Here are 100 books that The Painting of Modern Life fans have personally recommended if you like
The Painting of Modern Life.
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I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.
Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential…
The "tyranny of the private realm" is destroying our cities. Modern architecture, with its insistence on the mute object and its rejection of the conventions of street and square, has abdicated civic responsibility and eschewed the urban forms that express and promote it. In this eloquent and extensively illustrated study of the evolution of a modern conception of space, Michael Dennis explores the social, psychological, and especially the formal transformations that that led architects to trade the city of public space for a city of private icons. The French hôtel, an aristocratic town house developed largely in Paris between 1550…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
My passion from a young age has always been cities, the most fascinating of human creations. This has led me to work on them as an urban designer to help shape and guide them. I have been privileged to work on amazing projects in cities as diverse as s diverse as Toronto, Hartford, Amsterdam, New York, Boston, Montréal, Ottawa, Edmonton, Calgary, St. Louis, Washington DC, Paris, Detroit, Saint Paul and San Juan Puerto Rico. On the way, I met remarkable people, learned valuable lessons, and had the opportunity to collaborate with great colleagues. I have written about these experiences in three books and had the opportunity to share my passion through teaching. I have chosen some of the books that have most inspired me on my journey.
This eye-opening book was a revelation to me as a young student of architecture. It provided the keys to how cities really work. Its observations are as relevant and fresh today as they were when it was published in 1961. For me and many in my generation, it helped us to see and appreciate the organic, human-centered dynamics of neighborhoods, introducing the powerful concept of “organized complexity,” which made sense of things we saw but failed to understand.
I met Jane in Toronto in 1968 where she became a lifelong friend and mentor until her death in 2006. It remains a foundational text for me in understanding urban life and my life’s work.
In this classic text, Jane Jacobs set out to produce an attack on current city planning and rebuilding and to introduce new principles by which these should be governed. The result is one of the most stimulating books on cities ever written.
Throughout the post-war period, planners temperamentally unsympathetic to cities have been let loose on our urban environment. Inspired by the ideals of the Garden City or Le Corbusier's Radiant City, they have dreamt up ambitious projects based on self-contained neighbourhoods, super-blocks, rigid 'scientific' plans and endless acres of grass. Yet they seldom stop to look at what actually…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
I recommend Joseph Rykwert’s The Seduction of Place for Rykwert’s wonderful reflections on the relation between people and their cities, and on the essential questions of why cities succeed – or why they fail to work successfully for their inhabitants.
Eminent architectural historian, Jospeh Rykwert looks at the complex story of the city since the industrial revolution. He draws on sociology, social, economic and political history and their complex interactions with the history of architecture. Rykwert's knowledge of world cities is remarkable, and the book will draw on Shanghai as much as Los Angeles, Rio as well as London, Melbourne as well as Paris, both in looking at past developments and for models for the future. His book is also a timely celebration of metropolitan values that have recently been denigrated: tolerance, liberalism, cultural vitality, pluralism. It is an important…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I’ve lived in cities all my adult life and currently divide my time between Paris and Philadelphia. And while those two cities are strikingly different places, they have in common the fact that they are both great walking cities –- urban centers that can be explored on foot and easily enjoyed by pedestrians. Walking cities, I believe, provide not only an ideal context for today’s tourists but also a model for a future in which urban dwellers become less reliant on automobiles and urban centers more open to foot traffic than to vehicular pollution and congestion. The books I’ll recommend deal in various ways with the building and rebuilding of visionary cities, and of Paris in particular.
Beginning in the seventeenth century at the moment when Paris was redesigned, it became a great literary city and the center of the French literary tradition. For anyone interested in how the most important French writers have celebrated their city and depicted the ways in which Paris has changed over the centuries and the impact such changes have had on its inhabitants this is the perfect book.
No city more than Paris has had such a constant and deep association with the development of literary forms and cultural ideas. The idea of the city as a space of literary self-consciousness started to take hold in the sixteenth century. By 1620, where this volume begins, the first in a long line of extraordinary works of the human imagination, in which the city represented itself to itself, had begun to find form in print. This collection follows that process through to the present day. Beginning with the 'salon', followed by the hybrid culture of libertinage and the revolutionary hotbeds…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
John Carlson, himself a noted American Impressionist painter and teacher, addresses all the common elements faced by landscape painters, including design, light, perspective, color, clouds, trees, and composition. While the book was first published in 1929, Dover has reprinted the 1958 edition, so the language is a little more accessible to the modern reader without sacrificing Carlson's forthright style. Although the 58 diagrams are in black and white, the book's chief value is its practical principles and insights.
Written by a famous American painter and teacher, whose landscapes are found in many of the world's most noted museums, this book is known as one of the art student's most helpful guides. It provides a wealth of advice on the choice of subject; it tells what to look for and aim for, and explains the mysteries of color, atmospheric conditions, and other phenomena to be found in nature. Through his profound understanding of the physical nature of landscapes and his highly developed artistic sense, John Carlson is able to explain both the whys and the hows of the various…
As both a lifelong traveler and reader, I cannot start an adventure without a great book. Having owned a Kindle since 2008, I consistently carry a virtual library, curating an assortment of captivating reads for every journey. As a travel journalist, I fly multiple times a month, which amplifies my need and understanding of the perfect in-flight companions; stories that transport and captivate. As an author with a memoir to my name, I appreciate the transformative power of storytelling. This blend of literary passion, frequent travel, and personal authorship has led me on my search for engaging, unforgettable books that mesmerize the reader.
This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.
Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.
As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable.
