Here are 99 books that Amah Faraway fans have personally recommended if you like
Amah Faraway.
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There is much in the world that we cannot change. This is much that can make us feel sad or angry. So, is there nothing we can do about all of this? I believe in the depths of my being that we can all reach out, be kind, and do good deeds. Instead of just complaining about wrong things, we can do something to try to make the world a little better, a little brighter, even if it’s just for one other person. That’s why I wrote my book.
I loved the relationship between the boy and his grandmother, and I thought the message was poignant and wonderful. It’s good to let children know that though some people have more than others do materially, it does not make them better. And it is up to everyone to reach out to those who have less if they can help.
Every Sunday after church, CJ and his grandma ride the bus across town. But today, CJ wonders why they don't own a car like his friend Colby. Why doesn't he have an iPod like the boys on the bus? How come they always have to get off in the dirty part of town? Each question is met with an encouraging answer from grandma, who helps him see the beauty and fun in their routine and in the world around them. This energetic ride through a bustling city highlights the love and understanding between grandparent and grandchild as the world comes…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a writer and child therapist, I believe in the importance of connecting with our families. Sometimes that means making sacrifices for our loved ones who need our support. When my parents moved to be near our family, we learned how to adapt to their changing needs. Like the books I choose, sometimes a grandparent moves in with you, sometimes you navigate them being grumpy, or other times you just listen to their wishes. But mostly, it’s just being there in the moment with a grandparent that opens our eyes, and heart, to something larger than ourselves.
If you know a grumpy grandpa, you’ll enjoy this one!
Daisy is thrilled her grandpa is visiting from China. While Daisy has many fun things planned, her grandpa is well… grumpy! He likes things a certain way and Daisy can’t dissuade him otherwise. (I can relate to that!) That is, until she discovers what he really likes and helps make him feel right at home.
A fabulous picture book that explores connection and fosters an understanding of others.
Daisy's Yeh-Yeh is visiting from China, and try as she might, Daisy can't get her grumpy grandpa to smile!
Daisy's Yeh-Yeh is visiting for the first time from China, and Daisy is so excited to meet him! She has big plans for all the fun they'll have together, like tea parties and snow angels, but when Yeh-Yeh arrives, Daisy finds him less jolly than she imagined. Throughout the week, she tries all sorts of things to get him past his grumpiness. Will she be able to make him smile before he goes home?
As a writer and child therapist, I believe in the importance of connecting with our families. Sometimes that means making sacrifices for our loved ones who need our support. When my parents moved to be near our family, we learned how to adapt to their changing needs. Like the books I choose, sometimes a grandparent moves in with you, sometimes you navigate them being grumpy, or other times you just listen to their wishes. But mostly, it’s just being there in the moment with a grandparent that opens our eyes, and heart, to something larger than ourselves.
This book is so fun! The child explains how to play, entertain, feed, and draw for your grandpa.
My personal favorite is when grandpa says, “naptime,” and we see that napping is what grandpa needs, obviously not the child. This story gives the young child the autonomy to be in charge, but most importantly… connect with their grandpa.
The perfect story to make the distance between you and grandad feel a little smaller whilst you're stuck at home . . .
A New York Times bestselling title, illustrated by the winner of the Red House Children's Book Award 2013.
When your grandad rings the doorbell, it's babysitting time! This is a hilarious and accessible picture book about a child spending time with his grandad.
Written in a how-to style, the narrator gives important tips for 'babysitting' a grandad, including what to eat for snack (anything dipped in ketchup, ice cream topped with cookies, cookies topped with ice cream),…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a writer and child therapist, I believe in the importance of connecting with our families. Sometimes that means making sacrifices for our loved ones who need our support. When my parents moved to be near our family, we learned how to adapt to their changing needs. Like the books I choose, sometimes a grandparent moves in with you, sometimes you navigate them being grumpy, or other times you just listen to their wishes. But mostly, it’s just being there in the moment with a grandparent that opens our eyes, and heart, to something larger than ourselves.
Old Friends is a delightful book about finding friendship in unexpected places.
