-hearted story about grief, family and a sixth-grade rivalry. When Ethan's class is given the task of creating a graphic novel and magical ink jumps out of his father's sketchbook, a strange series of events is set into motion. To his younger sister, Inkling is Lucy, her beloved dog; to his father, Inkling is a second chance at a dwindling career and a chance to solve his family's…
From the time I was a kid, I loved books about real people who lived through difficult and colorful times. As a writer, I’ve written about people whose lives fascinated and inspired me like Franklin Law Olmsted (The Man Who Made Parks) I believe that a riveting story or memoir gives the reader a strong sense of a person and the times in which they lived. And after reading one of these books, I wanted to know more about the person and the period in which they lived.
In this riveting memoir told through minimum text and vivid black and white graphic art, we learn of the hardships, sorrow, and choices Small dealt with as a young man. Although heartbreaking, this is ultimately a story of courage despite a painful upbringing. The reader senses how art helped Small cope with sadness, disappointment, and confusion growing up in a difficult family.
David Small, a best-selling and highly regarded children's book illustrator, comes forward with this unflinching graphic memoir. Remarkable and intensely dramatic, Stitches tells the story of a fourteen-year-old boy who awakes one day from a supposedly harmless operation to discover that he has been transformed into a virtual mute-a vocal cord removed, his throat slashed and stitched together like a bloody boot. From horror to hope, Small proceeds to graphically portray an almost unbelievable descent into adolescent hell and the difficult road to physical, emotional, and artistic recovery.
A National Book Award finalist; winner of the ALA's Alex Award;…