THE NEW YORK TIMES BESTSELLER, SOON TO BE A MOVIE PRODUCED BY AND STARRING SHARON STONE A BUZZFEED MUST-READ FOR 2022
A young journalist embroiled in an international art scandal centred around a Nazi-looted masterpiece, forcing the ultimate showdown between passion and possession, lovers and liars, history and truth.
After talking her way into a job in Chicago, young journalist Jules Roth is given an unusual assignment: locate a painting stolen by the Nazis more than 75 years ago. The painting? None other than legendary artist Ernst Engel's most famous work, Woman on Fire. A dying designer covets the portrait…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
My name is James Gurney and I've been a professional illustrator for National Geographic and Scientific American for over 40 years. Although I went to art school, everything I know about drawing and painting comes from studying art instruction books, and from sketching directly from nature. I'm best known for writing and illustrating the New York Times bestselling Dinotopia book series, published in 32 countries and 18 languages. I designed 15 dinosaur stamps for USPS and a set of five dinosaur stamps for Australia Post. My originals have been shown in over 35 solo museum exhibitions. My book Color and Light has sold over 200k copies and was Amazon's #1 bestselling book on painting for over a year.
The book covers basic principles, such as variety, shape, silhouette, edges, unity, rhythm, color, and texture. But his coverage of these familiar ideas is fresh and original, and he provides lots of examples. He avoids laying down rules or laws, because one generation of artists breaks the rules of the previous generation. All of the basic principles are universal enough to have remained in place despite the changing styles throughout history.
This is the ENGLISH edition. To buy this book in Russian: https://www.amazon.com/dp/5904957076. | The only textbook on composition approved and recommended by the Russian Academy of Fine Arts. Written by a Head of the Drawing Department and a leading professor of drawing, Vladimir Mogilevtsev. Description: This is the 3rd and last textbook in the series of "Fundamentals of Art". The previous two editions are dedicated to Fundamentals of Drawing and Fundamentals of Painting. In the book Fundamentals of Composition, the author, on the basis of his own creative work and experience working with students, tried to show and explain how…
In the “meme-ification” of the world, the long-form version of learning and practicing skills is getting lost. True discovery happens after a thorough and deep understanding of the subject. Truth is a multilayered, complex exploration that is hard to sum up in a single sentence.
This book offers the technical breakdown of painting in grisaille. I only know of a few books that cover it and this one was written by an amazing painter! This was the common practice of Bouguereau and Gerome and is thoroughly explained in this particular volume as well and the rendering of planar “facets.” The practice of grisaille is an important phase in painting. The separation of color and form is partly why so many of the “masters” had such control over form and value.
This instructive volume introduces not only the techniques of oil painting but also the underlying principles of figure drawing. Written by a distinguished Pre-Raphaelite painter, portraitist, and book illustrator, the treatment begins by explaining the construction of the figure, head, and limbs. Succeeding chapters illustrate these teachings with examples of images by the Old Masters, including paintings from the Italian, Dutch, Spanish, French, and British schools. The Birmingham Daily Post pronounced this volume "probably the most useful handbook for art students that has yet been published." Students at every level of expertise will benefit from its discourses on light and…
As a reader and writer, I work with a pretty broad definition of “mystery.” You’ll find my own novels in the fantasy section of the bookstore, but my books are mysteries too — and romances, and tales of adventure, and intimate character studies, and reflections on our reality, no matter how fantastical the worlds in which they take place. I love melding genres! So when I think of my favorite mysteries, I try not to limit myself to the mystery section of the bookstore. Few things make me happier than discovering partway through a book that a mystery has been building that I didn’t even notice.
I’m going to guess that most adults don’t encounter many picture books, except in the context of introducing them to children. I would like to humbly suggest that if your reading habits don’t extend to picture books, you may be missing out. It’s an art form I adore, and one of my favorites is this book about a mysterious painter in Paris whose paintings contain scenes that come alive. I love Agee’s palette and the perspectives he chose for this story — and no matter how many times I read this book, I’m still thrilled by the twist at the end. It’s the sort of mysterious story that delights, while opening your imagination to bigger things.
Art imitates life in this hilarious, absurdist picture book--one of Jon Agee's most beloved titles, now back in print.
"Outrageous!" the judges cried. "Ridiculous!" Who would dare enter a portrait of a duck in the Grand Contest of Art? But when Felix Clouseau's painting quacks, he is hailed as a genius. Suddenly everyone wants a Clousseau masterpiece, and the unknown painter becomes an overnight sensation. That's when the trouble begins.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I am a poet and author living and writing in Northern Colorado. I love reading (and writing) novels in verse because they invite the reader into an active relationship with the author-poet. The story is co-created through mutual trust and imagination: the reader has to trust the author to provide enough language to reveal the narrative, and the author has to trust the reader to fill in details left by the white space on the page. Through this mutual effort and creative collaboration, dazzling stories emerge.
Joy McCullough’s Blood Water Paint is historical fiction that tells the story of Artemisia Gentileschi, a Renaissance painter who survived a sexual assault and persevered to see her assailant convicted in an Italian court. If the true aspects of the story weren’t compelling enough, McCullough contrasts her fictional character with the biblical heroines Judith and Susanna, using prose and verse strategically to weave the stories with their counter-narratives. McCullough’s experience as a playwright shines through here and her poetic devices are downright Shakespearean, revealing clues to her characters’ emotional truths through the deceptively simple arrangement of words on the page. This book is astonishingly good and a must-read for anyone intrigued by novels in verse.
Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint.
She chose paint.
By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the…
