100 Books Like Bestiary

This affecting and disturbing novel about a group of queer friends in late-80s Taiwan was ahead of its time in content, form, and vision. Premised on the idea of a collection of notebooks, the text incorporates multiple literary forms, and the “otherworldly” element is in Qiu’s use of the crocodile as a literalized metaphor for queer identity. A sobering and captivating read. 

In Ghost Month, the first in a 4-book mystery series, Ed Lin vibrantly depicts nightlife in Taiwan, particularly in the night markets. I love this book for doing what John Gardner says good fiction should—it creates a “vivid and continuous dream,” bringing to life so much of the sensory experiences of Taipei. I could see, smell, hear, and taste this book!

One of my favorite books set in Taiwan, The Hell Screens is dreamy and chilling, creating a landscape of winding alleys, dark apartments, and half-seen ghosts. It captures some of the peculiar alienation that I felt like a newcomer in Taiwan. Alvin Lu has such a unique voice and way of depicting the world—I can’t wait for more work from him.

There is a scene in this book where one of the characters finds himself diving among the bodies of dead veterans in the flooded basement of a building. Is it real? Is it a dream? The uncanniness and careful sense of loneliness and history in the scene not only intrigued my imagination, but touched my heart too. In talking about the search for a bicycle, this Booker International Prize-nominated novel encompasses so much more—archive, history, memory, war, colonialism, butterflies. This is a surprising and expansive book by one of Taiwan’s best contemporary writers.

I love the way this book moves between Scotland and Sudan, as told from the perspective of a devout Muslim woman working as a translator for a Scottish academic at Aberdeen University. The story itself is a work of translation and a highly original rewriting of the encounter between East and West, Islam and Christianity, English and Arabic.

All those binaries break down: the English, for example, is Scottish, and the way to pronounce Arabic turns on a difference between Arab-speaking regions so that in both speech and writing, the reader encounters subtleties of translation usually overlooked in the tiresome cliches about “West” and “East.”

I love teaching it to learn with my students the politics of translation. The book has my favorite rewriting of that famous map-pointing scene at the beginning of Conrad’s “Heart of Darkness”—Aboulela restores as Arabic names the blank spaces on the map of… show more.

This is a book that keeps on changing my life. I was bowled over the first time I read it because it completely transformed my understanding of global history. The multi-ethnic, multi-lingual, multi-national history I’d been piecing together studying Conrad’s work suddenly all made sense in a different way.

Pramoedya’s novel shows how Conrad’s novels are really all about the anti-colonial revolution. I love the book for the way it introduces all the most important historical, political, social, sexual, and philosophical questions bound up with decolonization.

It's a deceptively simple read, but cocooned within the sentimental coming-of-age story of its first-person narrator, the European-educated Minke, is an increasingly historical account of colonial oppression, anti-colonial resistance, and worldwide revolution that completely overturns European assumptions about what constitutes “this earth of mankind.” 

I love this book for the epic story it tells of two Native American sisters kidnapped from their home and reunited after separate journeys. There’s something extraordinary about Silko's ability to craft a novel about the horrors of violence against Native Americans and make it a book of resilience and affirmation.

It may not have the heft of her other epic novel, Almanac of the Dead (which I also love), but whereas Almanac has no likable characters and many brutal stories, this one manages to have no unlikeable characters despite the underlying brutality of the stories it tells.

It is deceptively childlike in its focus on children and its inclusion of animal characters, although the animal-human relation is far from simplistic, forming part of its deep linguistic, cultural, and ecological world-changing perspective. 

I love this book for the way it brings together in one place (a graveyard) a panoply of different characters from different walks of South Asian life. I find Anjum (the third gender “hijra” character who begins the narrative) most compelling. Her marginal relation to all the various mainstream cultures sets a template for how storytelling works across cultures, languages, and political perspectives.

I also love a part of the book critics found puzzling–when the novel shifts to the perspective of the former intelligence officer. It’s reminiscent of Conrad’s The Secret Agent and Under Western Eyes, Ngugi wa Thiong’o’s A Grain of Wheat, or House of Glass, the final novel in the Buru quartet of novels by Pramoedya Ananta Toer.

Like those novels, it compels a reader to undergo radical shifts in political and cultural perspectives. It’s simultaneously a political novel, a thriller, several coming-of-age novels spliced together, and… show more.

Amah Faraway shows us how families can connect across distances and cultures.

Kylie is unsure about visiting her Amah in person, as well as all the differences that may arise between them. If you have an anxious kiddo, you’ll relate to all the uncertainty Kylie feels. But we soon see that Kylie embraces what makes them different and isn’t ready to leave Amah just yet.

A perfect picture book for discussing how to navigate cultural differences within the family.

This is one of the first English books I read about Taiwan New Cinema (TNC), arguably the most significant film movement in Taiwan to date.

When the TNC occurred in the 1980s, I was a student and Taiwan was going through the early stage of regime transition and democratization. It was an exciting but also uncertain time. I found films of TNC compelling but often opaque in meaning.

Reading this book in the early 21st century suddenly unlocked a lot of mysteries about the TNC as a film movement and the brilliance of these works for me. It motivated me to start researching Taiwan cinema as a subject more seriously.