69 Books Like The Translator

What motivated the great Asian desire to rebuild and revitalize their societies? The simple answer is centuries of humiliation at the hands of the West. Pankaj Mishra tells remarkable stories of how Asians were both humiliated and educated by the West. Every Western policymaker should read his story about how the British and French forces looted and burned the Summer Palace, destroying more ancient treasures than the Taliban ever did.

Pankaj Mishra describes well the emergence of a key generation of Asian intellectuals inspired by Japan’s naval triumph over Russia in 1905, including Rabindranath Tagore and Liang Qichao. American policymakers who engage in a contest against China without understanding these centuries of humiliation do so at their own peril. 

I love this book for the poetic and multilingual effect in just about every line of writing. Although its explicit descriptions of bodily violence are visceral and challenging, there is something utterly compelling about the impossibility of disentangling literal from metaphorical descriptions.

I love the way the book revisits and also queers some of the themes of Maxine Hong Kingston’s A Woman Warrior (e.g., the story of immigration to the U.S., the woman warrior theme). Linguistically, it is even more complex than A Woman Warrior.

It combines American English and Chinese—sometimes breaking up the Roman letters with Chinese characters—and then subverts both English and Chinese through references to the indigenous Taiwanese language, Atayal.

The pressures modernity and European governments (Great Britain especially), brought upon peoples of the Middle East in the late imperial age are here re-presented. In this revisionary study Lorenzo Kamel, Associate Professor of History at the University of Turin, "demonstrates how the heterogeneous identities of Middle Eastern peoples were sealed into a standardized and uniform version that persists today." Extensively researched and full of new material, Kamel’s book shows how the region transitioned from empire into nation-states, and how the modern ethnically-conceived countries of Israel and modern Turkey, and embattled ones like Lebanon and Iraq, came into being.

Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory.

Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel but backed by Britain and the United States, the great powers of the age.

He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process.

This is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces… show more.

A book that deconstructs shibboleths of Britons’ patrician identity and their romantic urge to escape modernity in the Arabian desert, A Barren Legacy reorders and erases the imperial world of From Empire to Orient. The author has spent decades working as a civil servant in Oman and has written several Lonely Planet Guides about Middle Eastern countries. Here, she reviews the Arabian journeys of some media-savvy contemporary British travellers and articulately delivers the genre of Arabian travel-writing into the post-modern era. 

This is a book that keeps on changing my life. I was bowled over the first time I read it because it completely transformed my understanding of global history. The multi-ethnic, multi-lingual, multi-national history I’d been piecing together studying Conrad’s work suddenly all made sense in a different way.

Pramoedya’s novel shows how Conrad’s novels are really all about the anti-colonial revolution. I love the book for the way it introduces all the most important historical, political, social, sexual, and philosophical questions bound up with decolonization.

It's a deceptively simple read, but cocooned within the sentimental coming-of-age story of its first-person narrator, the European-educated Minke, is an increasingly historical account of colonial oppression, anti-colonial resistance, and worldwide revolution that completely overturns European assumptions about what constitutes “this earth of mankind.” 

I love this book for the epic story it tells of two Native American sisters kidnapped from their home and reunited after separate journeys. There’s something extraordinary about Silko's ability to craft a novel about the horrors of violence against Native Americans and make it a book of resilience and affirmation.

It may not have the heft of her other epic novel, Almanac of the Dead (which I also love), but whereas Almanac has no likable characters and many brutal stories, this one manages to have no unlikeable characters despite the underlying brutality of the stories it tells.

It is deceptively childlike in its focus on children and its inclusion of animal characters, although the animal-human relation is far from simplistic, forming part of its deep linguistic, cultural, and ecological world-changing perspective. 

I love this book for the way it brings together in one place (a graveyard) a panoply of different characters from different walks of South Asian life. I find Anjum (the third gender “hijra” character who begins the narrative) most compelling. Her marginal relation to all the various mainstream cultures sets a template for how storytelling works across cultures, languages, and political perspectives.

I also love a part of the book critics found puzzling–when the novel shifts to the perspective of the former intelligence officer. It’s reminiscent of Conrad’s The Secret Agent and Under Western Eyes, Ngugi wa Thiong’o’s A Grain of Wheat, or House of Glass, the final novel in the Buru quartet of novels by Pramoedya Ananta Toer.

Like those novels, it compels a reader to undergo radical shifts in political and cultural perspectives. It’s simultaneously a political novel, a thriller, several coming-of-age novels spliced together, and… show more.

Long before Bridgerton graced screens around the world, I loved this Julia Quinn novel (the sixth in her Bridgerton series) about a man who falls hard for a woman he can never have: his cousin’s wife. Michael is head over heels for Francesca and positively loathes himself for it. His angst is so palpable, it made my chest ache. It’s a slow, hot burn—and totally worth the wait.

Fun fact: in college, my specialty was 16th-century Scotland, which meant I spent several months living in Edinburgh doing research for my senior thesis. In this book, Susanna Kearsley brings to life a Scotland we seldom see in novels but which brings back the Edinburgh I lived in and studied more vividly than anything else I’ve encountered.

There are so many books about the Jacobite rebellion of 1745, but this book tackles the precursor to all that, the tangled politics of the late 17th and early 18th centuries, from the fall-out of the Glorious Revolution and the exile of James II to the ferment around the 1707 Act of Union in all its glorious complexity, through the life of one woman who finds herself—as one does—a normal person buffeted by larger events. Every time I open this book, I feel like I’m back in Edinburgh again.