Marjorie, is true to herself and longs for a friend to share in her interests, just like with her Granny. Marjorie soon decides the Senior Friend’s Group might be the perfect place to find a friend for herself.
This book is sweet, humorous, and the illustrations are full of charm, inspiring young children to connect across generations.
Marjorie wants a friend who loves the same things she does: baking shows, knitting, and gardening. Someone like Granny. So with a sprinkle of flour in her hair and a spritz of lavender perfume, Marjorie goes undercover to the local Senior Citizens Group. It all goes well until the cha-cha-cha starts and her cardigan camouflage goes sideways. By being true to herself, Marjorie learns that friends can be of any age if you look in the right places.
The ghostly/magical and Taiwan are two of my major interests—I have written about both in my fiction. After living in Taiwan for a few years and getting to know my mother’s side of the family, I gained an appreciation for its complicated history, riveting politics, and the energy of daily life there. Its confluence of people and histories has made it a unique cultural amalgam and these books capture the way folk religion and the spiritual/magical are wedded into the bustling contemporary urban life of Taiwan. I hope you find yourself as enchanted and intrigued by these stories as I have been!
One of my favorite books set in Taiwan, The Hell Screens is dreamy and chilling, creating a landscape of winding alleys, dark apartments, and half-seen ghosts. It captures some of the peculiar alienation that I felt like a newcomer in Taiwan. Alvin Lu has such a unique voice and way of depicting the world—I can’t wait for more work from him.
Cheng-Ming, a Taiwanese American, rummages through the used-book stalls and market bins of Taipei. His object is no ordinary one; he's searching obsessively for accounts of ghosts and spirits, suicides and murders in a city plagued by a rapist-killer and less tangible forces. Cheng-Ming is an outsider trying to unmask both the fugitive criminal and the otherworld of spiritual forces that are inexorably taking control of the city. Things get complicated when the fetid island atmosphere begins to melt his contact lenses and his worsening sight paradoxically opens up the teeming world of ghosts and chimeras that surround him. Vengeful…
As an English professor, I teach all kinds of literature, but I’m especially drawn to creative and experimental works that cross over different languages, cultures, and geographical regions. I’m drawn to writers who test the limits of language. Joseph Conrad chose to write in English, his third language (after Polish and French), which he learned from the polyglot world of sailing. Conrad’s English is populated by multiple other languages. When I discovered the Indonesian writer Pramoedya Ananta Toer, I was compelled to learn both Dutch and Indonesian in order to read the prison notes, then available only in Dutch, and the many stories and novels not yet translated into English.
I love this book for the poetic and multilingual effect in just about every line of writing. Although its explicit descriptions of bodily violence are visceral and challenging, there is something utterly compelling about the impossibility of disentangling literal from metaphorical descriptions.
I love the way the book revisits and also queers some of the themes of Maxine Hong Kingston’s A Woman Warrior (e.g., the story of immigration to the U.S., the woman warrior theme). Linguistically, it is even more complex than A Woman Warrior.
It combines American English and Chinese—sometimes breaking up the Roman letters with Chinese characters—and then subverts both English and Chinese through references to the indigenous Taiwanese language, Atayal.
Three generations of Taiwanese American women are haunted by the myths of their homeland in this blazing debut of one family's queer desires, violent impulses and buried secrets.
One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. Her name was Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her estranged grandmother; a visiting aunt leaves red on everything she touches; a ghost bird shimmers in an…
As a kid, I’ve always loved reading romances, even if it meant spending my recesses in the library and reading through lunchtime. This resulted in my 6th-grade teacher giving me the weirdest look when she caught me reading a romance at school. When I started writing, I wrote a couple of different genres to test out, but YA contemporary romances were always the ones that stuck with me. I loved writing about the fluttery feelings of first love and the complexities of an uncertain future. It also helps that I met my husband, the love of my life, in high school so I’ll always have a soft spot for books that make me feel that way again.
I picked up A Taste for Love while I was browsing the aisles at Barnes and Noble and the description and gorgeous cover immediately caught my eye. Sometimes it is hard to rewrite a classic story and make it your own, but Jennifer Yen does it beautifully here. I completely forgot that it was a retelling of Pride and Prejudice as I was swept away in Liza’s life and all the laugh-out-loud antics of her family and friends. I’m also a huge fan of Top Chef so all the cooking in this book only made me hungry for more.
