Here are 100 books that Earth and Heaven fans have personally recommended if you like
Earth and Heaven.
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Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Mary Hoffman has said that what she likes best when writing historical fiction is plenty of facts but a great big gap at the centre. That’s how she came to write about Gabriele, her imagined model for Michelangelo’s iconic sculpture.
Renaissance Florence is full of rivalries, intrigues, and conflicts, into which this unworldly youth is plunged, at first manipulated, later learning to find his way and decide where his loyalties lie. With a strong narrative pace and sumptuous detail of fashionable Florentine society, the story creates a believable background to one of the world’s most famous and recognisable masterpieces.
Michelangelo's statue of David is renowned all over the world. Thousands flock to Florence to admire the artistry behind this Renaissance masterpiece, and to admire the beauty of the human form captured in the marble. But the identity of the model for this statue that has been so revered for over five hundred years has been lost ...In this epic story Mary Hoffman uses her persuasive narrative skills to imagine the story of Gabriele, an eighteen-year-old who, by becoming Michelangelo's model, finds himself drawn into a world of spies, politicking, sabotage and murder. Set against the backdrop of Florence, this…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
Burntcoat is the name of the home, a converted warehouse, of sculptor Edith Harkness’s home, and also of a Japanese technique she’s mastered in which wood is almost destroyed by fire, then charcoal is scraped off to reveal the beauty of the grain beneath.
The story is set in a pandemic, of a disease more rampant and deadly than the recent COVID-19, and Edith is working on a monumental piece to commemorate those lost. Her character blends defiance and acceptance; her story of intense physical love and searing loss, moving back and forth in time, is told with measured calmness. Although this is a relatively short novel, it feels big and expansive.
An electrifying story of passion, connection and transformation from 'a writer of show-stopping genius' (Guardian).
'Dark and brilliant.' SARAH MOSS 'A masterpiece.' DAISY JOHNSON 'Extraordinary.' SARAH PERRY 'Searing... Sarah Hall's best work yet.' JON McGREGOR
You were the last one here before I closed the door of Burntcoat, before we all shut our doors.
In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. The symptoms are well known: her life will draw to an end in the coming days.
Downstairs, the studio is a crucible glowing with memories and desire.…
When the ground shifts, where is one true thing to be found?
Jane, in her twenties, is left parentless when her father dies suddenly; a second shock follows when his Will reveals the existence of a son no-one knew of. Now Wildings, the family home, must be sold.
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This book includes one of the most famous portrayals of a sculpture on stage, and is one of my favorite Shakespeare plays. One of his later works, it combines a story very like the tragedy of Othello with a second half that has an entirely different mood of youth and hope, love, and redemption.
In the play’s final scene (spoiler alert!), a party including King Leontes and his newly-found daughter, Perdita, gathers to admire the work of a celebrity sculptor, Julio Romano. The statue perfectly depicts Leontes’ wronged wife, Hermione, whom he believed dead.
In this glorious moment, Hermione comes back to him in the form of a living statue stepping down from its pedestal. There’s a delightful ballet version of the play, too.
The Winter's Tale, one of Shakespeare's very late plays, is filled with improbabilities. Before the conclusion, one character comments that what we are about to see, "Were it but told you, should be hooted at / Like an old tale."
It includes murderous passions, man-eating bears, princes and princesses in disguise, death by drowning and by grief, oracles, betrayal, and unexpected joy. Yet the play, which draws much of its power from Greek myth, is grounded in the everyday.
A "winter's tale" is one told or read on a long winter's night. Paradoxically, this winter's tale is ideally…
I have always loved writing, receiving, and reading letters—slips of paper that hold one person’s thoughts in order to transfer them to another person. One of my prized possessions is a short stack of letters I wrote to my parents from summer camp when I was 10 years old. Each one relays some catastrophe—a fall from a horse, a motorcycle crash, a waterskiing incident—with the relish of a wartime correspondent. Epistolary novels, diaries, and journal entries will always fascinate me. I love their immediacy. I begin reading and am immediately captivated by words that are ostensibly written for someone else but which speak directly to me.
This book was a revelation: a tactile, hands-on dream. I loved the physicality of holding and reading actual cards and letters between two people, got caught up in the mystery of how and why they were corresponding and thoroughly enjoyed the pervasive feeling of being involved in what appeared to be a very private conversation.
I never get tired of reading and revisiting it. Its appeal never grows old.
Don't miss The Pharos Gate , the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine , the book finally shares what happened to the lovers.
Griffin: It's good to get in touch with you at last. Could I have one of your fish postcards? I think you were right-the wine glass has more impact than the cup. -Sabine
But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she? Thus begins the strange and intriguing correspondence of Griffin…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
I have spent an exciting half-century in the New York art world as a dealer and an author and while my passion is to encourage people to enjoy art for art’s sake (rather than money or prestige) my many close friendships with artists demonstrate how much their life informs their art. The authors of these five books bring the art as well as the artists to life.
Of the many biographies of Andy Warhol this early one remains the best, written by a man who worked and partied with the artist in the heyday of the artist’s glamorous world (and I make another brief cameo appearance). Everything about the enigmatic icon of contemporary art continues to inform our culture and I was deeply influenced not only by Warhol’s paintings but by my friendship with him from 1964 until his death in 1987. In books and movies he has been transformed into a cultural icon rather than the complicated amusing hard-working artist I knew. Bob Colacello wrote this book shortly after Warhol died and for me is the best portrait of the “real” Andy Warhol and the era he helped to define.
In the 1960s, Andy Warhol’s paintings redefined modern art. His films provoked heated controversy, and his Factory was a hangout for the avant-garde. In the 1970s, after Valerie Solanas’s attempt on his life, Warhol become more entrepreneurial, aligning himself with the rich and famous. Bob Colacello, the editor of Warhol’s Interview magazine, spent that decade by Andy’s side as employee, collaborator, wingman, and confidante.
In these pages, Colacello takes us there with Andy: into the Factory office, into Studio 54, into wild celebrity-studded parties, and into the early-morning phone calls where the mysterious artist was at his most honest and…
In the course of everyday life, when I’m writing books for middle grade and young adult readers, board books spring to my mind. Sometimes they come from catching a glimpse of a child hugging a parent, or they may spring from a phrase I overhear or say myself. That sounds like a board book, I think, and I write it down quickly. Sometimes, I’ll wake in the night, and a board book text will come to me in rhyme. Along with writing board books, I’ve been recommending quality works at the readertotz blog since 2009 in order to raise the profile of the format. Authors, illustrators, and publishers must create the very best quality, and then we must support, enjoy, and celebrate the works. A simple eight words may introduce a first reader to a love of books for life.
Part of the This Little series, Joan Holub’s This Little Artist is an introduction to art history for our wee ones. Daniel Roode’s stylized figures with big round eyes illustrate greats such as Michelangelo, Mary Cassatt, and Jean-Michel Basquiat. A rhyme and portrait give an introduction on the left-hand page, and several facts follow to accompany the artist in their own setting on the right page. The book concludes with eighteen other artists and their techniques, as well as questioning what your reader might create. This is a little treasure of creativity and inspiration.
Learn all about artists who changed history in this engaging and colorful board book perfect for creators-in-training!
Painting, shaping, making art. With creative joy, hands, and heart.
Little artists have great big imaginations.
In this follow up to This Little President, This Little Explorer, This Little Trailblazer, and This Little Scientist now even the youngest readers can learn all about great and empowering artists in history! Highlighting ten memorable artists who paved the way, parents and little ones alike will love this creativity primer full of fun, age-appropriate facts and bold illustrations.
I started drawing in my twenties when I was lucky to meet and be inspired by tutors who passed on their passion for it. I have drawn and kept sketchbooks ever since: they trace the everyday things, my travels and important life events, but they are also places for thoughts and experiments, notes, and phone numbers. I don’t dare leave home without a sketchbook and pen in case I miss some unmissable thing. I went to art college, trained as a journalist, worked at a variety of art publications, have written three books about drawing, and exhibit and sell my drawings and prints.
This book is great because it combines illuminating interviews with leading contemporary artists who draw, such as Cornelia Parker, Dryden Goodwin, and Charles Avery, with no-nonsense practical projects. The book has the atmosphere of an art school studio about it, which is understandable because it has sprung from the authors’ collective 45 years as artists and lecturers. It feels like a creative launchpad, one that will take your drawings in new exciting directions if you’re prepared to give it a go. This is a book you should get dirty in the studio. I can almost taste the charcoal dust in the air reading this book.
I’m an award-winning children’s author of more than 100 books, including many biographies. I first fell in love with biographies when I was a child and read about young blind and deaf Helen Keller. Blind and deaf? I couldn’t imagine. Yet, page by page, as I stepped into little Helen’s world, I felt as if I experienced her struggles, triumphs, and tragedies right along with her. I discovered that in spite of her great challenges, she succeeded. That’s why I love biographies and why I write them. I hope my biographies open a door into someone else’s world that can remind readers that they can succeed too, in spite of obstacles in front of them. I try to write the sort of picture books I love—funny, whimsical, captivating, and unforgettable.
The Secret World of Walter Anderson is one of my favorite picture book biographies. From the first lyrical lines, Bass draws the reader into another time and place where a solitary Mississippi artist climbs into his leaky skiff and sails off to an uninhabited island to paint the world around him. The watercolor illustrations are so wonderful, the reader will hear the crash of the waves, feel the warm sun on their shoulders, and breathe in the salty air right along with the illusive artist. It’s a brilliant story about a man who “may be the most famous American artist you’ve never heard of.”
Enter the fascinating world of reclusive nature-lover Walter Anderson -- perhaps the most famous American artist you've never heard of.
Residents along the Mississippi Gulf Coast thought Walter Anderson was odd, rowing across twelve miles of open water in a leaky skiff to reach Horn, an uninhabited island without running water or electricity. But this solitary artist didn't much care what they thought as he spent weeks at a time on his personal paradise, sleeping under his boat, sometimes eating whatever washed ashore, sketching and painting the natural surroundings and the animals that became his friends. Here Walter created some…