For fans of Jenny Han, Jane Austen, and The Great British Baking Show, A Taste for Love, is a delicious rom com about first love, familial expectations, and making the perfect bao.
To her friends, high school senior Liza Yang is nearly perfect. Smart, kind, and pretty, she dreams big and never shies away from a challenge. But to her mom, Liza is anything but. Compared to her older sister Jeannie, Liza is stubborn, rebellious, and worst of all, determined to push back against all of Mrs. Yang's traditional values, especially when it comes to dating.
I’m only a writer because I was a musician first. I worshiped music—as a performer, listener, and later a critic—for its ability to enshrine me in a purely emotional world. My favorite lyrics were poetry in motion; my favorite melodies escaped description. And through sharing my feverish acclamations of particular albums and songs, I found community with others who also pledged themselves to art that’d definitively split their lives into “before” and “after.” My writing career was born from cathartic devotion and remains devoted to recounting the rapture of self-formation, of being reflected in the mirror of something that saw you before you even knew to see yourself.
I was so moved by Hua Hsu’s memoir, an elegy to a college best friend whose shocking murder forever haunts him, because it spoke to a certain kind of young friendship. One of the things that bound Hsu to Ken was the art they did (and didn’t) like but which they always talked about.
I was reminded of the chance encounters of my most important friendships—the Sunday nights spent watching Mad Men in a dorm room or the hours spent swapping Photoshop edits of anime characters—and transported back to those days of limitless dreaming. How big the world seemed then, and how much art we were so desperate to make for, and about, each other.
PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • A gripping memoir on friendship, grief, the search for self, and the solace that can be found through art, by the New Yorker staff writer Hua Hsu
“This book is exquisite and excruciating and I will be thinking about it for years and years to come.” —Rachel Kushner, New York Times bestselling author of The Flamethrowers and The Mars Room
In the eyes of eighteen-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose…
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
I love how this book examines white male cultural appropriation of Chinese Literature and does it to such an extreme extent that it becomes wonderfully absurd. Chou skillfully depicts the discomfort of being Ingrid Yang, a first-generation Taiwanese American woman and Ph.D candidate who is attempting to navigate the elite halls of academia where white men still have all the power.
But what I also appreciated was how Chou examines the main character’s own complicity in the fetishization of Asian women through her relationship with her subtly sketchy boyfriend.
A NEW YORK TIMES EDITORS’ CHOICE SELECTION * A MALALA BOOK CLUB PICK * AN INDIE NEXT PICK * A FAVORITE BOOK OF 2022 BY NPR AND BOOK RIOT * A MUST-READ MARCH 2022 BOOK BY TIME, VANITY FAIR, EW AND THE CHICAGO REVIEW OF BOOKS * A MOST ANTICIPATED BOOK OF 2022 BY GOODREADS, NYLON, BUZZFEED AND MORE
A Taiwanese American woman’s coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel.
Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Readers looking for something different will enjoy this. There’s no history lesson here, no cultural tourism of night markets, martial arts, and temples, no Western protagonists finding their feet and getting a girl. Bu San Bu Si is a gritty journey into the underground music scene in Taipei. In electric prose, the novel follows the triumphs and more often the travails of Xiao Hei, the bass guitarist in a four-man band called Resistant Strain, “a bunch of nobodies in a scene full of more nobodies.” The talented young man’s work ethic doesn’t match his ambitions for street cred, fame, and fortune. When gangster connections offer a shortcut, things spin out of control.
Bu San Bu Si—"not three not four." To the Taiwanese people, it's an idiom used to describe the punks, lowlifes, and losers of society—the ones who don't fit in, and never will. It's what they would call someone like Xiao Hei. Talented and self-destructive, young and reckless, Xiao Hei is the guitar player for Taipei punk band Resistant Strain. He and his band mates don't just play punk. In the vein of the music's more nihilistic Western progenitors, they take it as a lifestyle. Live Fast. Die Young. Get Drunk. Stay Broke. And yet, at the back of their minds,…
